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THE WORLD IN THEIR HANDS: The Center for Puppetry Arts’ creative African-American ensemble are sharing art and inclusion with international audiences

ATLANTA VOICE — Their hands morph into talking, singing, dancing mop heads. Using recycled materials, African-American puppeteers Greg Hunter and Jimmica Collins know how to command a performance stage, capturing kids’ and their parents’ hearts with each gesture. It’s literally all in the hands, too.

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Atlanta-based artists Greg Hunter and Jimmica Collins on set for the Center for Puppetry Arts’ 2019 production of ‘Beauty and the Beast.’ (Photo: Reginald Duncan / The Atlanta Voice)

By Candace Dantes

Their hands morph into talking, singing, dancing mop heads.

Using recycled materials, African-American puppeteers Greg Hunter and Jimmica Collins know how to command a performance stage, capturing kids’ and their parents’ hearts with each gesture.
It’s literally all in the hands, too.

“The process starts with the puppet,” said Collins, 27, who is starring as Beauty in Atlanta’s Center for Puppetry Arts’ rendition of “Beauty and the Beast.” “I find my voice, which this puppet’s voice is fun with sass. Then, I work on movements.”

Beauty’s groovy Mama is played by Hunter, who naturally draws from everyone’s Southern hairdresser, aunts, cousins and friends, to develop the urban-dwelling character.

The two puppetry artists’ leading presence in this 2019 summertime love tale signifies a cultural shift in who exactly is telling the world of puppetry’s stories.

African-Americans playing prominent roles both on the stage and behind the scenes isn’t taken lightly at the center — America’s largest nonprofit organization dedicated to the art of puppetry. It puts diversity and inclusion at the forefront of its productions and museum exhibits yearlong.

“What we do is universal,” said Hunter, also 27. “It’s not about us. It’s about bringing our puppets to life in a way that’s relatable to different cultures and people coming from different places.”

The Actors

The center’s main stage is where the magic happens.

For the past month, Hunter and Collins have given the popular musical a hip-hop spin in a puppetry style known as Czech black theater. The actors are clothed in all-black attire with a tight light only curtaining the puppets.

The two collaborate with a nearly 15-member crew of other puppeteers and stage/ musical/ lighting/ sound/ scenic designers to pull off the cleverly crafted, well-illuminated performance.

A real “quitting time” horn blows in one scene. In another, leaves actually look and sound like they’re rustling in the wind.

“From the sound to light effects, everything we perform is in sync,” said Collins, an experimental theater artist who also shows off her Baptist church singing vocals as Beauty. “Working together, we’re able to bring the puppets’ world to life.”

In fact, Beauty is so in tune with Mama that young audience members instantly laugh, turn to their own mothers and whisper, “That’s you, momma. That’s you!”

While Collins is in her fifth production at the center, this production is Hunter’s debut regarding his acting and singing chops. They both earn standing ovations and often random fist-led jumps from kid viewers.

“I play a character who says everything our moms say,” Hunter said.

Hunter said he learned of the center’s acting opportunities after participating in a Pinewood Atlanta Studios puppet-animated show called “Moon and Me.” Pinewood, located in Fayetteville, Georgia, is the second-largest purpose-built film and entertainment studio in North America and where many of the Marvel films have been filmed.

“I learned so much about how technical puppetry is,” Hunter said, “and that was something I wanted to continue. That’s how I ended up working here with such a great group of creative people.”

(Left to right) Education coordinator Liz Fagbile, teaching artist Paulette Richards and collections manager Yanique Leonard are a few creative staff members helping to tell puppetry stories in Atlanta. (Photo: Reginald Duncan / The Atlanta Voice)

(Left to right) Education coordinator Liz Fagbile, teaching artist Paulette Richards and collections manager Yanique Leonard are a few creative staff members helping to tell puppetry stories in Atlanta. (Photo: Reginald Duncan / The Atlanta Voice)

 

The Architect

While Hunter and Collins headline the main stage, Yanique Leonard ensures Big Bird and Miss Piggy are fluffed and fancy for public showcasing.

The collections manager is responsible for the care of more than 5,000 artifacts — including 500 Jim Henson puppets.

