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War and Treaty Brings Innovative Sound, Cultural Roots to Howard Theater

BLACKPRESSUSA NEWSWIRE — As The War and Treaty marks its triumphant return to Washington, D.C., where each vocalist has roots — the evening promises a captivating experience of undeniable chemistry, musical exploration, and recognition for the roots of Black culture in history.

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Country Duo Dishes on Significance of New Album, ‘Coming Home’ to D.C.

By Jada Ingleton, Washington Informer
Special to BlackPressUSA.com

Soulful harmonies, bold cross genres, and a masterclass in African American virtuosity arrives in the nation’s capital on April 11, as Tanya and Michael Trotter of The War and Treaty anticipate an electric tour performance of their fourth studio album “Plus One” at Howard Theater.  Amid a six-month international tour, the husband-and-wife duo joined WIN-TV’s “Let’s Talk” live from Amagansett, New York on April 4, fueled by elated spirits and candid reflections to discuss the significance of the upcoming show and namesake record. “We bring who we are, we don’t change who we are,” Tanya Trotter, formerly Blount, told The Informer on “Let’s Talk.” “This is an invitation to our fans, as well as to Nashville, to join in on what we’re doing with our gospel-country stuff…to allow people to come into who we are.”

As The War and Treaty marks its triumphant return to Washington, D.C., where each vocalist has roots — the evening promises a captivating experience of undeniable chemistry, musical exploration, and recognition for the roots of Black culture in history. “I want people to come to our concert to learn something, to learn the return, to learn what we started,” Michael Trotter explained. “To learn that all the styles that you hear, every genre that is birthed, was birthed out of the gut, and the heart, and the soul and the mind of our people.” For the spiritually infectious Trotter duo, performing at Howard Theater on April 11 is what the wife boosted as a “full-circle moment.” Tanya Trotter revealed she used to perform on Georgia Avenue during former D.C. Mayor Marion Barry’s Street Theater event, which promoted youth in the arts. The husband then reminisced on winning his first singing competition at the annual Future Fest in 1996, which he considers a “life-changing experience.”

Moreover, Tanya Trotter was among a lineup of reputable musicians chosen to perform at Howard Theater’s Grand Opening Gala Fundraiser on April 12, 2012, after the historic landmark site underwent a 32-year hiatus and $29 million renovation. “It’s just fitting that right off of Georgia Avenue is the incredible Howard Theater, and we’ll be coming back to that,” she said. Besides the initial exposure to live crowds, the wife and actress said Washington, D.C., is instrumental to the style and musicality of The War and Treaty, which debuted in 2014. She spoke of her faith upbringing in a “little church” on 50th and B Street in Southeast, where she also delved into the musical interests that later fruitified the passion and sound of the Grammy-nominated duo, who now resides in Nashville, Tennessee. “Whenever we approach music–whether it’s gospel, country, folk, Americana, rock and roll–the foundation is gospel music. That’s where we’re rooted, and that’s where we come from,” she told The Informer. “Everything I learned, it’s inspired and comes from D.C.”

Michael Trotter emphasized his appreciation for his “strong roots” in the nation’s capital, noting the significance of returning home as not only a celebration of upbringing, but of growth and transformation, specifically where it all started. “I’m so very excited to be able to come home with D.C. songbird Miss Tanya, and be able to offer something different that we have,” he said, “and we do have something different.” Officially released on Feb. 14, War and Treaty’s “Plus One” album encompasses a love letter to country music that unapologetically works to redefine stereotypes and limitations often imposed on the genre. The 18-track project – revered as “a testament to the power of love, hope, and human connection” in Americana Highways – leverages raw vocals with the creative elements of country, gospel, rock and blues to “bring something different” to mainstream music, according to Michael. “In country music radio, specifically, we want a different perspective,” the husband said, noting the deep roots of western swing in the history of African American agriculture and enslavement. “We’re going to bring some…of those things that’ve been whitewashed out of country music.” Credited co-writers on the album include country icons like Miranda Lambert and Jesse Frasure. Further, producers like Frasure, Jonathan Singleton, John Shanks and Trotter himself laid the tracks to bring an elevated sound to the mix. Meanwhile, synergized melodies, live instrumentation, and inclusive lyricism invokes a deeper look into the strength of diverse influences and how it can transform the boundaries of music seen today.

“What if D’Angelo did a song with George Jones, or Dolly Parton did a song with Aretha Franklin? What would that sound like…How would that feel?” Tanya Trotter told The Informer. “We’re giving people thoughts. They’ve never seen it before, it’s never been done before.” With this in mind, the She Loves Vintage CEO said “Plus One” is a testament to the foundation of The War and Treaty itself. “When people say, ‘What are you bringing to country music,’ we’re [bridge-builders]. We don’t just blend genres–we bring people together, we blend hearts, people’s choices,” said the singer and entrepreneur, “and we have been able to do that with the last 10 years of our music.” As the duo proceeds to tour now through September, Michael Trotter said he hopes that audiences will embrace the elevated sounds of The War and Treaty as a unit and particularly find inspiration in the breadth and beauty of Black culture in all artistry. “When Black people create, we innovate. That’s the truth,” he told The Informer. “We just want to remind America and abroad that there is a beautiful perspective waiting to take place again.”

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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