Bay Area
The Jollof Festival Brings Together Oakland Community
The Jollof Festival began its national run in Oakland on Saturday July 13. The festival was held outside at 1255 Seventh St., near the West Oakland BART Station. The event was co-produced by Ishmael Osekre, Quiana Webster, and Njleone. The Jollof Festival started 17 years ago, an event centered around a prevalent debate in Black culture: Who makes the best Jollof? Each year every city the festival visits gets to vote on which West African country makes the best Jollof.
By Daisha Williams
The Jollof Festival began its national run in Oakland on Saturday July 13. The festival was held outside at 1255 Seventh St., near the West Oakland BART Station.
The event was co-produced by Ishmael Osekre, Quiana Webster, and Njleone. The Jollof Festival started 17 years ago, an event centered around a prevalent debate in Black culture: Who makes the best Jollof? Each year every city the festival visits gets to vote on which West African country makes the best Jollof.
In response to local requests, the festival began coming to Oakland in 2018. The Bay has been incredibly welcoming – this year there was a line down the block even hours after the festival had started.
On the walls of the Seventh Street building were beautiful murals and artwork even adorned the fence surrounding the event, adding to the vibe of the space.
Vendors – including Vibrant Designs and Red Ruby Boutique – rimmed the venue, separated from a seating area with the dance floor in the center. Also along the perimeter was the tasting area where people could order food or pick up their pre-ordered plate. AfroEats, MAMA”s Sauces and Marinades, and Eko Kitchen were among the caterers.
Although the rice is what brings people to the festival, community is really the heart of it. People stay long after the rice is gone, dancing, talking, and singing together.
“Our focus is on Jollof rice and this really fun cultural banter that is happening around it. But it’s not just food… there are all these activities that make it a fun, friendly, communal, and intercultural experience.” said co-producer Osekre.
Like a true cultural event, the thing that brought the most people together was the music. Everyone was on the dance floor, feeling the music that vibrated through the event. There were DJ’s such as DJ Leonne Brayo the DJ and performers including @jahniahomi and @olujazz on Instagram.
Fun for all ages, many families brought their kids and there was even a corner with games for them to play.
Around an hour before the event was over organizers called up volunteer judges from the audience. Each judge tested four different rice plates and rated each on a scale of 1 to 10. Everyone quieted as the scores were being announced, reacting loudly afterwards.
This was the most exciting part of the event with everyone rooting for their own countries.
Before the judging they emphasized that it doesn’t matter who wins because we’re all united as a community.
On July 20 the Jollof Festival will be in Atlanta, Georgia. It will then go to Washington, D.C., Detroit, Boston, Chicago, Philadelphia, Charlotte, Durham, Dallas, and finally Houston.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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