“I’m all about preventative conservation,” said the 27-year-old, afro-wearing museum professional. “I have to make sure the puppets are comfortable in their cases and in the right environment for long-term preservation.”

With a background in public history and museum studies, Leonard also conducts in-depth research to give museum visitors documented stories connected to the puppets’ creation.

She works between the archives and center’s Worlds of Puppetry Museum, which includes Jim Henson and global collections.

Visit the global collection today and view marionettes from American masterpiece and opera, “Porgy and Bess.” The 1935 Broadway production featured classically trained, African-American singers.

“It’s a cool story who we acquired marionettes Sportin’ Life, Mingo and Peter the Honey Man from the New England Marionette Opera (NEMO),” Leonard said. “NEMO was America’s only opera company performed entirely with marionettes and that staged a full puppetry production of ‘Porgy and Bess’ in 1994. Five years later, the opera burned and more than 200 handcrafted marionettes were destroyed. Fortunately, frozen weather preserved these three puppets.”

Their new home: Center for Puppetry Arts.

Sammy Davis Jr. fans will appreciate marionette Sportin’ Life, who is sculpted after the legendary entertainer and star of the 1959 film.

“I get to care for and experience puppets the average person will never see,” said Leonard. “I encourage anyone to come into this field of study if they’re passionate about culture, history and stories we need to share with our communities.”

The Authorities

Three floors up from Leonard’s puppetry archive and library, Liz Fagbile teaches youth how to build their very own puppet.

“Depending on the show style the puppetry artists are performing throughout the year, I help create puppet projects around each theme,” said the 30-year-old education coordinator. “Some of these kids are experiencing a puppet for the first time in their lives. I’m contributing to an important memory in their childhood.”

After kids finish constructing their puppets, Fagbile provides a colorful curtain for family role-playing and photo ops.
What she’s realized in this position: Puppetry has no age limit.

“For 45 minutes to an hour, the kids aren’t the only ones getting into our learning activities,” Fagbile said. “At first, adults are kind of stand-offish. I encourage their curiosity, and that helps them get involved. They instantly get in touch with their creativity — sometimes reconnecting with talents they lost along the way.”

Outside the classroom, Fagbile orchestrates outreach programming, staff scheduling and the inventory for puppetry supplies.

“I started out as a volunteer five years ago,” she said. “I fell in love with this magical place. I’ve been able to expand my knowledge of puppetry, arts and entertainment.”

Education extends further with teaching artist and docent Paulette Richards. She has served as a docent in the Worlds of Puppetry Museum since 2015. Her introduction to Jim Henson’s animatronic puppets inspired the former English professor to create her own rudimentary robots as learning tools.

“It’s funny,” Richards, 56, said. “I’m really engaged in science, technology, engineering, arts and mathematics — known as STEAM education — in a way I would have never imagined. It’s taken me in so many directions.”
Richards’ work has traveled the nation. She has taught animatronic puppetry workshops at the center, Georgia Tech’s Hollis Innovation Academy and Puppeteers of America’s National Puppetry Festival.

This past year she served as co-curator of the “Living Objects African-American Puppetry” exhibit at the University of Connecticut’s Ballard Institute and Museum. The exhibit analyzed the uncomfortable legacy of blackface minstrelsy in American puppetry.

It also highlighted the work of contemporary African-American artists who use puppetry to reflect a more authentic African-American heritage.

“The research I conduct is crucial to the types of stories we tell or have others tell about our culture,” Richards said. “I want to make sure the stories that came from Africa to our porches and are now part of theater productions are accurate and representative of us.

The Center for Puppetry Arts understands this notion and has put people of color in a position to continue to contribute to puppetry as a whole.”

This article originally appeared in The Atlanta Voice.

