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The National Museum of African American Music Seeks Submissions of Creative Artwork from Visual Artists

NNPA NEWSWIRE — The addition of original artwork will create a visual experience that aligns with the museum’s content and blends well with the overall aesthetic of the accompanying galleries. Submitted artwork will be juried by an internal art selection committee with three selected artists being awarded between $50,000 – $70,000 for the creation and installation of their work.

Published

5 years ago

December 9, 2019

Oakland Post

The National Museum of African American Music, set to open in the summer of 2020, will be the only museum dedicated solely to preserving African American music traditions and celebrating the influence African Americans have had on music.

African American music museum hosts call for entries to feature original art installations

NASHVILLE, TENN.– When the National Museum of African American Music (NMAAM) opens its doors to the public in the summer of 2020, the first-of-its-kind institution located in the heart of downtown Nashville will be home to more than 1,500 historical artifacts that reflects the development, influence, and impact of African Americans on more than 50 genres and sub-genres including country, jazz, blues, gospel, R&B and hip hop. With construction of the museum currently underway and the layouts of the five primary galleries completed, the NMAAM curatorial team is now looking at ways to fill some of the additional open spaces in the museum with relevant and engaging original public artwork.

Starting today, NMAAM is issuing a call for submissions to all visual artists to submit original artwork for consideration as permanent installations within the museum. The goal of this request is to include artwork within the 56,000 square-foot facility that will enhance the appearance of three distinct areas within the building that are not occupied by other artifacts. The addition of original artwork will create a visual experience that aligns with the museum’s content and blends well with the overall aesthetic of the accompanying galleries. Submitted artwork will be juried by an internal art selection committee with three selected artists being awarded between $50,000 – $70,000 for the creation and installation of their work.

“The [NMAAM] curatorial team is very excited about the opportunity to review art submissions from all around the world and we encourage artists to send us their best music-inspired work for consideration,” said Dr. Dina Bennett, Curatorial Director at NMAAM.

“As much as musical artists have their place in celebrating the contributions of African American music to the world, visual artists also play a pivotal role in preserving the legacy and informing the culture. Our hope is that by opening space in the museum to visual artists, we can add some original pieces to our public spaces that will enhance the stories tell as well as share something visually dynamic for our guests to enjoy,” said Bennett.

The NMAAM call for artwork is open to all emerging artists (18 and older) regardless of gender, sexual orientation, ethnicity or race. No student art will be accepted, and work should be professional in nature. Artwork submissions should be connected to the African American experience and musical in context aligning with the museum’s mission and vision to provide a transformative, inspirational and educational experience for an international audience of museum guests. Artwork should also be durable, able to sustain various climate conditions, resistant to UV damage and safe for public interaction. Projected spaces within the museum where artwork will live include; the Grand Foyer which is the main entry point for the museum, the Lower Lobby which is a gathering space for ticket sales and large-scale public events and the Multipurpose Rooms which will be used for a variety of educational classes and community programs.

Artists interested in submitting artwork will need to submit a completed application by Sunday, January 12, 2020 at 11:59 P.M. CST to the NMAAM Art Selection Committee via the NMAAM submission page at http://NMAAM.org/ArtCall For full details on the materials that should be included in the application packet, as well as complete competition rules, download the Request for Proposal for Public Art on the NMAAM website at www.NMAAM.org. Additional questions can also be sent to artcall@nmaam.org.

About the National Museum of African American Music
The National Museum of African American Music, set to open in the summer of 2020, will be the only museum dedicated solely to preserving African American music traditions and celebrating the influence African Americans have had on music. Based in Nashville, Tenn., as part of the Fifth + Broadway development, the museum will share the story of the American soundtrack by integrating history and interactive technology to bring musical heroes of the past into the present. For more information, please visit www.nmaam.org.

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#NNPA BlackPress

Black Feminist Movement Mobilizes in Response to National Threats

BLACKPRESSUSA NEWSWIRE — More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States.

Published

2 hours ago

May 30, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

More than 500 Black feminists will convene in New Orleans from June 5 through 7 for what organizers are calling the largest Black feminist gathering in the United States. The event, led by the organization Black Feminist Future, is headlined by activist and scholar Angela Y. Davis. Paris Hatcher, executive director of Black Feminist Future, joined Black Press USA’s Let It Be Known to outline the mission and urgency behind the gathering, titled “Get Free.” “This is not just a conference to dress up and have a good time,” Hatcher said. “We’re building power to address the conditions that are putting our lives at risk—whether that’s policing, reproductive injustice, or economic inequality.” Hatcher pointed to issues such as rising evictions among Black families, the rollback of bodily autonomy laws, and the high cost of living as key drivers of the event’s agenda. “Our communities are facing premature death,” she said.

