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The Long-Awaited Grand Opening of the Jackie Robinson Museum

NNPA NEWSWIRE — The museum will educate visitors by showcasing the life, legacy, and accomplishments of Jackie and Rachel Robinson, and not just their role in transforming America’s pastime, but their social justice activism. The Jackie Robinson Museum is the only Civil Rights museum in New York City.

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The museum will educate visitors by showcasing the life, legacy, and accomplishments of Jackie and Rachel Robinson, and not just their role in transforming America’s pastime, but their social justice activism.

By Menra Mapfumo

On July 27 in New York, NY, after years of anticipation and fundraising, the Founder of the Jackie Robinson Foundation and the wife of Jackie Robinson, Mrs. Rachel Robinson opened The Jackie Robinson Museum.

The museum will educate visitors by showcasing the life, legacy, and accomplishments of Jackie and Rachel Robinson, and not just their role in transforming America’s pastime, but their social justice activism. The Jackie Robinson Museum is the only Civil Rights museum in New York City.

At 100 years old, Mrs. Robinson herself was there to cut the ribbon herself in front of a crowd of several hundred which included her two remaining children, Sharon and David Robinson, and many of her grandchildren.

Jackie Robinson Foundation CEO Della Britton described what she wants young people to get out of the museum: “We want them to become knowledgeable about Jackie Robinson and Rachel Robinson and their legacy. We want them to be inspired by that. We want them to learn from the challenges Jackie had, from strategies he had for how to create change. Primarily, interested in equal opportunity, interested in economic empowerment. He spent his entire life working to close the achievement gap to get a level playing field. So, we want them to learn the story and then we want them to be inspired to continue the work, and to create a society that is more just.”

Former Attorney General Eric Holder shared how Jackie Robinson inspired him as he grew up: “Jackie Robinson was a hero of mine…Jackie Robinson was the key to my interest in the Brooklyn Dodgers. The first team to integrate. You could not be a young Black man in New York without rooting for the Dodgers. To see this museum, it is the culmination of recognition that I think he deserved. I think this is not only a testament to the past, it is also a call to people to be engaged in the future in the way that Jackie and Rachel want.”

New York City Mayor Eric Adams expressed how he felt about the impact Jackie Robinson had on his life: “Just the belief that because something seems impossible, it is possible. We cannot always find the safest pathway. He just inspired me… I was the first Black Borough President and I am the second Black mayor. Going through the challenges of breaking down those barriers, I just think so many of us can look at his story… Other people think it is not possible or doable, but he did it. It is also about partnership. You cannot get away from his love affair with his wonderful wife and even as he transitioned, she continued. That is why this museum is open. That is why the [Jackie Robinson Foundation] is doing well.”

Major League Baseball Players Association Executive Director Tony Clark and Vice President of the MLB Players Alliance C.C. Sabathia gave their opinions on what needs to be done to get more African Americans back on the playing field, and as managers and owners.

Clark said, “There is a long answer and a lot of moving pieces to that… As it relates to ownership, as it relates to management, those are decisions that ownership and management are going to have to make…We are hopeful that at some point in time the light will indeed come on and the folks that are making decisions on that side of the equation will appreciate the value of a more diverse ownership group and a more diverse management group…”

Sabathia said, “That is a big issue…That is [The Players Alliance’s] big mission, to get kids back playing. When I was playing, I thought the kids were not playing baseball, but that is not true. Kids are playing baseball at a high clip, especially in our community. We just got to give them more opportunities.”

Sabathia shined a light on Major League Baseball’s development programs like the Hank Aaron Invitational and Elite Development Invitational. Sabathia mentioned some of the players drafted this year that came up through those programs.

He said, “It is just about making [the programs] bigger and expanding and doing a better job of identifying those kids that want to play baseball.”

New York Yankees General Manager Brian Cashman articulated what the opening of the museum meant to him: “The Yankees were there for the beginning and we have stepped up. [Former Yankees Owner George Steinbrenner] had a great relationship with Rachel Robinson… It means everything. First of all, I did not grow up a Yankee fan. I grew up a Dodger fan so I know the history of Jackie Robinson, the impact he had not only on the game of baseball, but on the world, especially here in America. He was a game changer. We celebrate his life, his impact, and obviously a lot more work to be done. He is a pillar of hope and strength for so many. To remind us of where we were, but also where we need to keep going. It is a pleasure to be here for the opening. It is my trade deadline, but when it is Jackie Robinson you stop everything and come.”