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Federal Raids Target Migrant Kids, Split Families

BLACKPRESSUSA NEWSWIRE — The Trump administration has reportedly removed at least 500 migrant children from their homes across the United States and placed them into government custody, according to multiple sources familiar with the matter.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Trump administration has reportedly removed at least 500 migrant children from their homes across the United States and placed them into government custody, according to multiple sources familiar with the matter. The children, many of whom were living with family members or other vetted sponsors, were taken during so-called “welfare checks” carried out by Immigration and Customs Enforcement (ICE) and other federal agencies. According to CNN, the operations are part of a larger campaign launched shortly after President Donald Trump returned to office, with federal authorities setting up a “war room” inside the Department of Health and Human Services (HHS) to review data on children who entered the country alone and were later released to sponsors. Officials have used the room to coordinate efforts between agencies, including ICE and the Office of Refugee Resettlement (ORR), which oversees the custody of unaccompanied migrant children.

Trump officials claim the effort is aimed at protecting children placed in unsafe conditions or with unqualified sponsors, pointing to cases where children were released to individuals with criminal backgrounds or those involved in smuggling. Homeland Security spokesperson Tricia McLaughlin said the welfare checks have led to the arrests of some sponsors and the transfer of children into ORR custody. Federal data shows more than 2,500 children are currently in ORR custody. CNN reported that the average stay has grown significantly, from 67 days in December 2024 to 170 days by April 2025. Former Health and Human Services officials say new vetting rules—including income requirements, government-issued ID, and DNA tests—have made it far more difficult for parents and guardians, particularly those who are undocumented, to reclaim their children.

In some cases, reunifications that had already been scheduled were canceled. A recent lawsuit details how two brothers, ages 7 and 14, remain in government care because their mother cannot meet new documentation requirements under the revised policies. Mark Greenberg, a former senior HHS official, stated that the approach puts children in a difficult situation. “To the extent, the goal is to determine whether children are in danger or in need of help, this isn’t a good way to do that because it creates fear that anything they say could be used against their parent or family member,” he said. Immigration enforcement agents reportedly have visited children’s homes and asked about their journey to the U.S., school attendance, and upcoming immigration court appearances. Legal advocates say these visits, which sometimes include the FBI, are not standard child welfare procedures and can create fear and confusion among minors.

An FBI spokesperson confirmed the agency’s role, saying, “Protecting children is a critical mission for the FBI, and we will continue to work with our federal, state, and local partners to secure their safety and well-being.” Multiple outlets noted that the Trump administration has not provided clear evidence that large numbers of children are missing. Instead, it has referenced a Department of Homeland Security inspector general report from 2023 that noted more than 291,000 unaccompanied minors had not received notices to appear in immigration court. Former officials note that these figures do not necessarily indicate that the children are missing; some lacked updated addresses or were affected by administrative backlogs.

Within HHS, officials were instructed to expedite policy changes. Former ORR Ombudsman Mary Giovagnoli stated that a senior ICE official, Melissa Harper, was temporarily appointed to lead ORR. Her short tenure was followed by Angie Salazar, another former ICE official who now frequently communicates with White House Deputy Chief of Staff Stephen Miller. Trump’s team argues the Biden administration allowed thousands of unaccompanied children to enter the country without sufficient oversight. Jen Smyers, a former ORR deputy director, stated that all sponsors underwent thorough vetting, including Department of Justice background checks and reviews of the sex offender registry. “No amount of vetting is a predictor of the future,” she said. The Miami Herald recently reported that a 17-year-old foster child in Florida was removed from his home in shackles and transferred to ICE custody. The boy and his mother had crossed the border without documentation, but he had been living in a state-supervised foster placement. The case raised concerns about the state’s cooperation with federal enforcement and the message it sends to immigrant families. Concerns about federal custody of vulnerable children are not confined to immigration.

In North Carolina, a 7-month-old baby died after being left in a hot minivan by her foster mother, who now faces charges of negligent child abuse and involuntary manslaughter. In Hawaii, dozens of children have been forced to sleep in government offices and hotels due to a shortage of foster placements. In North Dakota, a foster couple has been charged in the death of a 3-year-old after surveillance footage showed the child being repeatedly assaulted. “These cases show what happens when systems meant to protect children fail them,” said Laura Nally, director of the Amica Center for Immigrant Rights Children’s Program. “There’s a growing concern that these welfare checks are being used to carry out mass detentions of sponsors and unnecessarily return children to government custody.”

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Protests of a Costly and Historic Parade

BLACKPRESSUSA NEWSWIRE — President Trump is planning an elaborate and costly celebration for the 250th anniversary of the U.S. Army that coincides with his birthday.

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By April Ryan

It will rain on President Trump‘s parade on Saturday if most weather forecasts correctly predict the chance of storms. President Trump is planning an elaborate and costly celebration for the 250th anniversary of the U.S. Army that coincides with his birthday. When asked if he plans to attend the massive D.C. celebration, New York Democratic Congressman Greg Meeks exclaimed,” Heck no!” He elaborated, saying, “It is clear to me that what Donald J. Trump is trying to do is to emulate Vladimir Putin.” Trump and Putin, the Russian president, are friends. Meeks feels “that’s where he initially got the idea from when he saw the tanks going down the street and how people bow down to Vladimir Putin, how…that authoritarian runs his country where no one questions what he does.”

Meanwhile, around the nation 1600 protests are scheduled to coincide with what is happening in Washington, D.C. Democratic Congressman Al Greene confirms he will attend several “No King Day” protest rallies and marches in his home state of Texas. The congressman questions the president’s comments about using “force” for anyone trying to stop the parade. Reverand William Barber plans to be in Philadelphia on Saturday. “We are having a rally bringing people together,” the civil rights leader confirmed. The leader of Repairers of the Breach added, “Those rallies are gonna be massive and multiracial of every race, color, creed, religion, geographic area, so this is not a moment. We must have a constant movement.”

Weeks ago, DC Mayor Muriel Bowser warned the parade, and all its military might, and pageantry would cost “many millions of dollars” just to repair District streets after the heavy artillery tanks rolled down the historic roads in the nation’s capital. Tall gates and other barricades around the White House are part of the parade’s security measures. The Secret Service has warned of a high-security presence in the area for the parade. You can expect to see military tanks, dozens of other military vehicles, and thousands of service members marching along a route stretching nearly four miles from the Pentagon to the White House.

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Critics Question 2024 Results as Musk Tactics Surface

BLACKPRESSUSA NEWSWIRE — Now, a Wisconsin nonprofit has filed a legal complaint accusing Musk, his America PAC, and a Musk-affiliated group called United States of America Inc. of violating state election laws by bribing voters.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

Donald Trump’s return to the White House in 2024 has reignited questions about election integrity, particularly after his remarks thanking Elon Musk for what he called a “landslide” win in Pennsylvania. “He knows those computers better than anybody… all those vote-counting computers,” Trump said. “So, thank you to Elon.” The comment set off alarm, including Texas Rep. Jasmine Crockett. “So, Trump is rambling on about he and Elon rigging the election?! Am I missing something or is he confessing to yet another damn crime?!” she posted on social media.

Now, a Wisconsin nonprofit has filed a legal complaint accusing Musk, his America PAC, and a Musk-affiliated group called United States of America Inc. of violating state election laws by bribing voters. The Wisconsin Democracy Campaign and two voters allege Musk handed out $1 million checks and that his PAC paid $100 to registered voters who signed petitions and gave their contact information. Wisconsin law prohibits offering anything of value over $1 to encourage someone to vote. The complaint also cites violations of the state’s lottery ban. The plaintiffs are asking a court to declare the actions illegal, prevent future violations, and award damages if applicable.

The lawsuit follows a failed attempt by Wisconsin Attorney General Josh Kaul to block Musk’s actions earlier this year. Kaul argued that Musk’s conduct amounted to illegal inducement, but courts declined to intervene before the April state Supreme Court election. Jeff Mandell, president and general counsel for Law Forward, which represents the plaintiffs, said this new case is being filed under more typical legal timelines. “We’re trying to create … accountability in a more regular timeline, in a way that gives the courts the opportunity to look at this more carefully,” Mandell said.

Musk, who served briefly as a Trump adviser and led a short-lived federal agency focused on cost-cutting, has denied wrongdoing. He initially promoted the giveaways as rewards for early voters but later revised eligibility criteria following legal scrutiny. The controversy has added fuel to growing concerns over anomalies in places like Rockland County, New York, where Vice President Kamala Harris reportedly received virtually no votes despite Democratic victories in other races. “We know exactly what happened and how it unfolded, and we’re asking the court to say this is not acceptable,” Mandel has said.

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