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Black History

The Tina Turner Musical Excites in San Francisco

The Broadway musical about the late Tina Turner was developed in 2016, previewed in England in 2018, brought to Broadway in New York from 2019 to 2022, is now touring nationally, ending it’s San Francisco run on Aug. 27. It will run from Aug. 29- Sept. 3, in San Jose at the San Jose Center.

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Naomi Rodgers portrays Tina Turner in the Broadway production of “Tina: The Tina Turner Musical.” Courtesy photo.
Naomi Rodgers portrays Tina Turner in the Broadway production of “Tina: The Tina Turner Musical.” Courtesy photo.

By Lee Hubbard

“Tina: The Tina Turner Musical” brings the life of the soulful rock star to vibrant life onstage at the Golden Gate Theater in San Francisco.

The three-week run was well received, unfolding the story of Tina Turner, the Queen of Rock n’ Roll, who started out as a talented child whose given name was Anna Mae Bullock.

Her life story was made into a successful movie starring Angela Bassett as Turner in 1993, where it was met with worldwide acclaim and newfound stardom for Bassett and a refocus on Turner’s career.

The Broadway musical about the late Tina Turner was developed in 2016, previewed in England in 2018, brought to Broadway in New York from 2019 to 2022, and is now touring nationally, ending its San Francisco run on Aug. 27. It will run from Aug. 29- Sept. 3, in San Jose at the San Jose Center.

The two-hour and 45-minute production opens with Turner, born in Nutbush, Tenn., with a young Anna Mae Bullock, portrayed by Ayvah Johnson, singing in a church.  Johnson has a strong and very mature voice and gets the crowd excited in the scene opening, prompting her mother, Zelma (Roz White), to tell her to tone it down.

Abused by her husband, Zelma takes her daughter, Alline (Paris Lewis), to St. Louis and leaves Bullock to be raised by her father and grandmother, Gran Georgeanna (Ann Nesby).

The now-grown Bullock, played by Naomi Rodgers, moves to St. Louis to reconnect with her mother and sister. There is a slight resentment from her mother, but Tina’s sister bonds with her, and the two are happy. Alline wants to get her out of the house and away from doing daily chores.

Out one night, the two sisters go to a nightclub where they meet Ike Turner (Roderick Lawrence) and his band, the Kings of Rhythm. Anna Mae jumps on stage and mesmerizes the crowd; the rest is history. Ike sees a star and goes to Zelma to ask permission to have Anna Mae join his band.

Bullock joins and becomes the female lead. Ike then renames her Tina Turner, and the two have a rocky friendship, relationship, marriage, and music career that spanned the 1960s and most of the 1970s. She garnered several No. 1 hits with Ike Turner and then as a soloist with Grammy-winning producer Phil Spector.

After divorcing Ike, Turner is at a low point, but her career gets a second wind in the 1980s after she meets a young producer, and she goes to Europe to record. An emancipated Tina Turner recorded the hits “What’s Love Got to Do With It,” “Private Dancer,” and “The Best,” making her a household name in her own right.

As Tina, Rodgers has a commanding stage presence, and she is a star.  Full of energy, she is relentless on the stage.  She meshes well with Roderick Lawrence, who, as Ike Turner, is also a compelling figure.

“Ike was a complex and broken man,” said Lawrence in an interview.  “He went through a lot of trauma as a young man.  He was a man who started Rock n’ Roll and never got the credit for it.”

He also had an eye for talent. At one time, Turner had Jimmy Hendrix in his band, but he kicked him out for using drugs.  It would be his own drug use that would turn Ike Turner into a batterer and abuser in his personal relationships.

Once he got the role as Ike Turner, Lawrence wanted to make sure he didn’t go back and watch “What’s Love Got to Do With It.”

“He had everyone taken from him and a lot of things taken from him,” continued Lawrence.

As a result, Ike was always on edge, leading to his drug usage and worsening things in his musical and personal life.  Ultimately, at the end of Zelma’s life, in real life and in the play, Ike asks Tina for forgiveness.

“I was able to sit down and talk to his family members, who saw the play,” said Lawrence.   “He was like an August Wilson character, a very complex man, and I wanted to make sure I really made him more well-rounded.”

Lawrence said he is pleased with his portrayal of Ike and the reception of the play in San Francisco and across the country, where it will be running through the spring of 2024.

“The reception to the play has been great,” continued Lawrence. “It has been phenomenal.”

“Tina: The Tina Turner Musical” is playing at the Golden Gate Theater at 1 Taylor Street in San Francisco through August 27 and from Aug. 29-Sept. 3 in San Jose at the San Jose Center.  For more information on the play,

https://www.san-francisco-theater.com/theaters/golden-gate-theater/tina-the-tina-turner-musical.php

Activism

OPINION: Your Voice and Vote Impact the Quality of Your Health Care

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare. 

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Rhonda M. Smith.
Rhonda M. Smith.

By Rhonda M. Smith, Special to California Black Media Partners

Shortly after last year’s election, I hopped into a Lyft and struck up a conversation with the driver. As we talked, the topic inevitably turned to politics. He confidently told me that he didn’t vote — not because he supported Donald Trump, but because he didn’t like Kamala Harris’ résumé. When I asked what exactly he didn’t like, he couldn’t specifically articulate his dislike or point to anything specific. In his words, he “just didn’t like her résumé.”

That moment really hit hard for me. As a Black woman, I’ve lived through enough election cycles to recognize how often uncertainty, misinformation, or political apathy keep people from voting, especially Black voters whose voices are historically left out of the conversation and whose health, economic security, and opportunities are directly impacted by the individual elected to office, and the legislative branches and political parties that push forth their agenda.

