Entertainment
Wendy Williams continues to delay the return of her talk show
ROLLINGOUT.COM — Wendy Williams’ fans will be disappointed when they hear the news about her show.
By Rollingout.com
Wendy Williams’ fans will be disappointed when they hear the news about her show.
The 54-year-old talk-show host appeared on her show on Dec. 18, with her arm in a sling which was hidden underneath a pink sweater, as she told viewers she had suffered a hairline fracture to her right shoulder.
Williams has delayed the return to her talk show again. She was due to return to work on Jan. 7, but the date was delayed by another week to Jan. 14, and now it has been revealed she won’t be coming back until Jan. 21. Instead, on Jan. 14, a panel of “Hot Talkers” will take her place.
The producers of the show, Mort Marcus and Ira Bernstein, said in a statement: “As she has for the past 10 years, Wendy delivers an incomparable live talk show day in and day out and we want to give her the best opportunity to heal and recover.
“Williams has our complete and unwavering support and we look forward to her return to the iconic purple chair.”
She previously addressed the “genuine concern” for her health after struggling through the daytime show in pain.
The author apologized to her viewers for the “less than stellar” episode on Dec. 21, 2018, admitting she went “against” her “better judgment” going ahead and filming the program whilst she is still struggling with the injury.
In a lengthy message to her Instagram followers, Williams — who suffers from an overactive thyroid and the autoimmune disease Graves — wrote:
“To My Wendy Watchers,
“I sincerely apologize if you feel that today’s show was less than stellar. I’m on your TV screens every day wanting to spread laughter, entertainment, and cheer.
“As I reported earlier in the week, I have a hairline fracture on my upper arm, which hurts like hell.
“I’ve never broken a bone or experienced a fracture in my life. In the key place where the fracture is, and trying to scurry around and do too much, I am now paying the price. I’ve never taken pain medication in my life (except when I got snatched over 20 years ago) until this week. I did that to power through and try to deliver a great show for you, against the better judgment of the many people around me who genuinely care for my well-being.
“I really do a ride or die for my craft and give 200%. Not to mention everyone is aware at this point about my thyroid condition (don’t cry for me Argentina).
“For all my fellow thyroid sufferers, you know what the deal is. And for those that don’t: I encourage you to please read up.
“Needless to say, whatever today’s performance was with the legendary The Lox, who said such nice things, I have no regrets and I appreciate everyone’s genuine concern for my wellness and care.”
The presenter was forced to take a three-week break from her talk show in October last year when she collapsed live on air due to complications with her thyroid and Graves.
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Oakland Post: Week of December 18 – 24, 2024
The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024
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Arts and Culture
Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
Special to the Post
It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks
Marks, who wrote and directed the musical, also owns PM Productions.
“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”
Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”
In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.
Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.
Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.
“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.
Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.
Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.
Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.
Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.
Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.
“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”
Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.
“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”
The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.
Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”
Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”
Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”
“I’m so proud of my daughter,” said Smith.
Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.
“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.
The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com
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Oakland Post: Week of December 11 – 17, 2024
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