National

Violence Wanes in Chicago, but Fear Looms Over Mayor’s Race

Published

10 years ago

March 31, 2015

In this Oct. 15, 2013 file photo, Cleopatra Pendleton, the mother of slain teen Hayida Pendelton, speaks at a news conference about gun violence in Chicago. Looking on from left are Chicago Mayor Rahm Emanuel, Police Superintendent Garry McCarthy and Cook County State’s Attorney Anita Alvarez. Fifteen-year-old Hadiya Pendleton was shot and killed Jan. 29, 2013 in a park during a gang dispute she had nothing to do with. (AP Photo/M. Spencer Green, File)

DON BABWIN, Associated Press

CHICAGO (AP) — A few years ago, violence on Chicago streets thrust a recently elected mayor into the national spotlight as shootouts in some of the city’s most troubled neighborhoods fueled nearly constant bloodshed.

Rahm Emanuel spent nearly $200 million over two years to flood those streets with police working overtime. His police department also collected a trove of information about individual gang members and set up meetings between gang members and the parents of homicide victims to illustrate the high human cost of gunfire.

Since then, the city’s overall violence has declined, but the number of slayings in some minority neighborhoods actually jumped. And while police boast of historic drops in the homicide rate, many frustrated families in those areas say their communities have seen little to no improvement or have actually deteriorated.

“It’s worse,” said Anthony Jackson, a 62-year-old retired maintenance man as he made his way to his home in the heart of a neighborhood that last year saw a dramatic spike in homicides — to about half the number of the entire city of Washington, D.C. “We’re just out here on our own.”

The stubborn violence contributes to the mayor’s overall challenge in his bid for a second term and puts him in the somewhat awkward position of simultaneously touting his success against crime while acknowledging that much more needs to be done.

“The truth is that as much progress as we’ve made over the past four years, we simply have to do better,” Emanuel said in a speech.

The total number of homicides in Chicago fell from more than 500 in 2012 to just over 400 last year, the lowest level in a half-century. But the number of shootings climbed 12 percent, from 1,866 to 2,084, during the same period.

The discontent goes beyond the bullets. Despite Emanuel’s success in attracting companies to the thriving Loop district, the only businesses that seem to survive in many minority neighborhoods are dusty markets, fast-food restaurants and dollar stores.

The result was that Emanuel did not receive enough votes last month to avoid an April runoff with Cook County Commissioner Jesus “Chuy” Garcia. Much of the support the mayor had from black voters four years ago vanished in the primary. Though Emanuel was the clear winner in every majority-black ward, he received fewer than half the votes in them. Four years ago, he received more than half the votes in every single one.

A Chicago Tribune poll published Tuesday shows that Emanuel has opened a 28 percentage point lead over Garcia — largely by making gains among white voters. There was little change among black voters for Emanuel or Garcia and, while Garcia has the support of 52 percent of Hispanic voters, Emanuel has 36 percent. The poll has an error margin of 3.7 percentage points.

Jackson said he voted for Emanuel in 2011, but he doesn’t know who he will support in the April 7 election.

In the Harrison police district, where Jackson lives, the number of homicides climbed from 35 in 2013 to 51 last year, and the number of shootings climbed at more than double the citywide rate. Police have not offered a definitive reason other than to point to what Superintendent Garry McCarthy calls “severe gang conflicts.”

And Emanuel’s decision to close dozens of schools added more boarded-up buildings to streets already littered with them, with residents complaining that the schools became larger versions of the abandoned houses that are magnets for gangs and drug dealers.

“What people see is these parts of the city have been abandoned, and the investment has gone elsewhere,” said Marshall Hatch, a prominent minister on the city’s West Side, standing near the shuttered Goldblatt Elementary School.

Statistically, there is plenty of evidence that the city’s crime-fighting strategies are paying off. Since 2012, reports of every major crime have dropped, some significantly.

The 504 homicides that caught the attention of the nation in 2012 have fallen to a level not seen since the mid-1960s. It’s the same story with robbery, aggravated battery, burglary and motor-vehicle theft. There were fewer reports — sometimes hundreds fewer — of those crimes than two years ago, including in Jackson’s community and other largely black neighborhoods.

For example, in the Grand Crossing district on the South Side, 2014 ended with 18 homicides — less than half the 42 recorded in 2012.

Still, even in that area and in other nearby communities, Emanuel did not receive nearly the percentage of votes that he did in 2011.

In his campaign, the mayor has addressed the fears stirred up by the death of an 11-year-old girl who was killed by a bullet that pierced a wall while she made s’mores during a sleepover. And he acknowledged the slaying of Hadiya Pendleton, a 15-year-old honor student killed shortly after returning from President Barack Obama’s inauguration.

“Too many families still have their kids off the porch when it gets dark. Too many families … do not let their kids go outside because they’re scared,” the mayor told the audience after an introduction by Hadiya’s mother, who praised Emanuel as someone who feels the pain of those who have lost loved ones to gun violence.

Garcia has pledged to hire 1,000 police officers. Without the added police presence, he said, the city “will never be able to end the heartbreaking violence that has taken the lives of so many of our children.”

Emanuel also finds himself courting black votes in the wake of a study by the American Civil Liberties Union of Illinois, which found that the police department’s “stop and frisk” practice disproportionately targeted blacks.

Hatch said he fully expects Garcia to cite the report as another example of Emanuel’s failure to help the black community.

“Everybody holds the mayor accountable because, like we say in the black church, he’s got all the power in his hands,” he said.

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Oakland Post: Week of December 25 – 31, 2024

The printed Weekly Edition of the Oakland Post: Week of December 25 – 31, 2024

Published

1 day ago

December 26, 2024

Oakland Post

To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.

