Arts and Culture

What We Do for Art and Democracy

I’m in New York again for a return engagement of Oakland resident Ishmael Reed’s “The Conductor,” his new play on the current state of race in America. Reed’s twist is that Blacks are running an underground railroad to help South Asian minorities under siege by whites in the Bay Area. Based on the recent San Francisco Board of Education and district attorney recalls, Reed turns real life into a “what if” satire to expose the racism at play.

Published

2 years ago

October 10, 2023

Oakland Post

Emil Guillermo, left, takes a bow after the performance of a play by Oakland’s Ishmael Reed at the Theater for the New City in New York. Courtesy photo.

By Emil Guillermo

I’m in New York again for a return engagement of Oakland resident Ishmael Reed’s “The Conductor,” his new play on the current state of race in America.

Reed’s twist is that Blacks are running an underground railroad to help South Asian minorities under siege by whites in the Bay Area. Based on the recent San Francisco Board of Education and district attorney recalls, Reed turns real life into a “what if” satire to expose the racism at play. It’s funny, provocative, and an example of how white supremacy has suppressed our sense of history. You’ll marvel at all the facts in the play you didn’t know about.

I play a conservative Fox News-type commentator. I know, a stretch. It’s a paid acting gig, but more of an honor to be in the 11th play by Reed. His five decades of literary artistry in drama, novels, poetry, and essays in the name of diversity and inclusion makes him worthy of a Nobel laureate in literature.

The show isn’t streaming over the internet, but it’s worth it to be in New York to see what could be the final production of “The Conductor,” at the Theater for the New City, 155 First Ave, Thursday to Saturday @8pm, Sundays @3pm through Sept. 10. https://ci.ovationtix.com/35441/production/1149771

The Untold Filipino American Story

While here, I’m also doing my own one-man show, “Emil Amok, Lost NPR Host: A Phool’s Filipino American History.”

In the show, I talk about my relatives’ reaction to me being a broadcaster on television, coming out of the same box as their favorite TV stars when I was on NBC local in San Francisco. To them, that’s where I worked—inside that box. Seeing an Filipino American on TV in 1980 was akin to witnessing an astronomical event. Sort of like the recent Blue Moon.

When my relatives, all hard-working immigrants from the Philippines who came to the U.S. between 1928 and 1975, saw me, they were all amazed.

“So, Emil, you just get on the camera, and you talk?” my Auntie Pacing would ask me. She worked in service jobs in hotels, restaurants, and hospitals all her life. “And you don’t have to clean up or anything? You just talk? That’s work?”

It was a foreign notion to her that Filipinos who came to America mostly to work in the fields in the 1920s and 1930s for 10 cents an hour could wear a suit, speak, and afford to pay the rent.

I think on Labor Day about how lucky I am to have done what I’ve done as a journalist. Something that my relatives a generation away weren’t able to pursue.

I call this iteration, “A Phool’s History of Filipino America,” because “phool” is how they spelled it at the Lampoon when I competed to be a member freshman year at Harvard. I had to explain why it wasn’t spelled, “Philippino.” And then they made me carry a pineapple around Harvard Yard.

A Latina friend paid me a compliment saying my show was akin to John Leguizamo’s “Latin American History for Morons.” Flattered by the comparison, you don’t have to be a moron to see my show! Check it out for yourself.

Two performances only, Sept. 6 @7pm, and Sept. 14 @9:30pm (all times ET). https://www.frigid.nyc/event/6897:499/

This one you can livestream from Hawaii, Europe, Rockridge. Anywhere. It’s better in person, where we can exchange our humanness. But get a livestreamed ticket if you can’t be in New York’s Under St. Marks Theater in the East Village (94 St. Marks Place, NYC)

One Last Labor Worth Considering

So, there’s what we do for money and for love. What do we do for democracy?

And so, we must not forget the nitt- gritty work done by election workers everywhere. The unsung heroes. They don’t get paid all that much. But they do important work. How do voters get information? Translated materials? How do ballots get distributed, sorted, then counted?

If you ever doubted the value of election workers, just look at Ruby Freeman and her daughter Shaye Moss. You met them during their testimony at the Jan. 6 Committee hearings in Washington last year.

They were stand-ins for average Americans like you and me.

Freeman and Moss were accused by Rudy Giuliani of nefarious deeds aiding in the theft of an election against Trump.

The fals accusations wrecked Freeman’s life.

“I’ve lost my name, and I’ve lost my reputation,” Freeman testified. “I’ve lost my sense of security. All because a group of people, starting with No. 45, and his ally, Rudy Giuliani, decided to scapegoat me and my daughter, Shaye.”

Giuliani is one of 18 co-conspirators in the organized racketeering case in Georgia accused of attempting to subvert democracy.

