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UniverSoul Circus Coming to National Harbor

WASHINGTON INFORMER — The UniverSoul Circus is returning for a month long stint in the D.C. area this summer. The circus, a spectacle of sight, sound and soul for the entire family to enjoy, will anchor at the National Harbor in Oxon Hill, Md., from June 20-July 28.

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By WI Web Staff

The UniverSoul Circus is returning for a month long stint in the D.C. area this summer.

The circus, a spectacle of sight, sound and soul for the entire family to enjoy, will anchor at the National Harbor in Oxon Hill, Md., from June 20-July 28.

The electrifying circus, now in its 26th year, offers an unforgettable experience, bringing fans and performers closer together than ever before in an inclusive, positive and soulful atmosphere.

“We get to share our culture with everyone, and each member of the audience leaves with a message that everyone belongs,” said founder and CEO Cedric Walker. “The UniverSoul Circus is for the people — it’s their show.”

Loaded with one-of-a-kind performances from around the world, the circus is led by ringmaster Lucky Malatsi from South Africa, his longtime sidekick Zeke of Atlanta and newcomer Cheyenne-Rose Dailey from Trinidad and Tobago. The show features male contortionists from Guinea, skaters from Cuba, daredevil motorcyclists from Atlanta and Santiago, Chile, a high-wire act from Colombia and Gabon and much more.

For ticket information, go to ticketmaster.com.

This article originally appeared in the Washington Informer
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Oakland Post: Week of June 25 – July 1, 2025

The printed Weekly Edition of the Oakland Post: Week of June 25 – July 1, 2025

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Oakland Post: Week of June 18 – 24, 2025

The printed Weekly Edition of the Oakland Post: Week of June 18 – 24, 2025

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IN MEMORIAM: Legendary Funk Pioneer Sly Stone Dies at 82

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

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Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.
Sly and the Family Stone play the Opera House in Bournemouth. Mojo review. Photo by Simon Fernandez.

By Stacy M. Brown
BlackPressUSA.com Newswire

Sylvester “Sly” Stewart—known to the world as Sly Stone, frontman of the groundbreaking band Sly and the Family Stone—has died at the age of 82.

His family confirmed that he passed away peacefully at his Los Angeles home surrounded by loved ones, after battling chronic obstructive pulmonary disease (COPD) and other health complications.

Born March 15, 1943, in Denton, Texas, Stone moved with his family to Vallejo, California, as a child. He began recording gospel music at age 8 with his siblings in a group called the Stewart Four. By his teenage years, he had mastered multiple instruments and was already pioneering racial integration in music—an ethos that would define his career.

In 1966, Sly and his brother Freddie merged their bands to form Sly and the Family Stone, complete with a revolutionary interracial, mixed-gender lineup.

The band quickly became a commercial and cultural force with hits such as “Dance to the Music,” “Everyday People,” and “Thank You (Falettinme Be Mice Elf Agin)”—all penned by Stone himself.

Their album “Stand!” (1969) and live performances—most notably at Woodstock—cemented their reputation, blending soul, funk, rock, gospel, and psychedelia to reflect the optimism and turmoil of their era.

Sly Stone’s musical approach radically reshaped popular music. He transcended genre boundaries and empowered a new generation of artists. The band’s socially conscious message and infectious rhythms sparked a wave of influence, reaching artists as diverse as Miles Davis, George Clinton, Prince, Dr. Dre, and the Roots.

As the 1970s progressed, Stone confronted personal demons. His desire to use music as a response to war, racism, and societal change culminated in the intense album “There’s a Riot Goin’ On” (1971). But drug dependency began to undermine both his health and professional life, leading to erratic behavior and band decline through the early 1980s.

Withdrawn from the public eye for much of the 1990s and early 2000s, Stone staged occasional comebacks. He was inducted into the Rock & Roll Hall of Fame in 1993, received a Lifetime Achievement Award from the Grammys in 2017, and captured public attention following the 2023 release of his memoir “Thank You (Falettinme Be Mice Elf Agin)”—published under Questlove’s imprint. He also completed a biographical screenplay and was featured in Questlove’s documentary “Sly Lives!” earlier this year.

His influence endured across generations. Critics and historians repeatedly credit him with perfecting funk and creating a “progressive soul,” shaping a path for racial integration both onstage and in the broader culture.

“Rest in beats Sly Stone,” legendary Public Enemy frontman Chuck D posted on social media with an illustrative drawing of the artist. “We should thank Questlove of the Roots for keeping his fire blazing in this century.”

Emmy-winning entertainment publicist Danny Deraney also paid homage. “Rest easy Sly Stone,” Deraney posted. “You changed music (and me) forever. The time he won over Ed Sullivan’s audience in 1968. Simply magical. Freelance music publicist and Sirius XM host Eric Alper also offered a tribute.

“The funk pioneer who made the world dance, think, and get higher,” Alper wrote of Sly Stone. “His music changed everything—and it still does.”

Sly Stone is survived by three children.

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