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Activism

OPINION: “My Girl,” The Temptations, and Nikki Giovanni

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame. The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.” That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

Published

3 days ago

December 24, 2024

Oakland Post

Nikki Giovanni. Courtesy of Nikki-Giovanni.com

By Emil Guillermo

The Temptations, the harmonizing, singing dancing man-group of your OG youth, were on “The Today Show,” earlier this week.

There were some new members, no David Ruffin. But Otis Williams, 83, was there still crooning and preening, leading the group’s 60th anniversary performance of “My Girl.”

When I first heard “My Girl,” I got it.

I was 9 and had a crush on Julie Satterfield, with the braided ponytails in my catechism class. Unfortunately, she did not become my girl.

But that song was always a special bridge in my life. In college, I was a member of a practically all-White, all-male club that mirrored the demographics at that university. At the parties, the song of choice was “My Girl.”

Which is odd, because the party was 98% men.

The organization is a little better now, with women, people of color and LGBTQ+, but back in the 70s, the Tempts music was the only thing that integrated that club.

POETRY’S “MY GIRL”

The song’s anniversary took me by surprise. But not as much as the death of Nikki Giovanni.

Giovanni was probably one of the most famous young African American women in the 1960s, known for her fiery poetry. But even that description is tame.

The New York Times obit headline practically buried her historical impact: “Nikki Giovanni, Poet Who Wrote of Black Joy, Dies at 81.”

That doesn’t begin to touch the fire of Giovanni’s work through her lifetime.

I’ll always see her as the Black female voice that broke through the silence of good enough. In 1968, when cities were burning all across America, Giovanni was the militant female voice of a revolution.

Her “The True Import of Present Dialogue: Black vs. Negro,” is the historical record of racial anger as literature from the opening lines.

It reads profane and violent, shockingly so then. These days, it may seem tamer than rap music.

But it’s jarring and pulls no punches. It protests Vietnam, and what Black men were asked to do for their country.

“We kill in Viet Nam,” she wrote. “We kill for UN & NATO & SEATO & US.”

Written in 1968, it was a poem that spoke to the militancy and activism of the times. And she explained herself in a follow up, “My Poem.”

“I am 25 years old, Black female poet,” she wrote referring to her earlier controversial poem. “If they kill me. It won’t stop the revolution.”

Giovanni wrote more poetry and children’s books. She taught at Rutgers, then later Virginia Tech where she followed her fellow professor who would become her spouse, Virginia C. Fowler.

Since Giovanni’s death, I’ve read through her poetry, from what made her famous, to her later poems that revealed her humanity and compassion for all of life.

In “Allowables,” she writes of finding a spider on a book, then killing it.

And she scared me
And I smashed her
I don’t think
I’m allowed
To kill something
Because I am
Frightened

For Giovanni, her soul was in her poetry, and the revolution was her evolution.

About the Author

Emil Guillermo is a journalist, commentator, and solo performer. Join him at www.patreon.com/emilamok

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Black History

Book Review: In Slavery’s Wake: Making Black Freedom in the World

It’s a tale of heroes: the Maroons, who created communities in unwanted swampland, and welcomed escaped slaves into their midst; Sarah Baartman, the “Hottentot Venus”; Marème Diarra, who walked more than 2000 miles from Sudan to Senegal with her children to escape slavery; enslaved farmers and horticulturists; and everyday people who still talk about slavery and what the institution left behind.

Published

3 days ago

December 24, 2024

Oakland Post

Book cover. Courtesy of Smithsonian Books.

By Terri Schlichenmeyer

Ever since you learned how it happened you couldn’t get it out of your mind.

People, packed like pencils in a box, tightly next to each other, one by one by one, tier after tier. They couldn’t sit up, couldn’t roll over or scratch an itch or keep themselves clean on a ship that took them from one terrible thing to another. And in the new book “In Slavery’s Wake,” essays by various contributors, you’ll see what trailed in waves behind those vessels.

You don’t need to be told about the horrors of slavery. You’ve grown up knowing about it, reading about it, thinking about everything that’s happened because of it in the past four hundred years. And so have others: in 2014, a committee made of “key staff from several world museums” gathered to discuss “telling the story of racial slavery and colonialism as a world system…” so that together, they could implement a “ten-year road map to expand… our practices of truth telling…”

Here, the effects of slavery are compared to the waves left by a moving ship, a wake the story of which some have tried over time to diminish.

It’s a tale filled with irony. Says one contributor, early American Colonists held enslaved people but believed that King George had “unjustly enslaved” the colonists.

It’s the story of a British company that crafted shackles and cuffs and that still sells handcuffs “used worldwide by police and militaries” today.

Today, discussions about cooperation and diversity remain essential.

Says one essayist, “… embracing a view of history with a more expansive definition of archives in all their forms must be fostered in all societies.”

Unless you’ve been completely unaware and haven’t been paying attention for the past 150 years, a great deal of what you’ll read inside “In Slavery’s Wake” is information you already knew and images you’ve already seen.

Look again, though, because this comprehensive book isn’t just about America and its history. It’s about slavery, worldwide, yesterday and today.

Casual readers – non-historians especially – will, in fact, be surprised to learn, then, about slavery on other continents, how Africans left their legacies in places far from home, and how the “wake” they left changed the worlds of agriculture, music, and culture. Tales of individual people round out the narrative, in legends that melt into the stories of others and present new heroes, activists, resisters, allies, and tales that are inspirational and thrilling.

This book is sometimes a difficult read and is probably best consumed in small bites that can be considered with great care to appreciate fully. Start “In Slavery’s Wake,” though, and you won’t be able to get it out of your mind.

Edited by Paul Gardullo, Johanna Obenda, and Anthony Bogues, Author: Various Contributors, c.2024, Smithsonian Books, $39.95