Art
Waverly’s Wonder Kid
THE AFRO — What were you doing when you were 10 years old? Most of us were probably playing double-dutch, hide and seek, or climbing trees. If you’re Zoe Lashley, then you’re creating beautiful pieces of handcrafted artwork for restaurants and CEOs. At just four years old, Zoe’s mother would take her to the Baltimore Museum of Art every Sunday afternoon to play in paint at Family Fun Day. Shortly after that, a neighbor who happens to be a professional artist and advocate for the arts, Phyllis Brent, informed Zoe’s mother about an up and coming art program. She explained that the program is dedicated to helping kids discover their inner artist, called 901 Arts program.
By Jessica Dortch
What were you doing when you were 10 years old? Most of us were probably playing double-dutch, hide and seek, or climbing trees. If you’re Zoe Lashley, then you’re creating beautiful pieces of handcrafted artwork for restaurants and CEOs.
At just four years old, Zoe’s mother would take her to the Baltimore Museum of Art every Sunday afternoon to play in paint at Family Fun Day. Shortly after that, a neighbor who happens to be a professional artist and advocate for the arts, Phyllis Brent, informed Zoe’s mother about an up and coming art program. She explained that the program is dedicated to helping kids discover their inner artist, called 901 Arts program.
901 Arts is a community-based youth arts center that provides a safe space for children of the Better Waverly neighborhood to explore their creative, artistic and leadership abilities. Zoe began to fine tune her craft, and ultimately, was awarded a scholarship to attend a summer program at MICA Institute in Baltimore. “I used to do art, and I wasn’t sure about it until I went to MICA, I was sure that it was my passion,” Zoe tells the AFRO.
Zoe’s art teacher for the summer was none other than renowned artist Mary Mark Munday. “Ms. MMM,” as the kids call her, introduced Zoe to a style that would soon become one of her trademarks. Repousse (/rəˌpo͞oˈsā/) is a metalworking technique of hammering a soft metal into a pattern or design.
As an artist by nature, Zoe was able to grasp the concept of repousse and excel at it. In fact, Zoe was invited back to MICA’s art program for the fall season where she experimented with glass, carving, and, of course, repousse.
One of the pieces Zoe created caught the eye of the manager at one of Zoe’s favorite restaurants, Fogo de Chao. Putting on her businesswoman hat, Zoe negotiated a price for the piece, and it can now be seen hanging in his office.
The story doesn’t end there. The CEO of Fogo de Chao personally reached out to Zoe and invited her and her family to their headquarters in Texas for sight-seeing, dinner with the entire Fogo de Chao family, and more of Zoe’s art. Zoe and her mom headed home after gifting a stained glass piece to the company’s CEO and his wife.

A piece of Zoe’s current repousse work. (Photo by: Latease Lashley)
It seems as if the sky’s the limit for this rising star, even in the face of adversity. “We’ve had some life lessons in all these experiences,” Zoe’s mother, Latease Lashley, says with a chuckle. “It’s been some real early life lessons about being a Black girl with natural hair in Baltimore,” she tells the AFRO. Zoe is often either the only Black student or the only female student in her art classes.
When asked what her message is to other kids who aspire to be artists, Zoe says “…I came up with my ABCs.” It’s simple: the ‘A’ stands for attitude, the ‘B’ stands for believing, and the ‘C’ is for commitment. “If you want to own your own business, just be yourself! Make sure that your attitude is right, you’re believing, and the ‘C’ is for commitment, so you always have to be committed to your work.”
Zoe Lashley is a rising artist with a huge heart for the community. She serves as a youth usher board at New Psalmist Baptist Church and is a member of the Waverly 4-H club. Keep with Zoe on Instagram @Zozosawesomelife, and donate to Zoe’s college fund by going to www.therepbyzoe.com.
This article originally appeared in The Afro.
Activism
Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

By Godfrey Lee
Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.
Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.
The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.
For more information, go to griottheatercompany.squarespace.com/productions-v2
Activism
MLK Day of Service Volunteers Make Blankets and Art for Locals in Need
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

By Kathy Chouteau
The Richmond Standard
The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.
Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.
Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.
“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”
“People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.
CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects. The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.
BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.
Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.
Art
Vandalism at Richmond Ferry Terminal Saddens Residents
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

The Richmond Standard
“This is why we can’t have nice things,” stated the post on NextDoor.
The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.
On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.
Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.
A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.
A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”
“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.
It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.
Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.
“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”
In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.
On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.
On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.
Kathy Chouteau contributed to this report.
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