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Wonder Woman (or at Least Her Artist) Visits Cartoon Art Museum

Cartoon enthusiasts, graphic novelists and folks from all over the Bay Area braved the rain to meet Wonder Woman – or at least the first woman to draw her – at the Cartoon Art Museum Saturday and Sunday. The occasion was a pop-up Women’s Comic Marketplace, and Trina Robbins, the first female illustrator of the feminist icon, was on hand along with 20 or so exhibitors whose work reflected the rich variety of styles and subject matter in women’s comics today.

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Trina Robbins, the first woman to draw Wonder Woman, with some examples of her cartoon art. (Photo credit: Jessica Christianson)
Trina Robbins, the first woman to draw Wonder Woman, with some examples of her cartoon art. (Photo credit: Jessica Christianson)

By Janis Mara
Bay City News Service

Cartoon enthusiasts, graphic novelists and folks from all over the Bay Area braved the rain to meet Wonder Woman – or at least the first woman to draw her – at the Cartoon Art Museum Saturday and Sunday.

The occasion was a pop-up Women’s Comic Marketplace, and Trina Robbins, the first female illustrator of the feminist icon, was on hand along with 20 or so exhibitors whose work reflected the rich variety of styles and subject matter in women’s comics today.

“We love comic books. We are vibing out,” said Valaree Garcia of San Francisco, who attended the event with her partner Sunday. “Every single booth is amazing, every woman is telling her story her own way.”

Exhibitor Avy Jetter of Oakland displayed her indie comic “Nuthin’ Good Ever Happens at 4 a.m.” which offers an Equal Opportunity look at the world of zombies, with an all-black cast of undead.

Around the corner at another table was cartoonist Jules Rivera, a surfer who detailed her dive into the largely male world of surfing in one of her first zines.

“I was already an aqua creature. I grew up in Orlando and had always lived on the beach,” Rivera said. When she moved to California, becoming a surfer came easily.

Rivera took over the decades-old Washington Post cartoon strip “Mark Trail” in 2020. The conservation-minded but rather conventional male character quickly got a makeover.

Rivera said, “I made him hot. They always intended him to be hot, they just went about it the wrong way.” In her zine, “Thirst Trapped in a Cave,” Rivera depicts Trail in a series of seductive poses she describes as “pinups.”

While many of the exhibitors create material intended for adults, Jen de Oliveira, a Livermore resident, is the co-creator of Sunday Haha, a free weekly comics newsletter for kids.

Children were much in evidence at the event, grouped around a table in the back industriously coloring and drawing, gathered in front of a big screen in another room watching (what else?) cartoons, sprawled on the floor reading (what else?) comic books.

At 4 p.m., the event adjourned to the library for tea with Robbins and Marrs.

Sitting at a round table sipping tea and eating gingersnaps, the two shared stories of their lives in the comics field.

Marrs, a Berkeley resident, created the comic book series, “The Further Fattening Adventures of Pudge, Girl Blimp,” which was nominated for an Eisner Award in 2017, the highest honor bestowed in the comic book world.

In 1972, Robbins, a San Francisco resident, wrote and drew a short story called “Sandy Comes Out,” starring the first lesbian comic-book character outside of pornography. Shifting gears, she began drawing for DC Comics in the 1980s, and since then has authored several books and continues to write and draw comics.

“Lee Marrs and Trina Robbins talking about feminism, and the younger artists writing graphic novels about their lives – you don’t have to create a universe. You don’t have to make up a planet” the way traditional cartoonists have done, said Ron Evans, chair of the museum’s board of trustees, who was on hand for the event.

“It’s what you experience, and it’s much more relatable,” Evans said. Reading about common experiences in graphic novels and cartoons can make people, especially young people, feel less alone.

“In school you’re taught to write about what you know, and that’s what they’re doing. It’s cathartic, and who knows? Maybe it will help other people.”

Copyright © 2023 Bay City News, Inc.  All rights reserved.  Republication, rebroadcast or redistribution without the express written consent of Bay City News, Inc. is prohibited. Bay City News is a 24/7 news service covering the greater Bay Area.

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Activism

Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

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Late playwright August Wilson. Wikipedia photo.
Late playwright August Wilson. Wikipedia photo.

By Godfrey Lee

Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.

The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.

Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.

The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.

