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The 2019 Met Gala: Lena Waithe and Kerby Jean-Raymond Slay for The Culture
NNPA NEWSWIRE — Waithe is literally the present and future of film and television with her Emmy award for Master of None. Jean-Raymond is the present and future of fashion with his 2018 CFDA (The Council of Fashion Designers of America) nomination for Emerging Talent and 2019 CFDA nomination for Menswear Designer of the Year (Pyer Moss).
By Nsenga K. Burton, Ph.D., NNPA Newswire Contributor
Actress, showrunner and writer Lena Waithe “came to slay” at the 2019 Met Gala strutting on the pink carpet wearing a pinstripe Carolina blue suit with the statement “Black Drag Queens Invented Camp” written in script across her back. With Haitian-American fashion designer Kerby Jean-Raymond at her side and wearing the same suit in a different color, the it-duo donned Pyre Moss’ (Jean-Raymond’s fashion label) very 80s styled suit which enveloped the words to music legend Diana Ross’ classic hit song “I’m Coming Out,” in the pin stripes. Jewelry Designer Johnny Nelson collaborated with Pyre Moss and created 16 custom iconic portrait buttons and black power fist cuff links to adorn their suits. Kerby chose 8 of his favorite rappers for his buttons: Nipsey Hussle, Nas, J. Cole, Kendrick Lamar, Drake, Jay-Z, Meek Mill and Tupac. Waithe chose LGBTQ icons for hers: RuPaul, Octavia St. Laurent, Dorian Corey, Freddie Pendavis, Pepper La Beija, Paris DuPree, Venus Xtravaganza and Willie Ninja.
The outspoken artists confronted the controversy brewing since the Met’s announcement that the 2019 theme of the costume exhibition would be “Camp: Notes on Fashion.” The Met exhibition would be an ode to Susan Sontag’s 1964 essay that defines camp as “love of the unnatural: of artifice and exaggeration.”
Susan Sontag is to camp what Norman Mailer is to cool. Sontag’s writing is revered and reviled with the same intensity by artists, intellectuals and the like. One of the reasons her work is reviled is because of the invisibility of the blackness that informs it. Sontag’s essay failed to mention one black person; the only person of color mentioned is Cuban pop singer La Lupe. Her essay posits camp in a binary construct of gender and class yet fails to mention race. For the out black queer queen of Hollywood to step onto the pink carpet proclaiming black culture as the foundation for the evening with Jean-Raymond who burst onto the fashion scene with his presentation at Pyer Moss’ 2015 Spring Menswear Collection which confronted policy brutality and referenced the Black Lives Matter movement and literally wearing the words and images of black and gay icons is in a word – gangsta.
Waithe is literally the present and future of film and television with her Emmy award for Master of None. Jean-Raymond is the present and future of fashion with his 2018 CFDA (The Council of Fashion Designers of America) nomination for Emerging Talent and 2019 CFDA nomination for Menswear Designer of the Year (Pyer Moss). Waithe and Jean-Raymond make major moves and statements in dominant cultural industries that have historically marginalized and “othered” black folks, while simultaneously appropriating black cultural symbols and practices. The duo’s unified emergence on the pink carpet demonstrates their awareness of the power play in progress and their commitment as “othered” artists, yet and again, to battle the cultural dismissal head on.
In the same vein that Waithe and Jean-Raymond, who has built a brand that tackles issues of social justice directly and centers Black American stories in his sure-to-be iconic fasion collections (American Also), their pairing is a fierce statement of the centrality of black culture, the shared global histories and struggles of black people of African descent and the mandate in this climate, which is in many ways a microcosm of a macro problem – to deconstruct and address the invisibility of black people in general and queer black people specifically.
Their privileging of queer black people and culture tells the story of an underappreciation of black and queer contributions to society despite the use and misuse of black and queer culture and in this case, black queer creative labor to build empires. Both are disrupting American industries (media and fashion) through their award-winning and highly acclaimed work (Master of None, Seven Mothers) while being themselves. They literally used their black and queer bodies and clothing to disrupt one of the most iconic and beloved events in the world.
Gotham got got last night by a black lesbian from the Southside of Chicago and a Haitian American from Brooklyn who has been toiling in the fashion industry since age 15. They know the industries they work in like the back of their hands, which is one of the reasons for their major successes while being very clear about who they are as people and artists and what they represent. They challenged Sontag’s limited definition of camp and inverted the power relationship if only for a moment. The wonder twins used their cultural capital to remind attendees that this “celebration” and “exhibition” would not be possible without the contributions of queer black folk. Waithe and Jean-Raymond physically “trolled” the theme of the 2019 Met Gala with their bodies, stories and fashion. One could say, they slayed for the culture and if that isn’t camp, then I don’t know what is.
This post was written by Nsenga K Burton, Ph.D., founder & editor-in-chief of The Burton Wire. An expert in intersectionality and media industries, Dr. Burton is also a professor of film and television at Emory University and co-editor of the book, Black Women’s Mental Health: Balancing Strength and Vulnerability. Follow her on Twitter @Ntellectual or @TheBurtonWire.

Fashion Designer Kerby Raymond-Jean and Actress/Showrunner Lena Waithe arrive at the 2019 Met Gala. (Instagram: Lena Waithe)
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Remembering George Floyd
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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism
BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association
For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.
As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.
Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.
We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.
Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.
The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.
We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.
Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.
Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association
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Hate and Chaos Rise in Trump’s America
BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

By Stacy M. Brown
Black Press USA Senior National Correspondent
The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”
Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.
The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”
Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.
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