Arts and Culture

What We Do for Art and Democracy

I’m in New York again for a return engagement of Oakland resident Ishmael Reed’s “The Conductor,” his new play on the current state of race in America. Reed’s twist is that Blacks are running an underground railroad to help South Asian minorities under siege by whites in the Bay Area. Based on the recent San Francisco Board of Education and district attorney recalls, Reed turns real life into a “what if” satire to expose the racism at play.

Published

1 year ago

October 10, 2023

Oakland Post

Emil Guillermo, left, takes a bow after the performance of a play by Oakland’s Ishmael Reed at the Theater for the New City in New York. Courtesy photo.

By Emil Guillermo

I’m in New York again for a return engagement of Oakland resident Ishmael Reed’s “The Conductor,” his new play on the current state of race in America.

Reed’s twist is that Blacks are running an underground railroad to help South Asian minorities under siege by whites in the Bay Area. Based on the recent San Francisco Board of Education and district attorney recalls, Reed turns real life into a “what if” satire to expose the racism at play. It’s funny, provocative, and an example of how white supremacy has suppressed our sense of history. You’ll marvel at all the facts in the play you didn’t know about.

I play a conservative Fox News-type commentator. I know, a stretch. It’s a paid acting gig, but more of an honor to be in the 11th play by Reed. His five decades of literary artistry in drama, novels, poetry, and essays in the name of diversity and inclusion makes him worthy of a Nobel laureate in literature.

The show isn’t streaming over the internet, but it’s worth it to be in New York to see what could be the final production of “The Conductor,” at the Theater for the New City, 155 First Ave, Thursday to Saturday @8pm, Sundays @3pm through Sept. 10. https://ci.ovationtix.com/35441/production/1149771

The Untold Filipino American Story

While here, I’m also doing my own one-man show, “Emil Amok, Lost NPR Host: A Phool’s Filipino American History.”

In the show, I talk about my relatives’ reaction to me being a broadcaster on television, coming out of the same box as their favorite TV stars when I was on NBC local in San Francisco. To them, that’s where I worked—inside that box. Seeing an Filipino American on TV in 1980 was akin to witnessing an astronomical event. Sort of like the recent Blue Moon.

When my relatives, all hard-working immigrants from the Philippines who came to the U.S. between 1928 and 1975, saw me, they were all amazed.

“So, Emil, you just get on the camera, and you talk?” my Auntie Pacing would ask me. She worked in service jobs in hotels, restaurants, and hospitals all her life. “And you don’t have to clean up or anything? You just talk? That’s work?”

It was a foreign notion to her that Filipinos who came to America mostly to work in the fields in the 1920s and 1930s for 10 cents an hour could wear a suit, speak, and afford to pay the rent.

I think on Labor Day about how lucky I am to have done what I’ve done as a journalist. Something that my relatives a generation away weren’t able to pursue.

I call this iteration, “A Phool’s History of Filipino America,” because “phool” is how they spelled it at the Lampoon when I competed to be a member freshman year at Harvard. I had to explain why it wasn’t spelled, “Philippino.” And then they made me carry a pineapple around Harvard Yard.

A Latina friend paid me a compliment saying my show was akin to John Leguizamo’s “Latin American History for Morons.” Flattered by the comparison, you don’t have to be a moron to see my show! Check it out for yourself.

Two performances only, Sept. 6 @7pm, and Sept. 14 @9:30pm (all times ET). https://www.frigid.nyc/event/6897:499/

This one you can livestream from Hawaii, Europe, Rockridge. Anywhere. It’s better in person, where we can exchange our humanness. But get a livestreamed ticket if you can’t be in New York’s Under St. Marks Theater in the East Village (94 St. Marks Place, NYC)

One Last Labor Worth Considering

So, there’s what we do for money and for love. What do we do for democracy?

And so, we must not forget the nitt- gritty work done by election workers everywhere. The unsung heroes. They don’t get paid all that much. But they do important work. How do voters get information? Translated materials? How do ballots get distributed, sorted, then counted?

If you ever doubted the value of election workers, just look at Ruby Freeman and her daughter Shaye Moss. You met them during their testimony at the Jan. 6 Committee hearings in Washington last year.

They were stand-ins for average Americans like you and me.

Freeman and Moss were accused by Rudy Giuliani of nefarious deeds aiding in the theft of an election against Trump.

The fals accusations wrecked Freeman’s life.

“I’ve lost my name, and I’ve lost my reputation,” Freeman testified. “I’ve lost my sense of security. All because a group of people, starting with No. 45, and his ally, Rudy Giuliani, decided to scapegoat me and my daughter, Shaye.”