Director Spike Lee, and renowned journalist, biographer and the author of the text on the very walls of the Jackie Robinson Museum, Howard Bryant opined on what most impressed them about the museum and what the opening meant to them.

Lee said, “…This is something that the queen Rachel Robinson wanted for her husband and herself. This is a place where this should be one of the top museums. Not just in New York City. Not just in Washington D.C., but the United States of America. You cannot underestimate the significance, the importance, of Jackie Robinson…April 14, 1947, is a delineation…the day Jackie Robinson broke the color barrier and it is one of the greatest days in the history of this country. That is what it means.”

Bryant said, “It means more than I can say… The thing that means most to me is that Rachel is here to see it. To be able to see a vision come through. She’s wanted this for more than 20 years and to be able to see it with your own two eyes, it brings you to tears. It is really special. To me, what I am really impressed about is the dedication of seeing a project through because this was hard to get done. We always say things like ‘Do not talk about it, be about it.’ The number of people who were committed to make this happen, it tells you how important this is and it tells you how when you are really committed to something worthwhile see it through. You fight for it. You make sure that everybody else around you builds you up. This is a testament to… Jackie’s commitment, Rachel’s commitment, to the commitment of everybody who wanted to see this happen and now it is here.”

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Rep. Al Green Files Articles of Impeachment Against President Trump

BLACKPRESSUSA NEWSWIRE — Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.”

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By Lauren Burke

Congressman Al Green (D-TX) has filed articles of impeachment against President Trump. Rep. Green, 77, has served in Congress since 2005.  President Trump is the only President who has been impeached twice by the U.S. House of Representatives. Rep. Green told Newsweek that he is moving on impeachment now before “tanks are rolling down the street.” The impeachment resolution filed by Rep. Green on May 19, states that President Trump is, “unfit to represent the American values of decency and morality, respectability and civility, honesty, and propriety, reputability, and integrity, is unfit to defend the ideals that have made America great, is unfit to defend liberty and justice for all as extolled in the Pledge of Allegiance, is unfit to defend the American ideal of all persons being created equal as exalted in the Declaration of Independence, is unfit to ensure domestic tranquility, promote the general welfare and to ensure the blessings of liberty to ourselves and our posterity as lauded in the preamble to the United States Constitution, is unfit to protect government of the people…” Whether Rep. Green can force a vote in the U.S. House on impeachment remains an unknown issue. President Trump was impeached on December 18, 2019, for abuse of power and obstruction of Congress. He was then impeached a second time on January 13, 2021, for “Incitement of insurrection” in the wake of the violent January 6, 2021 attack on the U.S. Capitol by Trump’s supporters.

The White House stated Black Press USA on Rep. Green’s effort to impeach the President. “This week, Democrats ousted their DNC ‘leader,’ opposed the largest tax cut in history, and were exposed for actively covering up Joe Biden’s four-year cognitive decline. Now, Democrats have turned their sights to threatening impeachment. We are witnessing the collapse of the Democrat Party before our eyes. Not a single one of these efforts will help the American people. The contrast could not be more clear: President Trump is fighting for historic tax relief for the American people, Democrats are fighting themselves,” said White House Deputy Press Secretary Anna Kelly in a written statement. Several decisions and legal interpretations by the Trump Administration are currently being challenged in federal court. On May 15, the U.S. Supreme Court debated the issue of birthright citizenship after a legal challenge on the issue by the Trump Administration.