Workshops and plenaries will focus on direct action, policy advocacy, and practical organizing skills. Attendees will participate in training sessions that include how to resist evictions, organize around immigration enforcement, and disrupt systemic policies contributing to poverty and incarceration. “This is about fighting back,” Hatcher said. “We’re not conceding anything.” Hatcher addressed the persistent misconceptions about Black feminism, including the idea that it is a movement against men or families. “Black feminism is not a rejection of men,” she said. “It’s a rejection of patriarchy. Black men must be part of this struggle because patriarchy harms them too.” She also responded to claims that organizing around Black women’s issues weakens broader coalitions. “We don’t live single-issue lives,” Hatcher said. “Our blueprint is one that lifts all Black people.”

The conference will not be streamed virtually, but recaps and updates will be posted daily on Black Feminist Future’s YouTube channel and Instagram account. The event includes performances by Tank and the Bangas and honors longtime activists including Billy Avery, Erica Huggins, and Alexis Pauline Gumbs. When asked how Black feminism helps families, Hatcher said the real threat to family stability is systemic oppression. “If we want to talk about strong Black families, we have to talk about mass incarceration, the income gap, and the systems that tear our families apart,” Hatcher said. “Black feminism gives us the tools to build and sustain healthy families—not just survive but thrive.”

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Hoover’s Commutation Divides Chicago as State Sentence Remains

BLACKPRESSUSA NEWSWIRE — Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial.

Published

1 day ago

May 29, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

The federal sentence for Gangster Disciples founder Larry Hoover has been commuted, but he remains incarcerated under a 200-year state sentence in Illinois. The decision by Donald Trump to reduce Hoover’s federal time has reignited longstanding debates over his legacy and whether rehabilitation or continued punishment is warranted. The commutation drew immediate public attention after music executive Jay Prince and artist Chance the Rapper publicly praised Trump’s decision. “I’m glad that Larry Hoover is home,” said Chance the Rapper. “He was a political prisoner set up by the federal government. He created Chicago Votes, mobilized our people, and was targeted for that.”

But Hoover, the founder of the Gangster Disciples, is not home—not yet. Now in federal custody at the Florence Supermax in Colorado, Hoover was convicted of murder and running a criminal enterprise. Although some supporters describe him as a political prisoner, the legal and public safety concerns associated with his name remain substantial. “There is a divide in the Black community here,” said Chicago journalist Jason Palmer during an appearance on the Let It Be Known morning program. “Some view Hoover as someone who brought structure and leadership. Others remember the violence that came with his organization.” Palmer explained that while Hoover’s gang originally formed for protection, it grew into a criminal network responsible for extensive harm in Chicago. He also noted that Hoover continued to run his organization from state prison using coded messages passed through visitors, prompting his transfer to federal custody.

Illinois Gov. J.B. Pritzker, who is widely considered a potential 2028 presidential contender, has not issued a statement. Palmer suggested that silence is strategic. “Releasing Hoover would create enormous political consequences,” Palmer said. “The governor’s in a difficult spot—he either resists pressure from supporters or risks national backlash if he acts.” According to Palmer, Hoover’s federal commutation does not make him a free man. “The federal sentence may be commuted, but he still has a 200-year state sentence,” he said. “And Illinois officials have already made it clear they don’t want to house him in state facilities again. They prefer he remains in federal custody, just somewhere outside of Colorado.”

Palmer also raised concerns about what Hoover’s case could signal for others. “When R. Kelly was convicted federally, state prosecutors in Illinois and Minnesota dropped their charges. If a president can commute federal sentences based on public pressure or celebrity support, others like R. Kelly or Sean Combs could be next,” Palmer said. “Meanwhile, there are thousands of incarcerated people without fame or access to public platforms who will never get that consideration.” “There are people who are not here today because of the violence connected to these organizations,” Palmer said. “That has to be part of this conversation.”

Stacy M. Brown

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WATCH: Five Years After George Floyd: Full Panel Discussion | Tracey’s Keepin’ It Real | Live Podcast Event

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

Published

2 days ago

May 28, 2025

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https://youtube.com/watch?v=OsNLWTz6jU0&feature=oembed

May 25, 2020. The world stopped and watched as a life was taken.

But what has happened since?

Join us as we return to the city where it happened and speak with a voice from the heart of the community – Tracey Williams-Dillard, CEO/Publisher of the Minnesota Spokesman-Recorder.

She shares reflections, insights, and the story of a community forever changed. What has a year truly meant, and where do we go from here?

This is more than just a date; it’s a moment in history. See what one leader in the Black press has to say about it.

Recorded live at UROC in Minneapolis, this powerful discussion features:

Panelists: