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Black History

The Spectacular Find of the Clotilda and What’s Next

THE BIRMINGHAM TIMES — The discovery of the Clotilda slave ship last month in the Mobile River Delta is one of the rarest of archaeological artifacts: tangible evidence validating the story that Africans had been forcefully ripped from their homelands. Because it was the last documented vessel known to have brought enslaved people to America, specifically to Alabama and to Mobile, the Alabama Historical Commission (AHC) had a duty to find the last known slave ship that transported kidnapped men, women, and children from Africa to Alabama.

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By Vickii Howell

MOBILE, Ala.—The discovery of the Clotilda slave ship last month in the Mobile River Delta is one of the rarest of archaeological artifacts: tangible evidence validating the story that Africans had been forcefully ripped from their homelands. Because it was the last documented vessel known to have brought enslaved people to America, specifically to Alabama and to Mobile, the Alabama Historical Commission (AHC) had a duty to find the last known slave ship that transported kidnapped men, women, and children from Africa to Alabama.

Under the federal mandate set forth in the Abandoned Shipwrecks Act of 1999, the AHC, the State Historic Preservation Office of Alabama, is charged with the management and guardianship of maritime archaeological sites abandoned and embedded in Alabama waters, according to its press release.

Now, it is the AHC’s job to protect and preserve the remains of the Clotilda. The AHC and its adjunct, the Black Heritage Council, are also tasked with interpreting history as it really was from the viewpoint of the slaves and their descendants in Africatown, located three miles north of downtown Mobile, which had been formed by a group of 32 West Africans, who in 1860 were part of the last known illegal cargo of slaves to the United States.

The AHC will work closely with Africatown to make sure the community’s history is interpreted and that it directly benefits from the Clotilda find, said Clara Nobles, AHC Assistant Executive Director.

Nobles spoke to the Birmingham Times about the spectacular find and what happens next.

The Birmingham Times: You guys have been sitting on this news for a long time. What does it feel like to finally let this story out? And what does this mean for you not only as a key person with the AHC but also as an African American?

Nobles: Well, it means we just celebrated our big “Wow!” We have been working on this story for almost two years in partnership, of course, with Ben Raines, [formerly of AL.com], who brought attention to the Clotilda. We did a lot of work on it …  [and] realized it was not the Clotilda [that he discovered]. Being energized, we were able to continue the search and eventually come upon the ship that we now know as the Clotilda. So, this has been a long road, and not just for the AHC. [It’s] certainly been a much longer road for the people of Africatown, for the city of Mobile, for the city of Prichard, for Alabama, and also for the nation. Yes, so we do a big sigh of relief, and say, “Thank you, Jesus, that we have gotten the ship!”

Now, the whole thing is, what comes next now that we’ve got this? … I understand that this artifact, this ship in the water, is very important. But … I look to the people for the story. I think we have to go back and be able to get all of this story and to tell this story. As it’s been said already, … we [are] a strong people with resilience and tenacity—people taken from their homeland against their will and brought to this country, people who [still were] able to strive and survive. For me, I just feel proud. I’m not a direct descendant, but I am an African American, so I feel proud to be here today and humble more than anything else.

BT: As far as the AHC, what are the plans for your next steps?

The Alabama Historical Commission announces that the Clotilda has been officially discovered in Mobile Bay.Thursday. May 30, 2019 – Event Photography by Keith Necaise

The Alabama Historical Commission announces that the Clotilda has been officially discovered in Mobile Bay.Thursday. May 30, 2019 – Event Photography by Keith Necaise

Nobles: Well, one of the next things we did was release the science [on May 30], so that information is out in the public domain. In that science were recommendations for going forward. One of the things, as a historic commission, we are concerned with is the protection of the ship. That’s our first priority: to make sure the ship is secure. What we will be doing, hopefully, is pairing in the future with the National Geographic Society again to probably do some further excavation on the ship; to see how much of it is in the mud, its condition; … to see if there are some artifacts, things we could potentially bring up. That would be an immediate next step after things have cooled down a little bit.

BT: Now that you’ve gotten the scientific data, what will it take to bring it up? Or will you leave it where it is?

Nobles: The science will dictate what we can do. The ship isn’t in great condition, [at least not] the part they can see. We knew it was burned. We knew it was dynamited. [Everything is now] going on with the part that is visible, the part we can see and feel. But we don’t know the condition of what’s under the mud. All of that will dictate what we do with the ship. But I will tell you, conservation is very, very, very expensive. We will need millions and millions of dollars if we bring up, much less conserve, anything. So, instead of putting that money into conserving something that’s going to be shards and pieces, we might look to do something else in Africatown that would be more of a memorial or a replica. State Senator [Vivian] Figures (D-Mobile) spoke about a potential replica.

As you’ve heard, AHC Executive Director Lisa Jones and I have been in Washington, D.C., several times talking to Congressman [Bradley] Byrne (R-Mobile) about what we can do on a national level, not just on the local and state level. This is also an international story, so the whole nation needs to get behind the story and give it a gigantic push. We were talking to [Byrne] about potentially, when we are finished with the excavation of the ship, doing some kind of memorial on the water, and the memorial will lead visitors to Africatown.