During that legal challenge, Justice Ketanji Brown Jackson challenged Trump’s solicitor general Dean John Sauer by saying, “Your argument seems to turn our justice system into a catch-me-if-you-can kind of regime … where everybody has to have a lawyer and file a lawsuit in order for the government to stop violating people’s rights.” Rep. Green’s impeachment resolution also focused on the issue of ignoring judicial orders by the executive branch. A notable example was the deportation case of Maryland father Kilmar Abrego Garcia. Garcia was deported to a prison in El Salvador by federal officials on March 15, 2025.“The Constitution does not tolerate willful disobedience of judicial orders — especially by officials of a coordinate branch who have sworn an oath to uphold it. To permit such officials to freely ‘annul the judgments of the courts of the United States’ would not just ‘destroy the rights acquired under those judgments’; it would make a solemn mockery’ of ‘the constitution itself.’” “You have no mandate,” Congressman Green stood up and yelled at President Trump during his State of the Union Speech on March 4. After the incident, Republicans who control the U.S. House considered sanctioning Rep. Green, but they did not complete an action against him.

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Affordable Childcare Remains a Barrier: Solutions in New Report

BLACKPRESSUSA NEWSWIRE — We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

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While America’s childcare supply grew nationally, the price of that care continues to rise—placing affordable, high-quality care out of reach for many families. A new report released by Child Care Aware® of America (CCAoA), Child Care in America: 2024 Price & Supply, shows that despite promising signs of increased supply, affordability remains a major barrier — and underscores the need for increased sustained federal and state investment.

From 2023 to 2024, the number of childcare centers increased by 1.6% (to 92,613) and the supply of licensed family childcare (FCC) homes increased by 4.8% (to 98,807). The national growth in FCC homes’ supply is driven largely by four states (CA, KS, MA, VA) and is especially notable as it reverses a year-long downward trend.

At the same time, the national average price for childcare rose by 29% from 2020 to 2024, outpacing inflation and exceeding other major family household expenses like rent or mortgage payments in many states. Childcare is now so expensive that it consumes 10% of a married couple with children’s median household income and a staggering 35% for a single parent. In most states, families pay more for childcare than rent, mortgage payments, or in-state university tuition.

“Childcare supply is increasing, and that is a win—but it’s not enough,” said Susan Gale Perry, Chief Executive Officer of CCAoA. “Recent federal and state pandemic-era investments have stabilized and grown supply in some places, but a significant supply gap still exists — especially in rural communities and for infants and toddlers. We also still haven’t put a dent in affordability for working families. That’s why we urgently need increased funding and new solutions.”

CCAoA’s Childcare in America: 2024 Price & Supply report also found that:

  • The average price of childcare increased by 29% from 2020 to 2024, outpacing the national inflation rate of 22%.
  • In 45 states plus Washington, DC, the average annual price of center-based childcare for two children exceeded mortgage payments, in some states by up to 78%.
  • In 49 states plus Washington, DC, the price of center-based childcare for two children exceeded median rent payments ranging from 19% to over 100%.
  • In 41 states plus Washington, DC, infant care in a center cost more than in-state university tuition.

CCAoA urges policymakers to increase childcare funding at both state and federal levels to maintain the momentum of growing supply, address rising prices, and expand access to childcare for families. Federal funding increases have fallen short of the need and our research shows that total state investments in child care or preschool vary widely from state to state, putting children, families, and communities across America on an uneven playing field. Further, targeted investments in childcare supply building and stabilization and childcare workforce recruitment and retention strategies are essential to help sustain an adequate supply of high-quality childcare options nationwide.

Child Care Aware® of America (CCAoA) is the only national organization that supports every part of the childcare system. Together with an on-the-ground network of people doing the work in states and communities, it helps America become child care strong by providing research that drives effective practice and policy, building strong child care programs and professionals, helping families find and afford quality child care, delivering thought leadership to the military and direct service to its families, and providing a real-world understanding of what works and what doesn’t to spur policymakers into action and help them build solutions.

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Sex, Coercion, and Stardom: Diddy Case Mirrors Music’s Ugly History

BLACKPRESSUSA NEWSWIRE — It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him

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By Stacy M. Brown
Black Press USA Senior National Correspondent

As Sean “Diddy” Combs faces a federal sex trafficking case and the slow unraveling of his once-untouchable legacy, a larger question looms: Is this the moment the music industry finally confronts its darkest secrets?

