Black History
VP Records, Largest Independent Reggae Label Celebrates 40th Anniversary
NNPA NEWSWIRE — “VP is integral to the history of reggae and dancehall music. We take this responsibility seriously and we are using our 40th anniversary to celebrate the music’s rich heritage as we steward the genre into the future,” said company president Randy Chin.
By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia
VP Records, the world’s largest reggae music company, has announced a year-long calendar of activities in celebration of its 40 years in the United States.
For two generations, the Queens, N.Y.-based company has marketed Caribbean culture and island lifestyle through music, events and merchandise, and has been at the heart of reggae, dancehall and soca.
The year of celebrations will feature a variety of music and cultural events, products, historical exhibits and experiences, in Jamaica, across the U.S., Toronto, Canada and London, England.
“VP is integral to the history of reggae and dancehall music. We take this responsibility seriously and we are using our 40th anniversary to celebrate the music’s rich heritage as we steward the genre into the future,” said company president Randy Chin.
“A major focus for the anniversary is highlighting the company’s commitment to the development, promotion and globalization of Jamaican music.”
From Dennis Brown, Barrington Levy, and Freddie McGregor to Sean Paul, Beenie Man, Lady Saw, and Tarrus Riley, VP Records has become home to some of the biggest acts in reggae music.
The label’s current roster includes Alborosie, Jah Cure, Raging Fyah, Gyptian, Beres Hammond, Queen Ifrica, Ikaya, Jah9, Fay-Ann Lyons, Christopher Martin, Maxi Priest, Busy Signal, Spice, Romain Virgo, and Spiritual.
The company kicked off its anniversary celebrations with a return to its homeland of Jamaica in January and will continue into the summer with a historical exhibit titled “A Reggae Music Journey,” at Donald Sangster airport in Montego Bay.
The exhibition will move to Kingston’s Norman Manley International Airport in June 2019 through the end of the year.
Chin recently sat down for a Q&A with NNPA Newswire:
NNPA Newswire: How did the company get started and what or who inspired you?
Chin: My parents, Vincent and Patricia, started the Jamaican chapter of the company after my father accumulated records that he changed out of jukeboxes around Jamaica.
The owner of the jukeboxes had no use for the records, so my parents kept them, and then started selling them out of their ice cream parlor.
They named the business ‘Randy’s” after the sponsor of an American radio program that was heard down there at the time. Obviously, that became my nickname too.
They couldn’t have gotten into the Jamaican music business at a better time. They got in on the ground floor in every sense, because Jamaican music was about to become an international phenomenon, starting a few years later with Millie’s “My Boy Lollipop,” then Desmond Dekker’s “Israelites,” and of course Bob Marley and the Wailers, and the rest is history.
In 1962, they moved from their first location to 17 North Parade, and records were becoming the central focus of the business.
My father started producing music with a popular singer named Lord Creator and built a studio above the new shop, which became known as Randy’s Studio 17. My brother Clive became involved in producing also, and many local independent producers such as Lee Scratch Perry rented the studio.
This was right as reggae was born. Everyone recorded there, including Bob Marley, Gregory Isaacs, Dennis Brown, Burning Spear, Augustus Pablo, you name them. Reggae may not have been born at our studio, but it grew up there.
NNPA Newswire: What were perhaps one or two of your biggest challenges getting things off the ground?
Chin: One of the biggest challenges was that the business environment in Jamaica in the 70’s made it hard to get records to the international market. So, my parents decided to move from Jamaica to New York in the late 70s, which is how the VP Records chapter began. VP is their initials.
It’s always been a challenge to get music that comes from Jamaica, from our culture in our way of speaking, patois, to translate to international ears and international tastes in a way that people can really relate.
I think overall, it’s impressive how well received our music is outside our small island, but we still have to be mindful of the music that is made for a local Jamaican audience and the music that can make it on the bigger stage.
NNPA Newswire: Briefly tell us about a couple of your top artists, i.e., who they are and how did you land them for the company?
Chin: From the VP chapter of the story, the top artists have been dancehall stars over the last 20 to 25 years like Sean Paul, Beenie Man, Lady Saw, and Bounty Killer, but the veteran reggae singers and emcees have been the foundation of the business, including Dennis Brown, Barrington Levy, Freddie McGregor, and Yellowman.
Beres Hammond really stands out as well, because of the length of time he has been with the company.
My brother Chris has been involved with the company his whole life, initially on the technical side of mastering records but also deciding about what music to release. He and my mother built relationships with artists and producers over many decades. Relationships are a key to bringing in great artists. That extends to our whole A&R team.
Some people are surprised to learn that one of our top artists is Alborosie, who was born in Italy but lived in Jamaica so long that he earned the respect of the local dancehall crowd.
His music is popular all over the world.
Our current roster includes Alborosie, Jah Cure, Raging Fyah, Gyptian, Beres Hammond, Queen Ifrica, Ikaya, Jah9, Fay-Ann Lyons, Christopher Martin, Busy Signal, Spice, Romain Virgo, and Spiritual.
NNPA Newswire: What would you say was the company’s biggest hit and why do you believe it was such a hit?
Chin: In 2002, we had a distribution agreement with Atlantic Records that was a key to Sean Paul’s breakthrough. His ‘Dutty Rock’ album sold 6 million copies and was loaded with hits like “Get Busy,” “Gimme The Light,” “Like Glue,” and others.
We had Wayne Wonder at the same time with “No Letting Go,” which was also a big hit. With the distribution deal with Atlantic, VP Records was able to bridge the gap between working with a major mainstream label while still supporting Sean with the core foundation of the Jamaican community and its diaspora.
Overall his sound was fresh and distinct and never confused with any of his peers at the time. He had his own identity, which is a key to making a hit.
NNPA Newswire: What does the future hold for the company?
Chin: We’re excited about the future. We want Jamaican music, in all its forms — past, present, and future — to continue to develop in new directions and have an international following.
The streaming world makes that more of a reality than ever. We see it when we look at where our fans are. There is so much potential for streaming in developing markets that we just have to make sure we continue to put out quality music for the world to hear.
We’re also very proud of where we’ve come from.
It was a real boost when UNESCO recognized reggae as a cultural heritage asset last year. We want the Randy’s and VP story to always be included in the story of reggae and dancehall.
We bought Greensleeves Records a decade ago and have a 25,000-song catalog that covers a lot of the history of reggae, dub, dancehall, and beyond.
We continue to be interested in new developments and new musical forms that are related to reggae and dancehall, such as afro-beats and all the offshoots of dance and urban music around the world that trace right back to Jamaica.
We’re open to the future and very proud of our past.
Activism
Books for Ghana
We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings.
By Min. Rauna Thurston, Chief Mpuntuhene Afua Ewusiwa I
My travels to Afrika began in June 2022, on a tour led by Prof. Manu Ampim, Director of the organization Advancing The Research. I was scheduled to become an ordained Minister by Wo’se Community of the Sacred African Way. It was vital that my feet touch the soil of Kemet and my spirit connect with the continent’s people before ordination.
Since 2022, I’ve made six trips to Afrika. During my travels, I became a benefactor to Abeadze State College (ASC) in Abeadze Dominase, Ghana, originally founded by Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area and now run by the government. The students there were having trouble with English courses, which are mandatory. The Ghanaian Minister of Education endorsed a novel written by 18-year-old female Ghanaian first-time writer, Nhyira Esaaba Essel, titled Black Queen Sceptre. The idea was that if the students had something more interesting to read, it would evoke a passion for reading; this seemed reasonable to me. Offer students something exciting and imaginative, combined with instructors committed to their success and this could work.
The challenge is how to acquire 800 books?!
I was finishing another project for ASC, so my cash was thin and I was devoid of time to apply for annual grants. I sat on my porch in West Oakland, as I often do, when I’m feeling for and connecting to my ancestors. On quiet nights, I reminisce about the neighborhood I grew up in. Across the street from my house was the house that my Godfather, Baba Dr. Wade Nobles and family lived in, which later became The Institute for the Advanced Study of Black Family Life & Culture (IASBFLC). Then, it came to me…ancestors invited me to reach out to The Association of Black Psychologists – Bay Area Chapter (ABPsi-Bay Area)! It was a long shot but worth it!
I was granted an audience with the local ABPsi Board, who ultimately approved funding for the book project with a stipulation that the Board read the book and a request to subsequently offer input as to how the book would be implemented at ASC. In this moment, my memory jet set to my first ABPsi convention around 2002, while working for IASBFLC. Returning to the present, I thought, “They like to think because it feels good, and then, they talk about what to do about what they think about.” I’m doomed.
However, I came to understand why reading the book and offering suggestions for implementation were essential. In short: ABPsi is an organization that operates from the aspirational principles of Ma’at with aims of liberating the Afrikan Mind, empowering the Afrikan character, and enlivening: illuminating the Afrikan spirit. Their request resulted in a rollout of 400 books in a pair-share system. Students checked out books in pairs, thereby reducing our bottom line to half of the original cost because we purchased 50% fewer units. This nuance promoted an environment of Ujima (collective work & responsibility) and traditional Afrikan principles of cooperation and interdependence. The student’s collaborative approach encouraged shared responsibility, not only for the physical book but for each other’s success. This concept was Dr. Lawford Goddard’s, approved by the Board, with Dr. Patricia “Karabo” Nunley at the helm.
We effectively facilitated cross-continent community building! We met the call and provided 400 books for ASC’s students at the call of the Minister of Education. We supported the work of a new African writer whose breakout novel is an action-packed depiction of a young woman steeped in Ghanaian culture who travels to the USA for college, all the while experiencing the twists, turns, and uncertainties that life brings. (A collectible novel for all ages). A proposed future phase of this collaborative project is for ASC students to exchange reflective essays on Black Queen Sceptre with ABPsi Bay Area members.
We got into good trouble. To order Black Queen Sceptre, email esselewurama14@gmail.com.
I became an ordained Minister upon returning from my initial pilgrimage to Afrika. Who would have imagined that my travels to Afrika would culminate in me becoming a citizen of Sierra Leone and recently being named a Chief Mpuntuhene under Daasebre Kwebu Ewusi VII, Paramount Chief of Abeadze Traditional Area in Ghana, where I envision continued collaborations.
Min. Rauna/Chief Mpuntuhene is a member of ABPsi Bay Area, a healing resource committed to providing the Post Newspaper readership with monthly discussions about critical issues in Black Mental Health, Wealth & Wellness. Readers are welcome to join us at our monthly chapter meetings every 3rd Saturday via Zoom and contact us at bayareaabpsi@gmail.com.
Arts and Culture
In ‘Affrilachia: Testimonies,’ Puts Blacks in Appalacia on the Map
By Terri Schlichenmeyer
The Bookworm Sez
An average oak tree is bigger around than two people together can reach.
That mighty tree starts out with an acorn the size of a nickel, ultimately growing to some 80 feet tall, with a canopy of a hundred feet or more across.
And like the new book, “Affrilachia” by Chris Aluka Berry (with Kelly Elaine Navies and Maia A. Surdam), its roots spread wide and wider.
Affriclachia is a term a Kentucky poet coined in the 1990s referring to the Black communities in Appalachia who are similarly referred to as Affrilachians.
In 2016, “on a foggy Sunday morning in March,” Berry visited Affrilachia for the first time by going the Mount Zion AME Zion Church in Cullowhee, North Carolina. The congregation was tiny; just a handful of people were there that day, but a pair of siblings stood out to him.
According to Berry, Ann Rogers and Mae Louise Allen lived on opposite sides of town, and neither had a driver’s license. He surmised that church was the only time the elderly sisters were together then, but their devotion to one another was clear.
As the service ended, he asked Allen if he could visit her. Was she willing to talk about her life in the Appalachians, her parents, her town?
