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Stars Join Elton John’s Call for Dolce & Gabbana Boycott

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In this Jan. 11, 2014 file photo Italian fashion designers Domenico Dolce, right, and Stefano Gabbana acknowledge the applause of the audience after a men's Autumn-Winter 2014 collection, part of the Milan Fashion Week, unveiled in Milan, Italy. The designers have defended Sunday, March 15, 2015 their comments in support of traditional families, saying they were not intended to judge the choices made by others. The comments in an interview this week unleashed a call to boycott the designers' Dolce&Gabbana label, joined by Elton John whose children were conceived by in vitro fertilization. (AP Photo/Antonio Calanni, File)

In this Jan. 11, 2014 file photo Italian fashion designers Domenico Dolce, right, and Stefano Gabbana acknowledge the applause of the audience after a men’s Autumn-Winter 2014 collection, part of the Milan Fashion Week, unveiled in Milan, Italy. The designers have defended Sunday, March 15, 2015 their comments in support of traditional families, saying they were not intended to judge the choices made by others. (AP Photo/Antonio Calanni)

SANDY COHEN, AP Entertainment Writer

LOS ANGELES (AP) — From the Oscars red carpet to the TV smash “Empire,” Dolce & Gabbana is everywhere in Hollywood. But might that soon change?

Several celebrities have joined the boycott bandwagon launched by Elton John after fashion designers Domenico Dolce and Stefano Gabbana criticized same-sex parents and the use of in vitro fertilization in an Italian magazine, calling the resulting children “synthetic.”

Courtney Love, Ricky Martin, talk-show host Andy Cohen and “American Horror Story” creator Ryan Murphy are among those pledging to ditch their Dolce & Gabbana clothes and support the boycott.

“My D&G shirts are going in the bin- don’t want ANYONE to wear them,” tennis star Martina Navratilova posted on Twitter.

Murphy said not only will he personally cease to wear the brand, he won’t allow the characters in any of his shows to wear it, either.

Dolce & Gabbana has been popular on red carpets and TV and film screens for years. Channing Tatum and David Oyelowo wore the brand’s tuxedoes to the Oscars. “The Theory of Everything” star Felicity Jones chose one of D&G’s gowns for the Critics’ Choice Awards. Mindy Kaling recently donned a colorful frock from the designers on her show, “The Mindy Project.” Taraji P. Henson, as Cookie Lyons, has also worn Dolce & Gabbana on the Fox hit “Empire.”

Blogger Perez Hilton, who runs a website about fashion and celebrity, thinks the designers’ comments could hurt their Hollywood relationships.

“If a stylist or a celebrity has a choice of a designer to wear right now, I don’t think anybody will be choosing Dolce & Gabbana,” he said. “Because they haven’t just offended gay people, they’ve offended people across the board.”

Most shoppers wouldn’t be in a financial position to boycott the designers. A man’s pullover sweater costs $1,100; a cocktail dress could top $6,000.

Martin blasted the designers on Twitter Sunday, saying their voices are too powerful to spread such hate.

“Wake up, its 2015,” he wrote. “Luv urselves guys.”

Dolce and Gabbana are both gay and were previously in a relationship with each other.

“To see two very successful gay men with a large platform use that to promote small-mindedness infuriates me,” Hilton said. “We should be promoting openness and acceptance.”

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AP Film Writer Lindsey Bahr contributed to this report.

___

Follow AP Entertainment Writer Sandy Cohen at www.twitter.com/APSandy.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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