Giuliani is one of 18 co-conspirators in the organized racketeering case in Georgia accused of attempting to subvert democracy.

In a separate case, Freeman has sued Giuliani for defamation, calling him out for spreading lies about her and her daughter.

Last week, Giuliani conceded the facts of the case, which means the court will only consider the damages at the next hearing.

And right now, Michael Gottlieb, the lawyer for Freeman and Moss, told CNN the damages could be “tens of millions of dollars.”

“You heard me correctly,” said Gottlieb to a CNN anchor. “It is our expectation that we’ll be able to prove tens of millions of dollars in compensatory damages before you get punitive damages in a case that we will present to the jury.”

When people like Giuliani defame and lie about election workers in a brazen attempt to steal an election, there must be a stiff price to pay.

When you find yourself ever confused by all the legal proceedings over the Trump indictments, just remember Freeman and Moss and what they endured to protect our democracy.

No one should doubt the heart of patriotism in our community.

# # #

NOTE: I will talk about this column and other matters on “Emil Amok’s Takeout,” my AAPI micro-talk show. Live @2p Pacific. Livestream on Facebook; my YouTube channel; and Twitter. Catch the recordings on www.amok.com.

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Arts and Culture

Beverly Lorraine Greene: A Pioneering Architect and Symbol of Possibility and Progress

Greene graduated from the University of Illinois at Urbana-Champaign in 1936 with a degree in Architecture — a remarkable accomplishment for an African American woman at the time. She was never discouraged by the racial and gender discrimination that saturated her field.

Published

3 weeks ago

March 3, 2025

Oakland Post

Beverly Lorraine Greene. Public domain photo.

By Tamara Shiloh

In the mid-20th century, Beverly Lorraine Greene was recognized as the first African American woman licensed to practice architecture in the United States.

Greene was born on Oct. 4, 1915, in Chicago during an era when opportunities for African Americans, particularly women, were severely limited.

Her parents, James and Vera Greene, were deeply invested in her education, instilling in her a belief in the power of intellect and perseverance. She grew up during the Great Migration that transformed Chicago starting in 1900.

Greene continued her education, earning a master’s degree in City Planning and Housing in 1937, also from the University of Illinois. Her ambition was not merely to design structures but to shape spaces that fostered equity and community. In 1942, she became the first African American woman licensed as an architect in the United States, obtaining her credentials in Illinois. This groundbreaking achievement, however, did not translate immediately into job opportunities.

Early in her career, she faced significant discrimination from firms unwilling to hire a Black woman. However, her determination never wavered. In 1945, Beverly moved to New York City, a place she believed could offer broader professional opportunities.

She joined the architectural department of the New York City Housing Authority, focusing on affordable housing projects. Her work during this time reflected her commitment to using architecture as a tool for social justice, ensuring that marginalized communities had access to well-designed, dignified living spaces.

Greene’s talents soon drew the attention of prominent firms. She was hired by Isadore Rosenfield, a respected architect known for designing hospitals. She contributed to the design of healthcare facilities, including the modernization of Harlem Hospital. Her portfolio expanded in collaboration with architectural personalities such as Marcel Breuer and Edward Durell Stone.

Notably, she worked on the prestigious UNESCO headquarters in Paris — a landmark project that brought her skills to an international stage. Her involvement underscored her ability to navigate the intricacies of large-scale, global projects, proving that her talents transcended the limitations society sought to impose.

Greene’s career was tragically cut short when she passed away unexpectedly in 1957 at the age of 41. Though her life was brief, her impact was profound. She shattered entrenched barriers, paving the way for future generations of Black architects and women in the field.

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Activism

U.S. House Minority Leader Hakeem Jeffries and Rep. Lateefah Simon to Speak at Elihu Harris Lecture Series

The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.

Published

1 month ago

February 19, 2025

Oakland Post

U.S. House Minority Leader Hakeem Jeffries (left) and Rep. Lateefah Simon (D-CA-12) (Right).

By Scott Horton

United States House of Representatives Minority Leader Hakeem Jeffries (D-NY-8) will be a speaker at the Barbara Lee and Elihu Harris Lecture Series on Friday, Feb. 21.

The event will be held at the Henry J. Kaiser Center for the Arts, 10 Tenth Street in Oakland, at 7 p.m.

The popular lecture series is co-produced by the Oakland-based Martin Luther King Jr. Freedom Center and Peralta Community College District. Jeffries’ appearance marks the 32^nd lecture of the Barbara Lee and Elihu Harris Lecture Series, which has provided thousands of individuals with accessible, free, high-quality information.

