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The Key Players in the Bobbi Kristina Brown Saga

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In this Feb. 12, 2011, file photo, singer Whitney Houston, left, and daughter Bobbi Kristina Brown arrive at an event in Beverly Hills, Calif. Messages of support were being offered Monday, Feb. 2, 2015, as people awaited word on Brown, who authorities say was found face down and unresponsive in a bathtub over the weekend in a suburban Atlanta home. (AP Photo/Dan Steinberg, File)

In this Feb. 12, 2011, file photo, singer Whitney Houston, left, and daughter Bobbi Kristina Brown arrive at an event in Beverly Hills, Calif. Messages of support were being offered Monday, Feb. 2, 2015, as people awaited word on Brown, who authorities say was found face down and unresponsive in a bathtub over the weekend in a suburban Atlanta home. (AP Photo/Dan Steinberg, File)

JONATHAN LANDRUM Jr., Associated Press

ATLANTA (AP) — Bobbi Kristina Brown, daughter of the late Whitney Houston and the only child between Houston and ex-husband Bobby Brown, has been hospitalized since she was found unresponsive in a bathtub at her suburban Atlanta home on Jan. 31.

Some facts about her and others associated with her:

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BOBBI KRISTINA BROWN

She spent her entire life in the spotlight generated by Houston and Bobby Brown. She attended award shows and appeared on red carpets alongside them, and performed “My Love Is Your Love” along with her superstar mother in 2009. Bobbi Kristina wanted to become a singer and actor just like Houston, who died three years ago. But her career never took off. She ended up becoming a social media sensation, sending more than 11,000 tweets and attracting 164,000 followers. She often claimed she was married to her partner, Nick Gordon, the orphaned young man she grew up with after Houston brought him into the family. She is the sole inheritor of Houston’s estate.

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NICK GORDON

Bobbi Kristina was living with Gordon at the townhome where she was found in a bathtub. Police say Gordon performed CPR on her while a friend called 911. Houston brought Gordon into her household as an orphan at the age of 12, raising him and her daughter after divorcing Bobby Brown in 2007. Gordon wore a large tattoo of Houston’s face on his arm and called the singer “mom,” but she never fully adopted him or included him in the will. After Houston’s death, Gordon and Bobbi Kristina went public with their romance. Bobby Brown says his daughter isn’t and never has been married to Gordon.

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BOBBY BROWN

The father of 21-year-old Bobbi Kristina. The former New Edition member and soul singer tied the knot with Whitney Houston in 1992, but their marriage was a tumultuous one. The two divorced in 2007. The 46-year-old Brown was known for a bad-boy image but also became a huge star, selling platinum records with New Edition and going solo before drugs and legal woes derailed his career.

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PATRICIA HOUSTON

Whitney Houston’s sister-in-law and manager, married to Whitney Houston’s brother Gary. After the late singer’s death in 2012, Patricia was appointed administrator of the trust fund Whitney Houston set up for Bobbi Kristina. Gordon and Bobbi Kristina’s announcement of their marriage on social media troubled Patricia, who always viewed the two as brother and sister. She eventually obtained a restraining order against Gordon, effective through April.

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MAXWELL LOMAS

Lomas, 24, of Duluth, Georgia, was listed in the police report as being at Bobbi Kristina and Nick Gordon’s home when investigators arrived. He claims he was the one that found Bobbi Kristina face-down in the bathtub. Lomas has had a checkered past. Last month, he was arrested and charged with weapons offenses, possession of marijuana with intent to distribute, and possession of a prescription anxiety medication. Lomas pleaded not guilty to the charges, according to his attorney, who said the arrest is unrelated to Brown being found in the bathtub.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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