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Wynton Marsalis Takes Concertgoers Through a Symphony of Blues

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By Breanna Edwards, The Root

Taking their seats, the symphony orchestra begins with a wave of the conductor’s baton, led by the cheerful sound of the piccolo and the rhythm of the drums—which the program notes is supposed to signify the American Revolution and the birth of the possibility of the blues.

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On Wednesday night, the Music Center at Strathmore in North Bethesda, Md., played host to Wynton Marsalis’ Blues Symphony for hundreds who turned out—filling the expansive hall all the way to the balconies—to witness the premiere of the award-winning musician’s ambitious journey to chart the history of the blues throughout America.

No ordinary piece of work from the renowned trumpeter, the six-movement piece, a fusion of different types of music, bestows the feel of the blues, all through the use of orchestral instruments.

Of course, Marsalis isn’t the first to fuse different genres of music together, but what makes his piece unique, he says, is his insider knowledge of both classical and jazz.

“I think I may be the first one who really is in the inside of jazz and the inside of classical music the way I’ve been since I was a kid,” Marsalis told The Root Tuesday during a dress rehearsal before the performance. “People have tried to put the two forms together, but I’m trying to be inside of the actual reality of it from a jazz musician’s perspective.”

Wynton Marsalis playing with his quintet. CHRIS BURCH

Wynton Marsalis playing with his quintet. CHRIS BURCH

The piece was years in the making, Marsalis having partially unveiled it in 2010 with the Atlanta Symphony Orchestra. However, the commitment required significant rehearsal time to pull off with an entire 100-piece symphony orchestra, often a luxury for a top-tier professional group, thus delaying the work’s premiere.

With Marsalis partnering with the Shenandoah Conservatory, its symphony orchestra and Washington Performing Arts, the debut was finally made possible. The piece was made part of the orchestra’s curriculum, allowing for the grueling practice needed to see the symphony’s full potential. Even as the musicians practiced, the piece was edited here and there and fine-tuned. Marsalis is under no impressions of grandeur. Music to him is living and ever ongoing.

“Every piece is ongoing,” Marsalis said. “I work on the pieces, and they come and we continue to work on them and they improve over time.”

Even with this symphony, which he worked on for years, he wrote it in such a way as to allow some other musician down the line to be able to learn and take from him.

“I put enough of the ideas down to give them just a blueprint. It covers a wide range of music, from church music to Brazilian choro to Cuban danzón to ragtime to different types of jazz … spiritual … New Orleans counterpoint,” the nine-time Grammy Award-winning artist said. “[There are] many different questions in it.”

Many different questions, and many different answers, and as the audience sat there Wednesday in the vast hall listening to the students play for a little over an hour without a pause between movements, they were transported to the streets of New Orleans, Cuba and Brazil, even to the streets of New York, for which the sounds of bustling traffic came through via the orchestra.

Jan Wagner conducting the Shenandoah Conservatory Symphony Orchestra’s performance of Blues Symphony. CHRIS BURCH

Jan Wagner conducting the Shenandoah Conservatory Symphony Orchestra’s performance of Blues Symphony. CHRIS BURCH

It begs a mention that before the orchestra wowed the audience, Marsalis brought out his quintet, consisting of Walter Blanding (tenor saxophone), Dan Nimmer (piano), Carlos Henriquez (bass) and Ali Jackson Jr. (drums), to start the show with a bang. They blew through piece after piece in a full set lasting about an hour, with Marsalis engaging the audience, at one point even leaving the stage to play among the attendees.

When the show was over, some 1,800 people rose to their feet, whistling and cheering. The students in the orchestra had done Marsalis proud; but of course, he had expected no less with the work they put in.

“For me it’s a learning experience, I want [the students] to enjoy themselves,” Marsalis said. “I want them to feel great about all the experiences they have in music ….They practiced a lot [and] I’m pleased with the effort.”

“The type of respect they’ve shown me and that they’ve shown to the music, and the seriousness they’ve brought to it? Yeah, I’m proud!” he added.

Advice

BOOK REVIEW: Let Me Be Real With You

At first look, this book might seem like just any other self-help offering. It’s inspirational for casual reader and business reader, both, just like most books in this genre. Dig a little deeper, though, and you’ll spot what makes “Let Me Be Real With You” stand out.

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Book cover of Let Me Be Real With You and author Arshay Cooper. Courtesy of HarperOne.
Book cover of Let Me Be Real With You and author Arshay Cooper. Courtesy of HarperOne.

