Connect with us

#NNPA BlackPress

The ALOUD series hosts Coogler and Coates for intimate conversation

LOS ANGLES SENTINEL — Ta-Nehisi Coates and Ryan Coogler welcomed many to a night of Black excellence as they discussed Coates’ debut novel, The Water Dancer. Held at West Angeles Cathedral, The Library Foundation of Los Angeles’ ALOUD series welcomed the two to celebrate The Water Dancer, and more. The Water Dancer written by Ta-Nehisi Coates is his first fictional novel and New York Times #1 Best Seller. His debut novel follows a young Hiram Walker who was born into bondage and lost his mother and the memory of her. Hiram is saved from an accident by an unknown force, which grew newfound urgency on his private rebellion. He then uses his talent to go on a journey into the war on slavery, finding his chosen mother and love, determined to leave the only home he knows. The novel travels through his findings on several plantations, his return to home and the mastering of his gifts, as he reconstructs the story of his biggest loss.

Published

on

Ta-Nehisi Coates & Ryan Coogler engaging in a one-on-one about the fictional novel, The Water Dancer (Photo by: Michael Rueter)

Author Ta-Nehisi Coates and Director, Ryan Coogler Sat Down for an Intimate Conversation Surrounding the Black Experience and Coates debut novel, “The Water Dancer”

By Saybin Roberson,

Ta-Nehisi Coates and Ryan Coogler welcomed many to a night of Black excellence as they discussed Coates’ debut novel, The Water Dancer. Held at West Angeles Cathedral, The Library Foundation of Los Angeles’ ALOUD series welcomed the two to celebrate The Water Dancer, and more.

The Water Dancer written by Ta-Nehisi Coates is his first fictional novel and New York Times #1 Best Seller. His debut novel follows a young Hiram Walker who was born into bondage and lost his mother and the memory of her. Hiram is saved from an accident by an unknown force, which grew newfound urgency on his private rebellion. He then uses his talent to go on a journey into the war on slavery, finding his chosen mother and love, determined to leave the only home he knows. The novel travels through his findings on several plantations, his return to home and the mastering of his gifts, as he reconstructs the story of his biggest loss.

The event opened with a performance from Senegalese drummer Malik Sow and his collection of drummers. Together, Coates and Coogler explored the Black experience through the lens of the novel’s protagonist Hiram story and the strength exuded by Black culture.

The conversation began as Coogler asked Coates of his craftsmanship, which the author then detailed it took 10 years to write The Water Dancer. Coogler asks, “At what point did you think you had something?” Coates explains his formula, stating the first draft was terrible. Also adding that of the 10 years, he didn’t feel a true piece was created until just a year ago when he found the key element of the story.

“You can’t talent your way to writing, it’s built, it’s a made thing. The real thing you have to do, you got to go back to that bad writing, you’ve got to revise. You have to get to bad to not-so-bad,” he says and the crowd laughs.

With Coogler and Coates having a prior relationship, the conversation was fluid and friendly. Coogler explained he finished the book moments before, said he enjoyed and connected to the book thoroughly. Highlighting the common thread and truth of slavery being violence, rape, and bondage, but for this novel, it focused much on emotional trauma.

“I think it’s necessary to tell those types of stories, but what I wasn’t ready for was the type of violence that this focused on, which was not physical violence but emotional,” Coogler says. “I never seen a work that was like, very razor-sharp focused on emotion.”

Coates responds, detailing his intention and the most striking aspect that drew him to the story, was the destruction of families. “What got me and what I finally actually got what I thought I was reading about, was the destruction of family,” he says. “In slavery, if somebody sells your kid, that’s just as good as killing your kids. You’re never going to see them again.”

“I had seen the physical [violence] and how bad it was, I wanted to go here, I wanted an opportunity to write a different kind of narrative.”

The two go through elements of the novel, reading an excerpt with a gut-wrenching monologue from a freed-slave who felt she was still in bondage because her family had not come to freedom with her. Coogler goes on saying he couldn’t read the novel without thinking of mass incarceration, Coates agrees.

The conversation travels to therapy, how creating is a form of therapy. As well as the process of becoming and remaining inspired when you have nothing, which according to history is the way of Black culture.

Coates relates this to the protagonist Hiram’s story, “He has to realize it’s not what’s being advertised to him that’s the story he should embrace.”

The Water Dancer, much like the conversation between the two creatives touches on topics and extremely prevalent ideas in today’s society. The notion of taking back our story like Coates’s main character Hiram does. In conjunction with taking back our strength as Coogler promoted in his recording breaking box office hit, “The Black Panther.”

“It’s not what they did to us,” Coates says in his closing statement, “it’s what we did.”

This article originally appeared in The Los Angeles Sentinel.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

#NNPA BlackPress

Remembering George Floyd

Published

on

Continue Reading

#NNPA BlackPress

OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

Published

on

By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

Continue Reading

#NNPA BlackPress

Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

Published

on

By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

Continue Reading

Subscribe to receive news and updates from the Oakland Post

* indicates required

CHECK OUT THE LATEST ISSUE OF THE OAKLAND POST

ADVERTISEMENT

WORK FROM HOME

Home-based business with potential monthly income of $10K+ per month. A proven training system and website provided to maximize business effectiveness. Perfect job to earn side and primary income. Contact Lynne for more details: Lynne4npusa@gmail.com 800-334-0540

Facebook

Trending

Copyright ©2021 Post News Group, Inc. All Rights Reserved.