Black History
Three special events headline Motown 60 Weekend
MICHIGAN CHRONICLE — Motown Records was founded in Detroit in 1969 by Berry Gordy Jr. To commemorate its 60th year, the Motown Museum announced plans for its highly anticipated Motown 60 Weekend set for September 21-23. The three-day event is packed full of music and star power converging on Detroit in true Motown style for an incredible not-to-be-missed celebration benefiting Motown Museum.
By Branden Hunter
Motown Records was founded in Detroit in 1959 by Berry Gordy Jr. To commemorate its 60th year, the Motown Museum announced plans for its highly anticipated Motown 60 Weekend set for September 21-23. The three-day event is packed full of music and star power converging on Detroit in true Motown style for an incredible not-to-be-missed celebration benefiting Motown Museum.
“It’s been such an important year for us to share Motown history and celebrate this milestone in a big way,” said Motown Museum Chairwoman and CEO Robin Terry. “Our Motown 60 Weekend is the culmination of a year-long celebration all happening right here in Detroit. We’ve created three special and unique events for Motown fans. Most importantly, we will honor and celebrate Motown’s iconic visionary founder Berry Gordy in Detroit where this story was born. We invite all Motown fans to join us as we celebrate the musical and cultural impact of this incredible legacy.”
The weekend’s festivities include a “Motown Gospel Concert” Saturday, September 21 at Detroit World Outreach. The concert will feature artists performing traditional gospel music along with spiritually enhanced Motown favorites. Artists include Grammy Award-winning artist Regina Belle, Stellar Award-winning and current Motown gospel label group Tye Tribbet & G.A., Tasha Page-Lockhart, winner of the gospel singing competition Sunday Best that airs on BET, and Detroit gospel royalty Kierra “Kiki” Sheard. A 125-person choir from more than 70 local faith-based groups will perform. With a capacity of 3,000 people, this is an open-to-the public, free community concert. Tickets are available on a first come, first served basis beginning August 28. For more information, please visit motownmuseum.org.
During “Hitsville Honors: Celebrating Berry Gordy & 60 Years of Motown” Sunday, September 22 at Orchestra Hall at the Max M. Marjorie J. Fisher Music Center, the city that started it all will soon play host to an unforgettable evening of extraordinary entertainment. Hitsville Honors is a powerful musical tribute to Motown’s legacy and a celebration of the Motown family. Highlights will include a tribute to Motown founder Berry Gordy and a celebration of his incredible life and transformative musical and entrepreneurial vision. The evening will be a star-studded event, with planned appearances by celebrities, local dignitaries and special guests. The Temptations, Four Tops, Martha Reeves & the Vandellas, and Mary Wilson will perform Motown favorites. That legendary lineup is just the beginning. Award-winning Motown artists Ne-Yo and Kem will be joined by Detroit’s own Big Sean with other artists and performances to be announced. The result is sure to be a moment unlike any other, where legendary meets contemporary, and where Motown favorites come together with some of today’s most innovative talents to showcase the generational impact and lasting legacy of Motown. Tickets range from $50-$1,000 and include various opportunities, including pre- and post-event receptions. Tickets for Hitsville Honors go on sale Thursday, Aug. 1 and can be purchased at www.motownmuseum.org.
The ”Soul In One Celebrity Golf Classic” will take place Monday, September 23 at Tam-O-Shanter Country Club in West Bloomfield Township. Guests will join Motown alumni and celebrities for an afternoon tee time and a gourmet lunch and dinner. Pricing ranges from $350 for an individual golfer with groups packages available. To register golf event and for information about sponsorship opportunities and tickets packages for all events, contact Motown Museum Director of Development and Community Activation, Paul Barker, at (313) 875-2264, Ext. 226, or email motown60@motownmuseum.org.
In addition to the Motown Museum hosted weekend of events, the Friends of Fuller Gordy Strikefest event, an L.A.-based annual affair led by his daughter Iris Gordy and granddaughter Karla Gordy Bristol, will honor Motown VP, humanitarian and pro bowler Fuller Gordy. The event will serve as a casual ‘warm up’ for Motown alumni, family, friends and fans to connect and support Motown Museum prior to the weekend’s festivities. Featuring bowling, karaoke, dinner and Motown music, Strikefest will take place on Friday, Sept. 20 at 6:30 p.m. at Thunderbowl Lanes in Allen Park. To inquire about tickets and for more information, visit http://friendsoffuller.org.
The Motown Museum was founded in 1985 by Esther Gordy Edwards and is committed to preserving, protecting, and presenting the Motown story through authentic, inspirational and educational experiences.
Announced in late 2016, the Motown Museum expansion will grow the museum to a 50,000-square-foot world-class entertainment and education tourist destination featuring dynamic, interactive exhibits, a performance theater, recording studios, an expanded retail experience and meeting spaces designed by reknown architects and exhibit designers. When completed, the new museum campus will have a transformative impact on the surrounding Detroit neighborhoods, providing employment, sustainability and community pride by serving as an important catalyst for new investment and tourism in the historic area.
