Arts and Culture
Turf Dancing Group Makes Moves in Oakland
For the last few years, Jeriel Bey has been teaching young people to use their mind and bodies to express themselves through turf dancing, a street dance that rose to prominence in Oakland in the early 1990s and has roots in break dancing from the 1980s.
At a glance, turf dancing looks like a mix of several hip-hop dances along with the performer featuring his own movements and style.
“It’s about promoting our community and local businesses in a positive way,” said Bey. “Turf dancing promotes nonviolence and keeps kids engaged and off the streets. We don’t want people to associate turf dancing with the negative aspects of hip hop culture.”
The term turf dancing means “taking up room on the floor,” which was later shortened to turf. Dancer Bey came up with the term when the style was still known as “hittin’ it” because of the popping dance style it uses.
Bey, leader and co-founder of the Architeckz, an Oakland-based dance team and his company Turfin Advertising Group, seeks to promote the group’s skills by to brand products in their videos as well as train Bay Area youth in the dance style.
Turf dancing relies on improvisation from dance styles such as storytelling, gliding, animation, tutting and popping. Rene Neal-De-Stanton, who’s known to turfers by his dance name, Rawnay, said much of his experience and confidence came from constantly battling other dancers and forming new moves after practicing daily.
“My friends and I used to sneak into clubs just to dance,” said Stanton. “Turfing was really about respect and representing where you came from. I learned how to form my style based off many of these battles.”
Storytelling focuses on creating optical illusions while pantomiming everyday activities such as yawning or stretching.
Tutting requires the dancers to form geometric angles with their arms in various combinations. The dancing also requires the performer to be flexible and acrobatic while making the movements appear to look easy.
The Architeckz, have danced in videos featured on MTV, including Bay Area rappers E-40, Keak Da Sneak and The Pack. E-40’s single “Tell Me When to Go” brought national attention to turf dancing and the hyphy movement in 2006.
They have performed at the Billboard Music Awards show as well as competitions all across the Bay Area. Bey says when turf dancing gained national attention, the Architeckz were even able to compete in dance battles against krump dancers from Los Angeles in city level events.
Dance battles take place with team members either performing together or individually. In many cases, they don’t know ahead of time what music will be played and must rely on their improvisational skills.
“The Oakland community has always supported me at events, and I’ve never had problems with people fighting or anything,” said Bey. “We’ve hosted an event at Oakland’s Oracle Coliseum before, and it went off without a problem.”
With a fundraising event planned Nov. 1st at the Parkway Theater, Bey hopes to attract community leaders and investors who are interested in using the Turfing Advertising Group to promote their products.
For more information about the event on November 1st, visit:
www.TurfinAdvertisingGroup.com
http://streetdancetheater-es2.eventbrite.com
https://www.facebook.com/Turfdancing
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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