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The San Francisco Black Film Festival XXI Begins With Tribute to Jeff Adachi

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The San Francisco Black Film Festival opens its 21st anniversary season this year with a showing of two films with criminal justice themes and a tribute to the late Jeff Adachi, San Francisco Public Defender and filmmaker.

On June 12, Kali O’Ray and Katera Crossley, SFBFF Festival co-directors, will honor Adachi, an aspiring filmmaker and friend to the festival, by showing his documentary: “America Needs A Racial Facial,” which debuted at the festival in 2016.

Two short films will be shown that evening. The first film, “Disparity: A Tale Of 2 Pushaz,” was directed by Justin Givens. Givens’ film challenges the uneven and unfair mandatory sentencing laws for crack vs. powder cocaine.

The director said he became interested in the topic while at Arizona State College completing a degree in criminal justice and noticed how many people were serving lengthy sentences based on race.

In the film, one character, Charlie, is convicted and sentenced based on his race not the crime. In fact, in the town where the character Syd lives, the majority of his customers are white.

The second film, “Neko Wilson, Social Biography” by Raj Jayadev and Silicon Valley DeBug looks at State Senator Nancy Skinner’s SB 1437, the bill that made it possible for Wilson’s release after spending nearly a decade in jail for a murder he did not commit.  Wilson is the first Californian freed by SB 1437. However, as of May 2019, his release has been challenged. There are lawmakers who want him sent back to jail.

A panel discussion on prison reform follows the screenings.

Panelists include, Jacq Wilson, the brother of Jacque Wilson who worked with Adachi in the Public Defender’s Office, Attorney Jacq Wilson, Civil Rights Attorney Pamela Price and  Former PUC Judge Karen Clopton. State Senator Nancy Skinner is invited.

The film festival runs from June 13-15. This year, there are short and feature length films covering a range of topics reflective of the diversity that is the Pan African Diaspora. The venues are within walking distance of one another in the Fillmore community.

Visit www.sfbff.org  for tickets to the festival. The media briefing and screening are free with RSVP at the website where patrons can watch trailers.

This year, SFBFF is introducing the Urban Pitch Fest, an opportunity for Urban Storytellers to pitch their stories (movies, television programs, etc.) to industry professionals. A  new partnership with The Advanced Imaging Society, will help to ensure the right people are in the room.

The tribute and briefing will be held on June 12 at Cinemark Theatres, 845 Mission St. (across from the 5th and Market garage) is guaranteed to inspire dialogue, which is what the film festival is known for—programming that “serves as a vehicle to initiate dialogue on important current issues to lead to a better understanding of and communication between, peoples of diverse cultures, races, and lifestyles.”   

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Activism

New Oakland Moving Forward

This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

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iStock.
iStock.

By Post Staff

Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.

Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.

This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.

So, upward and onward with the movement of New Oakland.

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Arts and Culture

BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy

When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

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Love Rita Book Cover. Courtesy of Harper.
Love Rita Book Cover. Courtesy of Harper.

By Terri Schlichenmeyer

Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages

Take care.

Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.

It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’

Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.

Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.

She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”

When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”

After their mother died of colon cancer, Rita’s lupus took a turn for the worse.

“Did she even stand a chance?” Davis wrote in her journal.

“It just didn’t seem possible that she, someone so full of life, could die.”

Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.

Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.

But don’t. Not quite yet.

In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.

This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.

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Activism

Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’

“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear  the natural styles like her and Angela Davis.

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Karen Lewis. Courtesy photo.
Karen Lewis. Courtesy photo.

By Barbara Fluhrer

I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.

“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear  the natural styles like her and Angela Davis.

I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.

Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing,  just blessings. Pray for the best and deal with the rest.

Nobody is perfect, so forgive quickly and love easily!”

Lewis’ book “Detour to Straight Street” is available on Amazon.

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