This article originally appeared in the Michigan Chronicle.
Activism
U.S. House Minority Leader Hakeem Jeffries Speaks on Democracy at Commonwealth Club
Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages. Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”
By Linda Parker Pennington
Special to The Post
House Minority Leader Hakeem Jeffries addressed an enthusiastic overflow audience on Monday at San Francisco’s Commonwealth Club, launching his first book, “The ABCs of Democracy.”
Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages.
Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”
Less than a month after the election that will return Donald Trump to the White House, Rep. Jeffries also gave a sobering assessment of what the Democrats learned.
“Our message just wasn’t connecting with the real struggles of the American people,” Jeffries said. “The party in power is the one that will always pay the price.”
On dealing with Trump, Jeffries warned, “We can’t fall into the trap of being outraged every day at what Trump does. That’s just part of his strategy. Remaining calm in the face of turmoil is a choice.”
He pointed out that the razor-thin margin that Republicans now hold in the House is the lowest since the Civil War.
Asked what the public can do, Jeffries spoke about the importance of being “appropriately engaged. Democracy is not on autopilot. It takes a citizenry to hold politicians accountable and a new generation of young people to come forward and serve in public office.”
With a Republican-led White House, Senate, House and Supreme Court, Democrats must “work to find bi-partisan common ground and push back against far-right extremism.”
He also described how he is shaping his own leadership style while his mentor, Speaker-Emeritus Nancy Pelosi, continues to represent San Francisco in Congress. “She says she is not hanging around to be like the mother-in-law in the kitchen, saying ‘my son likes his spaghetti sauce this way, not that way.’”
Activism
MacArthur Fellow Dorothy Roberts’ Advocates Restructure of Child Welfare System
Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.
Special to The Post
When grants were announced Oct. 1, it was noted that eight of the 22 MacArthur Fellows were African American. Among the recipients of the so-called ‘genius grants’ are scholars, visual and media artists a poet/writer, historian, and dancer/choreographer who each receive $800,000 over a five-year period to spend as they see fit.
Their names are Ruha Benjamin, Jericho Brown, Tony Cokes, Jennifer L. Morgan, Ebony G. Patterson, Shamel Pitts, Jason Reynolds, and Dorothy Roberts. This is the eighth and last in the series highlighting the Black awardees. The report below on Dorothy Roberts is excerpted from the MacArthur Fellows web site.
A graduate of Yale University with a law degree from Harvard, Dorothy Roberts is a legal scholar and public policy researcher exposing racial inequities embedded within health and social service systems.
Sine 2012, she has been a professor of Law and Sociology, and on the faculty in the department of Africana Studies at the University of Pennsylvania.
Roberts’s work encompasses reproductive health, bioethics, and child welfare. She sheds light on systemic inequities, amplifies the voices of those directly affected, and boldly calls for wholesale transformation of existing systems.
Roberts’s early work focused on Black women’s reproductive rights and their fight for reproductive justice. In “Killing the Black Body: Race, Reproduction, and the Meaning of Liberty 1997)”, she analyzes historical and contemporary policies and practices that denied agency to Black women and sought to control their childbearing—from forced procreation during slavery, to coercive sterilization and welfare reform—and advocates for an expanded understanding of reproductive freedom.
This work prompted Roberts to examine the treatment of children of color in the U.S. child welfare system.
After nearly two decades of research and advocacy work alongside parents, social workers, family defense lawyers, and organizations, Roberts has concluded that the current child welfare system is in fact a system of family policing with alarmingly unequal practices and outcomes. Her 2001 book, “Shattered Bonds: The Color of Child Welfare,” details the outsized role that race and class play in determining who is subject to state intervention and the results of those interventions.
Through interviews with Chicago mothers who had interacted with Child Protective Services (CPS), Roberts shows that institutions regularly punish the effects of poverty as neglect.
CPS disproportionately investigates Black and Indigenous families, especially if they are low-income, and children from these families are much more likely than white children to be removed from their families after CPS referral.
In “Torn Apart: How the Child Welfare System Destroys Black Families—and How Abolition Can Build a Safer World (2022),” Roberts traces the historical, cultural, and political forces driving the racial and class imbalance in child welfare interventions.
These include stereotypes about Black parents as negligent, devaluation of Black family bonds, and stigmatization of parenting practices that fall outside a narrow set of norms.
She also shows that blaming marginalized individuals for structural problems, while ignoring the historical roots of economic and social inequality, fails families and communities.
Roberts argues that the engrained oppressive features of the current system render it beyond repair. She calls for creating an entirely new approach focused on supporting families rather than punishing them.
Her support for dismantling the current child welfare system is unsettling to some. Still, her provocation inspires many to think more critically about its poor track record and harmful design.
By uncovering the complex forces underlying social systems and institutions, and uplifting the experiences of people caught up in them, Roberts creates opportunities to imagine and build more equitable and responsive ways to ensure child and family safety.
Activism
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