In a separate case, Freeman has sued Giuliani for defamation, calling him out for spreading lies about her and her daughter.

Last week, Giuliani conceded the facts of the case, which means the court will only consider the damages at the next hearing.

And right now, Michael Gottlieb, the lawyer for Freeman and Moss, told CNN the damages could be “tens of millions of dollars.”

“You heard me correctly,” said Gottlieb to a CNN anchor. “It is our expectation that we’ll be able to prove tens of millions of dollars in compensatory damages before you get punitive damages in a case that we will present to the jury.”

When people like Giuliani defame and lie about election workers in a brazen attempt to steal an election, there must be a stiff price to pay.

When you find yourself ever confused by all the legal proceedings over the Trump indictments, just remember Freeman and Moss and what they endured to protect our democracy.

No one should doubt the heart of patriotism in our community.

# # #

NOTE: I will talk about this column and other matters on “Emil Amok’s Takeout,” my AAPI micro-talk show. Live @2p Pacific. Livestream on Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.

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Advice

BOOK REVIEW: Let Me Be Real With You

At first look, this book might seem like just any other self-help offering. It’s inspirational for casual reader and business reader, both, just like most books in this genre. Dig a little deeper, though, and you’ll spot what makes “Let Me Be Real With You” stand out.

Published

3 weeks ago

December 29, 2025

Oakland Post

Book cover of Let Me Be Real With You and author Arshay Cooper. Courtesy of HarperOne.

By Terri Schlichenmeyer

Author: Arshay Cooper, Copyright: c.2025, Publisher: HarperOne, SRP: $26.00, Page Count: 40 Pages

The hole you’re in is a deep one.

You can see the clouds above, and they look like a storm; you sense the wind, and it’s cold. It’s dark down there, and lonesome, too. You feel like you were born there — but how do you get out of the deep hole you’re in? You read the new book “Let Me Be Real With You” by Arshay Cooper. You find a hand-up and bring someone with you.

In the months after his first book was published, Cooper received a lot of requests to speak to youth about his life growing up on the West Side of Chicago, his struggles, and his many accomplishments. He was poor, bullied, and belittled, but he knew that if he could escape those things, he would succeed. He focused on doing what was best, and right. He looked for mentors and strove to understand when opportunities presented themselves.

Still, his early life left him with trauma. Here, he shows how it’s overcome-able.

We must always have hope, Cooper says, but hope is “merely the catalyst for action. The hope we receive must transform into the hope we give.”

Learn to tell your own story, as honestly as you know it. Be open to suggestions, and don’t dismiss them without great thought. Know that masculinity doesn’t equal stoicism; we are hard-wired to need other people, and sharing “pain and relatability can dissipate shame and foster empathy in powerful ways.”

Remember that trauma is intergenerational, and it can be passed down from parent to child. Let your mentors see your potential. Get therapy, if you need it; there’s no shame in it, and it will help, if you learn to trust it. Enjoy the outdoors when you can. Learn self-control. Give back to your community. Respect your financial wellness. Embrace your intelligence. Pick your friends and relationships wisely. “Do it afraid.”

And finally, remember that “You were born to soar to great heights and rule the sky.”

You just needed someone to tell you that.

With a willingness to discuss the struggles he tackled in the past, Cooper writes with a solidly honest voice that’s exceptionally believable, and not one bit dramatic. You won’t find unnecessarily embellished stories or tall tales here, either; Cooper instead uses his real experiences to help readers understand that there are few things that are truly insurmountable. He then explains how one’s past can shape one’s future, and how today’s actions can change the future of the world.

“Let Me Be Real With You” is full of motivation, and instruction that’s do-able for adults and teens. If you need that, or if you’ve vowed to do better this coming year, it might help make you whole.

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Alameda County

Bling It On: Holiday Lights Brighten Dark Nights All Around the Bay

On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.

Published

4 weeks ago

December 21, 2025

Oakland Post

Christmas lights on a house near the writer’s residence in Oakland. Photo by Joseph Shangosola.

By Wanda Ravernell

I have always liked Christmas lights.

From my desk at my front window, I feel a quiet joy when the lights on the house across the street come on just as night falls.

My father, the renegade of the block, made no effort with lights, so my mother hung a wreath with two bells in the window. Just enough to let you know someone was at home.

Two doors down was a different story. Mr. King, the overachiever of the block, went all out for Christmas: The tree in the window, the lights along the roof and a Santa on his sleigh on the porch roof.

There are a few ‘Mr. Kings’ in my neighborhood.

In particular is the gentleman down the street. For Halloween, they erected a 10-foot skeleton in the yard, placed ‘shrunken heads’ on fence poles, pumpkins on steps and swooping bat wings from the porch roof. They have not held back for Christmas.