By Terri Schlichenmeyer

 Author: Arshay Cooper, Copyright: c.2025, Publisher: HarperOne, SRP: $26.00, Page Count: 40 Pages

The hole you’re in is a deep one.

You can see the clouds above, and they look like a storm; you sense the wind, and it’s cold. It’s dark down there, and lonesome, too. You feel like you were born there — but how do you get out of the deep hole you’re in? You read the new book “Let Me Be Real With You” by Arshay Cooper. You find a hand-up and bring someone with you.

In the months after his first book was published, Cooper received a lot of requests to speak to youth about his life growing up on the West Side of Chicago, his struggles, and his many accomplishments. He was poor, bullied, and belittled, but he knew that if he could escape those things, he would succeed. He focused on doing what was best, and right. He looked for mentors and strove to understand when opportunities presented themselves.

Still, his early life left him with trauma. Here, he shows how it’s overcome-able.

We must always have hope, Cooper says, but hope is “merely the catalyst for action. The hope we receive must transform into the hope we give.”

Learn to tell your own story, as honestly as you know it. Be open to suggestions, and don’t dismiss them without great thought. Know that masculinity doesn’t equal stoicism; we are hard-wired to need other people, and sharing “pain and relatability can dissipate shame and foster empathy in powerful ways.”

Remember that trauma is intergenerational, and it can be passed down from parent to child. Let your mentors see your potential. Get therapy, if you need it; there’s no shame in it, and it will help, if you learn to trust it. Enjoy the outdoors when you can. Learn self-control. Give back to your community. Respect your financial wellness. Embrace your intelligence. Pick your friends and relationships wisely. “Do it afraid.”

And finally, remember that “You were born to soar to great heights and rule the sky.”

You just needed someone to tell you that.

At first look, this book might seem like just any other self-help offering. It’s inspirational for casual reader and business reader, both, just like most books in this genre. Dig a little deeper, though, and you’ll spot what makes “Let Me Be Real With You” stand out.

With a willingness to discuss the struggles he tackled in the past, Cooper writes with a solidly honest voice that’s exceptionally believable, and not one bit dramatic. You won’t find unnecessarily embellished stories or tall tales here, either; Cooper instead uses his real experiences to help readers understand that there are few things that are truly insurmountable. He then explains how one’s past can shape one’s future, and how today’s actions can change the future of the world.

“Let Me Be Real With You” is full of motivation, and instruction that’s do-able for adults and teens. If you need that, or if you’ve vowed to do better this coming year, it might help make you whole.

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Alameda County

Bling It On: Holiday Lights Brighten Dark Nights All Around the Bay

On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.

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Christmas lights on a house near the writer’s residence in Oakland. Photo by Joseph Shangosola.
Christmas lights on a house near the writer’s residence in Oakland. Photo by Joseph Shangosola.

By Wanda Ravernell

I have always liked Christmas lights.

From my desk at my front window, I feel a quiet joy when the lights on the house across the street come on just as night falls.

On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.

My father, the renegade of the block, made no effort with lights, so my mother hung a wreath with two bells in the window. Just enough to let you know someone was at home.

Two doors down was a different story. Mr. King, the overachiever of the block, went all out for Christmas: The tree in the window, the lights along the roof and a Santa on his sleigh on the porch roof.

There are a few ‘Mr. Kings’ in my neighborhood.

In particular is the gentleman down the street. For Halloween, they erected a 10-foot skeleton in the yard, placed ‘shrunken heads’ on fence poles, pumpkins on steps and swooping bat wings from the porch roof. They have not held back for Christmas.

The skeleton stayed up this year, this time swathed in lights, as is every other inch of the house front. It is a light show that rivals the one in the old Wanamaker’s department store in Philadelphia.

I would hate to see their light bill…

As the shortest day of the year approaches, make Mr. King’s spirit happy and get out and see the lights in your own neighborhood, shopping plazas and merchant areas.

Here are some places recommended by 510 Families and Johnny FunCheap.

Oakland

Oakland’s Temple Hill Holiday Lights and Gardens is the place to go for a drive-by or a leisurely stroll for a religious holiday experience. Wear a jacket, because it’s chilly outside the Church of Jesus Christ of Latter-day Saints, at 4220 Lincoln Ave., particularly after dark. The gardens are open all day from 9 a.m. to 9 p.m. with the lights on from dusk until closing.