For more information, go to griottheatercompany.squarespace.com/productions-v2

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Activism

MLK Day of Service Volunteers Make Blankets and Art for Locals in Need

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

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Photo courtesy of the nonprofit.
Photo courtesy of the nonprofit.

By Kathy Chouteau
The Richmond Standard

The Contra Costa Youth Service Bureau (CCYSB) and Bethlehem Missionary Baptist Church (BMBC) are collaborating with a team of volunteers for a Dr. Martin Luther King, Jr. Day of Service, Monday, Jan. 20 that will wrap the community’s most vulnerable people in warm blankets and provide them with an uplifting gift of art.

Volunteers will kick off their activities at BMBC at 11 a.m., making blankets for the unhoused people served by the Greater Richmond Interfaith Program (GRIP) and art for those in convalescence in Richmond.

Others will get to work preparing a lunch of chili, salad, a veggie tray, and water for participants, offered courtesy of CCYSB, while supplies last.

“Everyone has an opportunity to participate,” said Glenda Roberts, kinship support care program manager at CCYSB. “Our nonprofit organization and participants recognize how important it is to give back to the community and this is serving. As Dr. Martin Luther King, Jr. stated, ‘Everybody can be great…because anybody can serve.’”

People of all ages are welcome to participate in the MLK Day of Service,” said Roberts. Volunteers can RSVP via phone to Glenda Roberts at 510-215-4670, ext. 125.

CCYSB Boardmember Jackie Marston and her friends donated the materials and supplies to make the blankets and art projects.  The nonprofit is also providing the day’s complimentary lunch, as well as employees to volunteer, under the direction of CCYSB Executive Director Marena Brown.

BMBC, led by Rev. Dr. Carole McKindley-Alvarez, is providing the facility for the event and volunteers from the church, which is located at 684 Juliga Woods St. in Richmond.

Located in Richmond, CCYSB is a nonprofit youth advocacy organization that serves eligible children, youth, and low-income families with a variety of wraparound services so they can thrive. Programs include academic achievement, youth mentorship, truancy prevention and direct response.

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Art

Vandalism at Richmond Ferry Terminal Saddens Residents

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk. “It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

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Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.
Graffiti mars the walkway at the Richmond Ferry Terminal. Photo by Kathy Chouteau, The Richmond Standard.

The Richmond Standard

“This is why we can’t have nice things,” stated the post on NextDoor.

The post referenced images of graffiti at the Richmond Ferry Terminal. Not just on the terminal, but also on public artwork, on trail signs, on public benches and the boardwalk.

On Wednesday, the Standard stopped by to see it for ourselves. The good news was that it appears the graffiti on the terminal and on the artwork, called Changing Tide, have been cleaned for the most part. But graffiti remained abundant in the area around the relatively new ferry terminal, which opened to the public just six years ago.

Graffiti artists tagged benches and the boardwalk. Cars that had done doughnuts in the street marked the cul-de-sac just outside the historic Craneway Pavilion.

A ferry worker told us the graffiti had been there since before he started working for the ferry service about a week ago.

A member of the Army Corps of Engineers who did not want to be named in this report called the scene “sad,” as “they’d done such a nice job fixing it up.”

“It’s sad that all this money has been spent and hoodlums just don’t care and are destroying stuff,” he said.

It wasn’t immediately clear how soon the graffiti would be removed. The Standard reported the graffiti to the city’s graffiti abatement hotline. We were prompted to leave a message reporting the address and location of the graffiti.

Residents have been lamenting the destruction online. Ellen Seskin posted photos of the vandalism to the Facebook group, Everybody’s Richmond, on Jan. 12, saying she encountered it while out on a walk.

“It was on the sidewalk, the street, the doors to the ferry, even in the art installation and the ‘stone’ benches,” she said. “I reported it but knowing how slow they are about getting things done — I just know that the longer you leave graffiti, the more likely they are to spray it again.”

In the comment section responding to Seskin’s post, local attorney Daniel Butt questioned why there aren’t cameras in the area.

On Nextdoor, one resident suggested searching to see if the tags match any accounts on Instagram, hoping to identify the perpetrator.

On its website, the City of Richmond says residents should graffiti immediately call Public Works graffiti removal and/or Code Enforcement at 510-965-4905.

Kathy Chouteau contributed to this report.

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