The skeleton stayed up this year, this time swathed in lights, as is every other inch of the house front. It is a light show that rivals the one in the old Wanamaker’s department store in Philadelphia.

I would hate to see their light bill…

As the shortest day of the year approaches, make Mr. King’s spirit happy and get out and see the lights in your own neighborhood, shopping plazas and merchant areas.

Here are some places recommended by 510 Families and Johnny FunCheap.

Oakland

Oakland’s Temple Hill Holiday Lights and Gardens is the place to go for a drive-by or a leisurely stroll for a religious holiday experience. Wear a jacket, because it’s chilly outside the Church of Jesus Christ of Latter-day Saints, at 4220 Lincoln Ave., particularly after dark. The gardens are open all day from 9 a.m. to 9 p.m. with the lights on from dusk until closing.

Alameda

Just across the High Street Bridge from Oakland, you’ll find Christmas Tree Lane in Alameda.

On Thompson Avenue between High Street and Fernside drive, displays range from classic trees and blow-ups to a comedic response to the film “The Nightmare Before Christmas.” Lights turn on at dusk and can be seen through the first week in January.

Berkeley

The Fourth Street business district from University Avenue to Virginia Street in Berkeley comes alive with lights beginning at 5 p.m. through Jan. 1, 2026.

There’s also a display at one house at 928 Arlington St., and, for children, the Tilden Park Carousel Winter Wonderland runs through Jan. 4, 2026. Closed Christmas Day. For more information and tickets, call (510) 559-1004.

Richmond

The Sundar Shadi Holiday Display, featuring a recreation of the town of Bethlehem with life-size figures, is open through Dec. 26 at 7501 Moeser Lane in El Cerrito.

Marin County

In Marin, the go-to spot for ‘oohs and ahhs’ is the Holiday Light Spectacular from 4-9 p.m. through Jan. 4, 2026, at Marin Center Fairgrounds at 10 Ave of the Flags in San Rafael through Jan. 4. Displays dazzle, with lighted walkways and activities almost daily. For more info, go to: www.marincounty.gov/departments/cultural-services/department-sponsored-events/holiday-light-spectacular

The arches at Marin County Civic Center at 3501 Civic Center Dr. will also be illuminated nightly.

San Francisco

Look for light installations in Golden Gate Park, chocolate and cheer at Ghirardelli Square, and downtown, the ice rink in Union Square and the holiday tree in Civic Center Plaza are enchanting spots day and night. For neighborhoods, you can’t beat the streets in Noe Valley, Pacific Heights, and Bernal Heights. For glee and over-the-top glitz there’s the Castro, particularly at 68 Castro Street.

Livermore

The winner of the 2024 Great Light Flight award, Deacon Dave has set up his display with a group of creative volunteers at 352 Hillcrest Avenue since 1982. See it through Jan. 1, 2026. For more info, go to https://www.casadelpomba.com

Fremont

Crippsmas Place is a community of over 90 decorated homes with candy canes passed out nightly through Dec. 31. A tradition since 1967, the event features visits by Mr. and Mrs. Claus on Dec. 18 and Dec. 23 and entertainment by the Tri-M Honor Society at 6 p.m. on Dec. 22. Chrippsmas Place is located on: Cripps Place, Asquith Place, Nicolet Court, Wellington Place, Perkins Street, and the stretch of Nicolet Avenue between Gibraltar Drive and Perkins Street.

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Activism

Oakland Mandala: A New Event and Point of Beauty

Led by Oakland resident Mandisa Snodey, a group of artists conceived and painted the mandala on Linden street near McClymonds High School as part of a Black Friday event the day after Thanksgiving to support Black-owned businesses.

Published

1 month ago

December 20, 2025

Oakland Post

Painters put on the finishing touches of the Oakland Mandala on Nov. 28. Photo courtesy Mandisa Snodey.

By Post Staff

The first annual Oakland Mandala, sponsored by Miges Odanes Village Center, Credo Studio, and the Mandala Medicine Movement is on view now until the winter rains wash it away.

“This is a lineage-based community art project, using temporary paint, aimed at community building, neighborhood beautification, and celebration of the arts and all people’s creativity,” Snodey said. “The theme of this year’s mandala was ‘Unified Humanity.’

“We gathered at 7 a.m. on Friday for the Black Friday Block Party and finished painting close to sunset. Our youngest painter was 2 years old and our eldest close to 70 years young: we had families, community members, professional artists, and people who have never painted before all working together.”

Snodey urges residents to come visit and take a picture with the mandala. It’s located between 28th and 30th on Linden Street in West Oakland. If you post on social media, please use the hashtags “#oaklandmandala” and “#mandalamedicinemovement.”

Snodey extends special thanks to the Bay Area Mural Program (BAMP), Few and Far Women, “and other Bay Area Artists who participated and made this first annual mandala a beautiful success.”