BT: We also heard about protection. Did I hear [someone] mention that there would be severe consequences if anyone tried to meddle with the ship?

Nobles: Absolutely. We have been working in conjunction with the governor’s office, the Alabama Department of Conservation, the Alabama Law Enforcement Agency (ALEA), and the attorneys general of Alabama, Mobile County, and Baldwin County. They are putting out a press release warning people that anybody who tries to do anything to that ship will be prosecuted to the very [maximum extent] of the law. It’s a Class C felony to tamper with that ship.

BT: What role will descendants play in what happens with the ship?

Nobles: We will be in constant communication and meetings with the descendants because they need to be on top of that. We will talk with them so we can understand their vision for the community. We’ve got to get a vision before we can do anything because without a vision the people perish. We understand that we have to get them engaged because this is not just our story to tell. We’re not going to be the state government coming in here telling Africatown what to do. We want to be in partnership with them, to offer them help, to have them to tell us what a good idea is. Before we build anything, we’ve got to have a master plan. We’ve got to have a plan, so we know where we’re going and what we’re doing.

BT: You are working with the Smithsonian National Museum of African American History and Culture and the Slave Wrecks Project in Washington, D.C., about preserving the ship. Is there any discussion about taking it to the National Mall?

Nobles: We will definitely make sure it stays in Africatown. We will lay our bodies down on that ship before letting it leave Alabama, so it will not be taken away. I will say this, if we bring up artifacts that need to be conserved before we have a museum, then we will ask the Smithsonian to curate those things, but then they would come back to Africatown.

BT: There was some talk about taking the ship to the GulfQuest Maritime Museum …

Nobles: No.

BT: … about the ship ending up downtown Mobile …

Nobles: No, we would not do that. We would not be in favor of that. If there’s something that can be brought up, we will likely get that curated, but it will come back to Africatown. When we build whatever, it’s coming back.

BT: If a museum were to open one day, what do you think the economic impact would be on Africatown?

Nobles: I think it would be tremendous because this is going to be not just a national story or a state story but an international story. We have experienced an international, large overflow of tourism in Montgomery because of the Equal Justice Initiative’s [National Memorial for Peace and Justice, known as the National Lynching Memorial]. The tourism dollars will come as people will come.

They will not only come to visit the museum: they will stay overnight, they have to eat, they have to sleep in hotels. So, the area will need hotels, restaurants, nice stores, boutiques, shops, visitor’s centers, tour guides, gas stations, grocery stores—all those things will boost the economy.

BT: What do you think the economic impact of the Clotilda find will have on the lives of people in Africatown in terms of dollars and cents?

Nobles: Oh, my gosh! People will want to come here not only to visit but also to live. This plan for Africatown, the museum, or whatever we do here, I just hope everyone understands that it’s not going to happen overnight. This is a long-range planning process, and it will take a couple of steps. We will get there, if we all stick together.

This article originally appeared in The Birmingham Times

Activism

Books for Ghana

We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings.

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Min. Rauna Thurston, Chief Mpuntuhene Afua Ewusiwa I
Min. Rauna Thurston, Chief Mpuntuhene Afua Ewusiwa I

By Min. Rauna Thurston, Chief Mpuntuhene Afua Ewusiwa I

My travels to Afrika began in June 2022, on a tour led by Prof. Manu Ampim, Director of the organization Advancing The Research. I was scheduled to become an ordained Minister by Wo’se Community of the Sacred African Way. It was vital that my feet touch the soil of Kemet and my spirit connect with the continent’s people before ordination.

Since 2022, I’ve made six trips to Afrika. During my travels, I became a benefactor to Abeadze State College (ASC) in Abeadze Dominase, Ghana, originally founded by Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area and now run by the government. The students there were having trouble with English courses, which are mandatory. The Ghanaian Minister of Education endorsed a novel written by 18-year-old female Ghanaian first-time writer, Nhyira Esaaba Essel, titled Black Queen Sceptre. The idea was that if the students had something more interesting to read, it would evoke a passion for reading; this seemed reasonable to me. Offer students something exciting and imaginative, combined with instructors committed to their success and this could work.

The challenge is how to acquire 800 books?!

I was finishing another project for ASC, so my cash was thin and I was devoid of time to apply for annual grants. I sat on my porch in West Oakland, as I often do, when I’m feeling for and connecting to my ancestors. On quiet nights, I reminisce about the neighborhood I grew up in. Across the street from my house was the house that my Godfather, Baba Dr. Wade Nobles and family lived in, which later became The Institute for the Advanced Study of Black Family Life & Culture (IASBFLC). Then, it came to me…ancestors invited me to reach out to The Association of Black Psychologists – Bay Area Chapter (ABPsi-Bay Area)! It was a long shot but worth it!