Alameda

Just across the High Street Bridge from Oakland, you’ll find Christmas Tree Lane in Alameda.

On Thompson Avenue between High Street and Fernside drive, displays range from classic trees and blow-ups to a comedic response to the film “The Nightmare Before Christmas.” Lights turn on at dusk and can be seen through the first week in January.

Berkeley

The Fourth Street business district from University Avenue to Virginia Street in Berkeley comes alive with lights beginning at 5 p.m. through Jan. 1, 2026.

There’s also a display at one house at 928 Arlington St., and, for children, the Tilden Park Carousel Winter Wonderland runs through Jan. 4, 2026. Closed Christmas Day. For more information and tickets, call (510) 559-1004.

Richmond

The Sundar Shadi Holiday Display, featuring a recreation of the town of Bethlehem with life-size figures, is open through Dec. 26 at 7501 Moeser Lane in El Cerrito.

Marin County

In Marin, the go-to spot for ‘oohs and ahhs’ is the Holiday Light Spectacular from 4-9 p.m. through Jan. 4, 2026, at Marin Center Fairgrounds at 10 Ave of the Flags in San Rafael through Jan. 4. Displays dazzle, with lighted walkways and activities almost daily. For more info, go to: www.marincounty.gov/departments/cultural-services/department-sponsored-events/holiday-light-spectacular

The arches at Marin County Civic Center at 3501 Civic Center Dr. will also be illuminated nightly.

San Francisco

Look for light installations in Golden Gate Park, chocolate and cheer at Ghirardelli Square, and downtown, the ice rink in Union Square and the holiday tree in Civic Center Plaza are enchanting spots day and night. For neighborhoods, you can’t beat the streets in Noe Valley, Pacific Heights, and Bernal Heights. For glee and over-the-top glitz there’s the Castro, particularly at 68 Castro Street.

Livermore

The winner of the 2024 Great Light Flight award, Deacon Dave has set up his display with a group of creative volunteers at 352 Hillcrest Avenue since 1982. See it through Jan. 1, 2026. For more info, go to https://www.casadelpomba.com

Fremont

Crippsmas Place is a community of over 90 decorated homes with candy canes passed out nightly through Dec. 31. A tradition since 1967, the event features visits by Mr. and Mrs. Claus on Dec. 18 and Dec. 23 and entertainment by the Tri-M Honor Society at 6 p.m. on Dec. 22. Chrippsmas Place is located on: Cripps PlaceAsquith PlaceNicolet CourtWellington Place, Perkins Street, and the stretch of Nicolet Avenue between Gibraltar Drive and Perkins Street.

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Activism

Oakland Mandala: A New Event and Point of Beauty

Led by Oakland resident Mandisa Snodey, a group of artists conceived and painted the mandala on Linden street near McClymonds High School as part of a Black Friday event the day after Thanksgiving to support Black-owned businesses.

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Painters put on the finishing touches of the Oakland Mandala on Nov. 28. Photo courtesy Mandisa Snodey.
Painters put on the finishing touches of the Oakland Mandala on Nov. 28. Photo courtesy Mandisa Snodey.

By Post Staff

The first annual Oakland Mandala, sponsored by Miges Odanes Village Center, Credo Studio, and the Mandala Medicine Movement is on view now until the winter rains wash it away.

Led by Oakland resident Mandisa Snodey, a group of artists conceived and painted the mandala on Linden street near McClymonds High School as part of a Black Friday event the day after Thanksgiving to support Black-owned businesses.

“This is a lineage-based community art project, using temporary paint, aimed at community building, neighborhood beautification, and celebration of the arts and all people’s creativity,” Snodey said. “The theme of this year’s mandala was ‘Unified Humanity.’

“We gathered at 7 a.m. on Friday for the Black Friday Block Party and finished painting close to sunset. Our youngest painter was 2 years old and our eldest close to 70 years young: we had families, community members, professional artists, and people who have never painted before all working together.”

Snodey urges residents to come visit and take a picture with the mandala. It’s located between 28th and 30th on Linden Street in West Oakland. If you post on social media, please use the hashtags “#oaklandmandala” and “#mandalamedicinemovement.”

Snodey extends special thanks to the Bay Area Mural Program (BAMP), Few and Far Women, “and other Bay Area Artists who participated and made this first annual mandala a beautiful success.”

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