National
US Capitol’s Confederate Statues Prompt Renewed Debate
ERICA WERNER, Associated Press
WASHINGTON (AP) — Alexander H. Stephens, onetime vice president of the Confederacy, sits memorialized in stone, right leg crossed over left, staring sternly into the distance as summer-clad tourists mill about him in the U.S. Capitol’s Statuary Hall. Solemn and cold, he looks like he could sit there for eternity.
But the renewed debate about symbols of the Confederacy in the wake of the horrific shooting at a black church in Charleston, South Carolina, raises new questions about whether he will.
The move in South Carolina to remove the Confederate flag from the statehouse grounds is prompting members of Congress to take a new look at Confederate images that surround them every day, including statues of Stephens, Confederate Gen. Robert E. Lee, Confederate President Jefferson Davis and a number of other Confederate leaders or fighters.
“I want to see it go. I want to see it go,” Rep. John Lewis, D-Ga., a leader during the civil rights movement of the 1960s, said of the statue of Stephens, who also served as Georgia’s governor.
“Young children, school children, walk by these statues, and those of us who serve in the Congress, we have to get our own house in order,” Lewis said. “We have to have a cleansing in this place.”
Some of Lewis’ Republican colleagues disagree.
“He did a lot of other great things in Georgia other than being vice president of the Confederacy, and that’s just one of the things he did in life and you can’t change that,” Rep. Lynn Westmoreland, R-Ga., said of Stephens. “To me it doesn’t equate. The flag is a very divisive symbol that people take very much offense to.”
In a similar debate, the House considered a resolution from Rep. Bennie Thompson, D-Miss., on Thursday calling for the removal of any state flag depicting the Confederate battle flag from the House portion of the U.S. Capitol and from House office buildings.
Thompson said his measure would affect only Mississippi, the sole state whose flag still contains the rebel insignia — “a symbol that represents bigotry, hatred, and everything this country is not,” Thompson said. Over Thompson’s objections but at the urging of House GOP leaders, the House voted 240-184 to refer the measure to committee, where Republicans pledged it would be fully considered.
Some 10 figures in the National Statuary Hall Collection are of Confederate leaders, or people who fought for the Confederacy during the Civil War.
Apart from Stephens, Lee and Davis, they include Edmund Kirby Smith of Florida, a general who “surrendered the last military force of the Confederacy,” according to the Architect of the Capitol’s description; James Zachariah George of Mississippi, a Confederate colonel who was imprisoned and taught law to fellow prisoners; and Joseph Wheeler of Alabama, a noted cavalry general in the Confederate army.
Each state donates two statues to the Statuary Hall Collection and they are selected by individual states, not by the federal government or Capitol officials. Decisions on whether to keep or remove them are up to state officials.
In the case of the statue of Stephens, Sen. Johnny Isakson, R-Ga., said it was already under discussion by the state, and he declined to declare his own views. “I’m going to share my input with the governor and the committee as he puts that together and we’re going to do the right thing in Georgia,” Isakson said.
Apart from the Statuary Hall Collection, numerous other statues, portraits and busts dot every corridor and office of the Capitol. Among them is a bust of John Cabell Breckinridge, who served as vice president under President James Buchanan and went on to join the Confederate army and become secretary of war to the Confederacy. There is no comprehensive list that shows whether any other Confederate figures number among the Capitol images.
The Pentagon has also found itself reckoning with the legacy of the Confederacy. The Army’s top spokesman issued a brief statement Wednesday defending the past practice of having forts and posts named after Confederate generals, saying they represent individuals, not causes.
Calls to remove Confederate statues seem to be coming mainly from Democrats.
Rep. Kathy Castor, D-Fla., issued a statement calling for Smith’s statue to be removed. “A wave is sweeping the country to revisit symbols and representations that better reflect the accuracy of our nation’s history and a more inclusive legacy,” she said.
Others thought differently. Sen. Tim Scott, a black Republican from South Carolina, embraced his state’s call to remove the Confederate flag from the statehouse grounds but said he didn’t think the move should extend to statues at the U.S. Capitol.
“I don’t think there should be another look on this, to be honest with you,” Scott said. “The South has a rich and provocative history which includes a lot of things that were good and a lot of things that were not.”
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Arts and Culture
In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map
By Terri Schlichenmeyer
The Bookworm Sez
An average oak tree is bigger around than two people together can reach.