It started with a Reddit post that didn’t just speculate on Diddy’s fate but questioned the very foundations of the culture that made him: “How much damage could Diddy do to the state of hip hop?” the user asked. “Supposedly, he has incriminating evidence against those who attended his parties. The same parties that had a lot of bad things happen, to say the least.” The implication was chilling—if Diddy were to cooperate with federal authorities, the fallout might not stop at his feet. Names floated in the post—Jay-Z, Beyoncé, Usher, Justin Bieber—aren’t confirmed in any court filings, but their inclusion highlights the breadth of Diddy’s influence and the potential reach of any revelations. If even a fraction of the speculation proves true, the reverberations wouldn’t stop at hip-hop—they’d hit every corner of the music industry. For his part, Combs denies all allegations. His legal team has described the now-infamous “freak-offs” as consensual encounters, part of his non-monogamous lifestyle. But prosecutors allege something much more sinister: a criminal enterprise powered by the machinery of his music and business empire—one that trafficked women, coerced labor, obstructed justice, and used influence and intimidation to maintain control. Still, for all the headlines Combs generates, his alleged crimes do not exist in isolation. The music industry has long tolerated, enabled, and even glamorized behavior that would trigger career-ending consequences in other arenas. Diddy’s story might be shocking—but it’s not new.

Rock music has its own rogue’s gallery. Jerry Lee Lewis nearly destroyed his career in 1958 after marrying his 13-year-old cousin. Elvis Presley met 14-year-old Priscilla Beaulieu when he was 24 and later moved her into his home in Memphis. In more recent years, Aerosmith’s Steven Tyler faced (and ultimately evaded) a lawsuit from a woman who says he sexually assaulted her in the 1970s when she was 17. A judge dismissed the case due to the statute of limitations. Phil Spector, the genius producer behind the “Wall of Sound,” died in prison after being convicted of murdering actress Lana Clarkson. Gary Glitter was convicted of possessing child pornography and later child sex abuse. Kid Rock and Creed frontman Scott Stapp were filmed with strippers in a sex tape that leaked online in 2006. A new biography of the Rolling Stones claims Mick Jagger had sexual relationships with at least two of his male bandmates, raising further questions about the power dynamics inside even the most celebrated groups.

Journalist Ann Powers, writing for NPR, once noted that the “history of rock turns on moments in which women and young boys were exploited in myriad financial, emotional and sexual ways.” Powers added: “From the teen-scream 1950s onward, one of the music’s fundamental functions has been to frame and express sexual feelings for and from the very young… relating to older men whose glamour and influence encourages trust, not caution.” This brings the spotlight back to Diddy—not just as an accused individual but as a symbol. He was once the archetype of success: Harlem-born mogul, founder of Bad Boy Records, and kingmaker behind artists like Notorious B.I.G., Faith Evans, Ma$e, 112, and French Montana. He transformed hip-hop into a global business and amassed influence far beyond the recording booth. He sold more than 500 million records, earned multiple Grammy Awards, and was honored by MTV, Howard University, and the City of New York—until those honors were swiftly revoked after a video surfaced showing him physically assaulting singer Cassie Ventura. Ventura, his longtime partner and protégé, has accused Combs of brutal physical abuse and psychological control. Her lawsuit and the video evidence ignited a wave of allegations from other women and men, describing similar patterns of coercion, manipulation, and fear. “This is not just about bad behavior. This is about systemic exploitation and abuse made possible by fame, money, and silence,” said one advocate for survivors in the entertainment industry.

While hip-hop has long been a target of criticism for misogyny and violence, what’s now being laid bare is a broader, genre-defying truth: from rock and pop to hip-hop and beyond, the music industry has operated for decades without accountability for its biggest stars. “Sex isn’t the problem,” one Reddit user responded. “Coercion via job opportunities is.” Another added, “Zero [impact], just like R. Kelly and MJ did zero to R&B,” referencing the R&B superstar’s conviction and Michael Jackson’s controversial legacy. Others argued hip hop would endure, regardless of Combs’ fate. Maybe it will. But the Diddy scandal pulls back the curtain—not just on the parties, the rumors, or the headlines—but on an industry-wide culture that has, for too long, allowed power to shield predation. As one survivor put it outside a recent court appearance: “This isn’t just a hip hop problem. It’s not even just a music problem. It’s a power problem.” And now, the music industry has to decide: Will it finally tune in, or will it keep playing the same old song?

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