That conversation with the Lyft driver reflects a troubling surge in fear-driven politics across our country. We’ve seen White House executive orders gut federal programs meant to help our most vulnerable populations and policies that systematically exclude or harm Black and underserved communities.

One of the most dangerous developments we’re seeing now? Deep federal cuts are being proposed to Medicaid, the life-saving health insurance program that covers nearly 80 million lower-income individuals nationwide. That is approximately 15 million Californians and about 1 million of the state’s nearly 3 million Black Californians who are at risk of losing their healthcare.

Medicaid, called Medi-Cal in California, doesn’t just cover care. It protects individuals and families from medical debt, keeps rural hospitals open, creates jobs, and helps our communities thrive. Simply put; Medicaid is a lifeline for 1 in 5 Black Americans. For many, it’s the only thing standing between them and a medical emergency they can’t afford, especially with the skyrocketing costs of health care. The proposed cuts mean up to 7.2 million Black Americans could lose their healthcare coverage, making it harder for them to receive timely, life-saving care. Cuts to Medicaid would also result in fewer prenatal visits, delayed cancer screenings, unfilled prescriptions, and closures of community clinics. When healthcare is inaccessible or unaffordable, it doesn’t just harm individuals, it weakens entire communities and widens inequities.

The reality is Black Americans already face disproportionately higher rates of poorer health outcomes. Our life expectancy is nearly five years shorter in comparison to White Americans. Black pregnant people are 3.6 times more likely to die during pregnancy or postpartum than their white counterparts.

These policies don’t happen in a vacuum. They are determined by who holds power and who shows up to vote. Showing up amplifies our voices. Taking action and exercising our right to vote is how we express our power.

I urge you to start today. Call your representatives, on both sides of the aisle, and demand they protect Medicaid (Medi-Cal), the Affordable Care Act (Covered CA), and access to food assistance programs, maternal health resources, mental health services, and protect our basic freedoms and human rights. Stay informed, talk to your neighbors and register to vote.

About the Author

Rhonda M. Smith is the Executive Director of the California Black Health Network, a statewide nonprofit dedicated to advancing health equity for all Black Californians.

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Activism

IN MEMORIAM: Nate Holden, State Senator and Longtime Los Angeles Councilmember, Dies at 95

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.” Hahn added that she learned a lot working with Holden when she was a new councilmember.

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Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.
Former Los Angeles Councilmember and California State Sen. Nate Holden. File photo.

By Bo Tefu, California Black Media

Former Los Angeles City Councilmember Nathaniel “Nate” Holden, a prominent figure in the city’s politics, passed away at the age of 95, his family confirmed on May 7.

Holden, who represented South Los Angeles for 16 years on the City Council and served one term in the California State Senate, was widely regarded as a forceful advocate for his community.

Los Angeles County Supervisor Janice Hahn described Holden as “a lion” in the State Senate and a force to be reckoned with on the Los Angeles City Council.”

Hahn added that she learned a lot working with Holden when she was a new councilmember.

Holden’s journey to political prominence began in the segregated South, where he was born in Macon, Georgia, in 1929. He often recalled the childhood moment when he first heard the governor of Georgia vowing to continue suppressing Black people.

“Doing the best you can for the people. Law and order. Make sure that people’s communities are safe. I did it all,” said Holden, reflecting on his legacy.

Holden is survived by his sons, including former California Assemblymember Chris Holden, who represented a district in Southern California that includes Pasadena and Altadena in Los Angeles County and cities in San Bernardino County.

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Black History

Henry Blair, the Second African American to Obtain a Patent

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

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A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.
A sketch of one of Henry Blair’s inventions, the seed planter. Image courtesy United States Patent and Trademark Office.

By Tamara Shiloh

The debate over whether enslaved African Americans could receive U.S. Government-issued patents was still unfolding when the second African American to hold a patent, Henry Blair, received his first patent in 1834.

The first African American to receive a patent was Thomas Jennings in 1821 for his discovery of a process called dry scouring, also known as dry cleaning.

Blair was born in Glen Ross, Maryland, in 1807. He was an African American farmer who received two patents. Each patent was designed to help increase agricultural productivity.

There is very little information about his life prior to the inventions. It is known that he was a farmer who invented machines to help with planting and harvesting crops. There is no written evidence that he was a slave.

However, it is apparent that he was a businessman.

Being a successful farmer required consistent production. Blair figured out a way to increase his harvest. He did this with two inventions. His first invention was a corn planter. The planter had the same structure as a wheelbarrow, with a box to hold the seed and rakes dragging behind to cover them. This machine allowed farmers to plant their crops more economically.

Blair could not write. As a result of his illiteracy, he signed the patent with an “X”. He received his first patent for the corn planter on Oct. 14, 1834.

Two years later, taking advantage of the boost in the cotton industry, he received his second patent. This time for a cotton planter. This machine worked by splitting the ground with two shovel-like blades that were pulled along by a horse. A wheel-driven cylinder behind the blades placed seeds into the freshly plowed ground. Not only was this another economical and efficient machine. It also helped with controlling weeds and put the seeds in the ground quickly Henry Blair received his second patent on Aug. 31, 1836

During this time, the United States government passed a law that allowed patents to be granted to both free and enslaved men. However, in 1857, this law was contested by a slaveowner. He argued that slaveowners had a right to claim credit for a slave’s inventions. His argument was that since an owner’s slaves were his property, anything that a slave owned was the property of the owner also.

In 1858 the law changed, and patents were no longer given to slaves. However, the law changed again in 1871 after the Civil War. The patent law was revised to permit all American men, regardless of race, the right to patent their inventions.

Blair died in 1860.

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