That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.
And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.
Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.
In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.
According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.
As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?
She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.
“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”
In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.
The people he interviewed recalled family tales and community stories of support, hardship, and home.
Says coauthor Navies, “These images shout without making a sound.”
If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.
With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.
For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.
Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.
This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.
“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam
c.2024, University of Kentucky Press, $50.00.
Black History
Alice Parker: The Innovator Behind the Modern Gas Furnace
Born in Morristown, New Jersey, in 1895, Alice Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
By Tamara Shiloh
Alice Parker was a trailblazing African American inventor whose innovative ideas forever changed how we heat our homes.
Born in Morristown, New Jersey, in 1895, Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
Parker grew up in New Jersey, where winters could be brutally cold. Although little is documented about her personal life, her education played a crucial role in shaping her inventive spirit. She attended Howard University, a historically Black university in Washington, D.C., where she may have developed her interest in practical solutions to everyday challenges.
Before Parker’s invention, most homes were heated using wood or coal-burning stoves. These methods were labor-intensive, inefficient, and posed fire hazards. Furthermore, they failed to provide even heating throughout a home, leaving many rooms cold while others were uncomfortably warm.
Parker recognized the inefficiency of these heating methods and imagined a solution that would make homes more comfortable and energy-efficient during winter.
In 1919, she patented her design for a gas-powered central heating system, a groundbreaking invention. Her design used natural gas as a fuel source to distribute heat throughout a building, replacing the need for wood or coal. The system allowed for thermostatic control, enabling homeowners to regulate the temperature in their homes efficiently.
What made her invention particularly innovative was its use of ductwork, which channeled warm air to different parts of the house. This concept is a precursor to the modern central heating systems we use today.
While Parker’s design was never fully developed or mass-produced during her lifetime, her idea laid the groundwork for modern central heating systems. Her invention was ahead of its time and highlighted the potential of natural gas as a cleaner, more efficient alternative to traditional heating methods.
Parker’s patent is remarkable not only for its technical innovation but also because it was granted at a time when African Americans and women faced severe limitations in accessing patent protections and recognition for their work. Her success as an inventor during this period is a testament to her ingenuity and determination.
Parker’s legacy lives on in numerous awards and grants – most noticeably in the annual Alice H. Parker Women Leaders in Innovation Award. That distinction is given out by the New Jersey Chamber of Commerce to celebrate outstanding women innovators in Parker’s home state.
The details of Parker’s later years are as sketchy as the ones about her early life. The specific date of her death, along with the cause, are also largely unknown.
Activism
U.S. House Minority Leader Hakeem Jeffries Speaks on Democracy at Commonwealth Club
Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages. Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”
By Linda Parker Pennington
Special to The Post
House Minority Leader Hakeem Jeffries addressed an enthusiastic overflow audience on Monday at San Francisco’s Commonwealth Club, launching his first book, “The ABCs of Democracy.”
Based on his first speech as House minority leader, “The ABCs of Democracy” by Grand Central Publishing is an illustrated children’s book for people of all ages.
Each letter contrasts what democracy is and isn’t, as in: “American Values over Autocracy”, “Benevolence over Bigotry” and “The Constitution over the Cult.”
Less than a month after the election that will return Donald Trump to the White House, Rep. Jeffries also gave a sobering assessment of what the Democrats learned.
“Our message just wasn’t connecting with the real struggles of the American people,” Jeffries said. “The party in power is the one that will always pay the price.”
On dealing with Trump, Jeffries warned, “We can’t fall into the trap of being outraged every day at what Trump does. That’s just part of his strategy. Remaining calm in the face of turmoil is a choice.”
He pointed out that the razor-thin margin that Republicans now hold in the House is the lowest since the Civil War.
Asked what the public can do, Jeffries spoke about the importance of being “appropriately engaged. Democracy is not on autopilot. It takes a citizenry to hold politicians accountable and a new generation of young people to come forward and serve in public office.”
With a Republican-led White House, Senate, House and Supreme Court, Democrats must “work to find bi-partisan common ground and push back against far-right extremism.”
He also described how he is shaping his own leadership style while his mentor, Speaker-Emeritus Nancy Pelosi, continues to represent San Francisco in Congress. “She says she is not hanging around to be like the mother-in-law in the kitchen, saying ‘my son likes his spaghetti sauce this way, not that way.’”
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