I was granted an audience with the local ABPsi Board, who ultimately approved funding for the book project with a stipulation that the Board read the book and a request to subsequently offer input as to how the book would be implemented at ASC. In this moment, my memory jet set to my first ABPsi convention around 2002, while working for IASBFLC. Returning to the present, I thought, “They like to think because it feels good, and then, they talk about what to do about what they think about.” I’m doomed.

However, I came to understand why reading the book and offering suggestions for implementation were essential. In short: ABPsi is an organization that operates from the aspirational principles of Ma’at with aims of liberating the Afrikan Mind, empowering the Afrikan character, and enlivening: illuminating the Afrikan spirit. Their request resulted in a rollout of 400 books in a pair-share system. Students checked out books in pairs, thereby reducing our bottom line to half of the original cost because we purchased 50% fewer units. This nuance promoted an environment of Ujima (collective work & responsibility) and traditional Afrikan principles of cooperation and interdependence. The student’s collaborative approach encouraged shared responsibility, not only for the physical book but for each other’s success. This concept was Dr. Lawford Goddard’s, approved by the Board, with Dr. Patricia “Karabo” Nunley at the helm.

We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings. (A collectible novel for all ages). A proposed future phase of this collaborative project is for ASC students to exchange reflective essays on Black Queen Sceptre with ABPsi Bay Area members.

We got into good trouble. To order Black Queen Sceptre, email esselewurama14@gmail.com.

I became an ordained Minister upon returning from my initial pilgrimage to Afrika. Who would have imagined that my travels to Afrika would culminate in me becoming a citizen of Sierra Leone and recently being named a Chief Mpuntuhene under Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area in Ghana, where I envision continued collaborations.

Min. Rauna/Chief Mpuntuhene is a member of ABPsi Bay Area, a healing resource committed to providing the Post Newspaper readership with monthly discussions about critical issues in Black Mental Health, Wealth & Wellness. Readers are welcome to join us at our monthly chapter meetings every 3rd Saturday via Zoom and contact us at bayareaabpsi@gmail.com.

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Arts and Culture

In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map

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Author Chris Aluka. Photo courtesy of Chris Aluka.
Author Chris Aluka. Photo courtesy of Chris Aluka.

By Terri Schlichenmeyer
The Bookworm Sez

An average oak tree is bigger around than two people together can reach.

That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.

And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.

Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.

In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.

According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.

As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?

She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.

“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”

In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.

The people he interviewed recalled family tales and community stories of support, hardship, and home.

Says coauthor Navies, “These images shout without making a sound.”

If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.

With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.

For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.

Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.

This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.

“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam

c.2024, University of Kentucky Press, $50.00.

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Black History

Alice Parker: The Innovator Behind the Modern Gas Furnace

Born in Morristown, New Jersey, in 1895, Alice Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.

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In 1919, Alice Parker patented the design for a gas-powered central heating system, a groundbreaking invention. Image courtesy of U.S. Patent Office.
In 1919, Alice Parker patented the design for a gas-powered central heating system, a groundbreaking invention. Image courtesy of U.S. Patent Office.

By Tamara Shiloh

Alice Parker was a trailblazing African American inventor whose innovative ideas forever changed how we heat our homes.

Born in Morristown, New Jersey, in 1895, Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.

Parker grew up in New Jersey, where winters could be brutally cold. Although little is documented about her personal life, her education played a crucial role in shaping her inventive spirit. She attended Howard University, a historically Black university in Washington, D.C., where she may have developed her interest in practical solutions to everyday challenges.

Before Parker’s invention, most homes were heated using wood or coal-burning stoves. These methods were labor-intensive, inefficient, and posed fire hazards. Furthermore, they failed to provide even heating throughout a home, leaving many rooms cold while others were uncomfortably warm.

Parker recognized the inefficiency of these heating methods and imagined a solution that would make homes more comfortable and energy-efficient during winter.

In 1919, she patented her design for a gas-powered central heating system, a groundbreaking invention. Her design used natural gas as a fuel source to distribute heat throughout a building, replacing the need for wood or coal. The system allowed for thermostatic control, enabling homeowners to regulate the temperature in their homes efficiently.

What made her invention particularly innovative was its use of ductwork, which channeled warm air to different parts of the house. This concept is a precursor to the modern central heating systems we use today.

While Parker’s design was never fully developed or mass-produced during her lifetime, her idea laid the groundwork for modern central heating systems. Her invention was ahead of its time and highlighted the potential of natural gas as a cleaner, more efficient alternative to traditional heating methods.

Parker’s patent is remarkable not only for its technical innovation but also because it was granted at a time when African Americans and women faced severe limitations in accessing patent protections and recognition for their work. Her success as an inventor during this period is a testament to her ingenuity and determination.

Parker’s legacy lives on in numerous awards and grants – most noticeably in the annual Alice H. Parker Women Leaders in Innovation Award. That distinction is given out by the New Jersey Chamber of Commerce to celebrate outstanding women innovators in Parker’s home state.

The details of Parker’s later years are as sketchy as the ones about her early life. The specific date of her death, along with the cause, are also largely unknown.

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