The overarching goal of the lecture series is to provide speakers from diverse backgrounds a platform to offer their answers to Dr. King’s urgent question, which is also the title of Jeffries’ latest book: “Where do we go from here: Chaos or Community?”

In addition to Jeffries, Congresswoman Lateefah Simon (D-CA-12) will also speak.

“Certainly, now is a time for humanity, in general, and Americans in particular to honestly and genuinely answer Dr. King’s question,” said Dr. Roy D. Wilson, Executive Director of the Martin Luther King Jr. Freedom Center and Executive Producer of the lecture series.

“Dr. King teaches that time is neutral but not static. Like the water in a river, it arrives and then quickly moves on,” continued Wilson. “We must urgently create conditions for listening to many different answers to this vital question, and generate the development of unity of action among all those who struggle for a stronger democracy.”

In his book, Jeffries shares his experience of being unanimously elected by his colleagues as the first African American in history to ever hold the position of House Minority Leader.

In January 2023 in Washington, Jeffries made his first official speech as House Minority Leader. He affirmed Democratic values one letter of the alphabet at a time. His words and how he framed them as the alphabet caught the attention of Americans, and the speech was later turned into a book, The ABCs of Democracy, bringing Congressman Jeffries rousing speech to vivid, colorful life, including illustrations by Shaniya Carrington. The speech and book are inspiring and urgent as a timeless reminder of what it means to be a country with equal opportunities for all. Jeffries paints a road map for a brighter American future and warns of the perils of taking a different path.

Before his colleagues unanimously elected him Minority Leader in 2022, Jeffries previously served as Chair of the House Democratic Caucus and as an Impeachment Manager during the first Senate trial of the 45th President of the United States.

Jeffries was born in Brooklyn Hospital, raised in Crown Heights, grew up in the Cornerstone Baptist Church and he is a product of New York City’s public school system, graduating from Midwood High School. Jefferies went on to Binghamton University (BA), Georgetown University (master’s in public policy) and New York University (JD).

He served in the New York State Assembly from 2007 to 2012.

Admission is free for the Feb. 21 Barbara Lee and Elihu Harris Lecture Series featuring Congressman Jeffries. Please reserve seats by calling the Martin Luther King Jr. Freedom Center at (510) 434-3988.

Signed copies of his book will be available for purchase at the event.

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Activism

McClymonds High Names School Gym for Star Graduate, Basketball Legend Bill Russell

William “Bill” Felton Russell was born on Feb. 12, 1934, and died on July 31, 2022. He achieved fame as a U.S. professional basketball player who played center for the Boston Celtics of the National Basketball Association (NBA) from 1956 to 1969. He was the centerpiece of the Celtics dynasty that won 11 NBA championships during his 13-year career.

Published

1 month ago

February 18, 2025

Oakland Post

Bill Russell and Brian McGhee in McClymonds High School Gym, 2011. Photo courtesy of Brian McGhee.

By Ken Epstein

West Oakland’s McClymonds High School, “the School of Champions,” this week named the school’s gymnasium in honor of one of its most famous graduates, basketball legend Bill Russell (class of ’52).

Russell is widely known as one of the greatest basketball players of all time. In 2011, he received the Presidential Medal of Freedom, the country’s highest civil honor, from President Barack Obama for Russell’s contributions to basketball and the Civil Rights Movement.

The McClymonds’ naming ceremony was held on Wednesday, the same day as Russell’s birthday. Oakland leader Bill Patterson, a longtime friend of Russell’s, was scheduled to cut the ribbon at the reopening of the gym, which had been closed for several months for renovation. Russell’s daughter Karen was scheduled to attend the ribbon cutting.

Russell’s name and signature are now printed on the gymnasium floor.

Patterson was working at DeFremery Park when he met Russell. “I befriended him as a boy and during his years at University of San Francisco” said Patterson. “We stayed friends for the rest of his life.”

Said McClymonds Principal Darielle Davis, herself a McClymonds graduate, “We are excited to honor Bill Russell for his sports accolades and because he broke color barriers. He is part of our legacy, and legacy is really important at McClymonds.”

Brian McGhee, community schools manager at McClymonds and former football player at UC Berkeley, said that Russell meant a lot to him and others at the school. “He was a beacon of light and hope for West Oakland,” he said. “He did a lot for sports and for civil rights.”

Starting in 2018, Ben “Coach” Tapscott worked with Patterson and other McClymonds grads, community members, and former coaches to encourage the Oakland Board of Education to endorse the naming of the school gym, which finally happened recently.

“We worked hard to make this happen,” said Tapscott. “He’s an important part of McClymond’s history, along with a lot of other famous graduates,” he said.