She was, and arrangements were made, but before Barry could get back to Cullowhee, he learned that Allen had died. Saddened, he wondered how many stories are lost each day in mountain communities where African Americans have lived for more than a century.
“I couldn’t make photographs of the past,” he says, “but I could document the people and places living now.”
In doing so he also offers photographs that he collected from people he met in ‘Affrilachia,’ in North Carolina, Georgia, Kentucky, and Tennessee, at a rustic “camp” that was likely created by enslaved people, at churches, and in modest houses along highways.
The people he interviewed recalled family tales and community stories of support, hardship, and home.
Says coauthor Navies, “These images shout without making a sound.”
If it’s true what they say about a picture being worth 1,000 words, then “Affrilachia,” as packed with photos as it is, is worth a million.
With that in mind, there’s not a lot of narrative inside this book, just a few poems, a small number of very brief interviews, a handful of memories passed down, and some background stories from author Berry and his co-authors. The tales are interesting but scant.
For most readers, though, that lack of narrative isn’t going to matter much. The photographs are the reason why you’d have this book.
Here are pictures of life as it was 50 years or a century ago: group photos, pictures taken of proud moments, worn pews, and happy children. Some of the modern pictures may make you wonder why they’re included, but they set a tone and tell a tale.
This is the kind of book you’ll take off the shelf, and notice something different every time you do. “Affrilachia” doesn’t contain a lot of words, but it’s a good choice when it’s time to branch out in your reading.
“Affrilachia: Testimonies,” by Chris Aluka Berry with Kelly Elaine Navies and Maia A. Surdam
c.2024, University of Kentucky Press, $50.00.
Black History
Alice Parker: The Innovator Behind the Modern Gas Furnace
Born in Morristown, New Jersey, in 1895, Alice Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
By Tamara Shiloh
Alice Parker was a trailblazing African American inventor whose innovative ideas forever changed how we heat our homes.
Born in Morristown, New Jersey, in 1895, Parker lived during a time when women, especially African American women, faced significant social and systemic barriers. Despite these challenges, her contributions to home heating technology have had a lasting impact.
Parker grew up in New Jersey, where winters could be brutally cold. Although little is documented about her personal life, her education played a crucial role in shaping her inventive spirit. She attended Howard University, a historically Black university in Washington, D.C., where she may have developed her interest in practical solutions to everyday challenges.
Before Parker’s invention, most homes were heated using wood or coal-burning stoves. These methods were labor-intensive, inefficient, and posed fire hazards. Furthermore, they failed to provide even heating throughout a home, leaving many rooms cold while others were uncomfortably warm.
Parker recognized the inefficiency of these heating methods and imagined a solution that would make homes more comfortable and energy-efficient during winter.
In 1919, she patented her design for a gas-powered central heating system, a groundbreaking invention. Her design used natural gas as a fuel source to distribute heat throughout a building, replacing the need for wood or coal. The system allowed for thermostatic control, enabling homeowners to regulate the temperature in their homes efficiently.
What made her invention particularly innovative was its use of ductwork, which channeled warm air to different parts of the house. This concept is a precursor to the modern central heating systems we use today.
While Parker’s design was never fully developed or mass-produced during her lifetime, her idea laid the groundwork for modern central heating systems. Her invention was ahead of its time and highlighted the potential of natural gas as a cleaner, more efficient alternative to traditional heating methods.
Parker’s patent is remarkable not only for its technical innovation but also because it was granted at a time when African Americans and women faced severe limitations in accessing patent protections and recognition for their work. Her success as an inventor during this period is a testament to her ingenuity and determination.
Parker’s legacy lives on in numerous awards and grants – most noticeably in the annual Alice H. Parker Women Leaders in Innovation Award. That distinction is given out by the New Jersey Chamber of Commerce to celebrate outstanding women innovators in Parker’s home state.
The details of Parker’s later years are as sketchy as the ones about her early life. The specific date of her death, along with the cause, are also largely unknown.
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