Entertainment

Film Review: American Sniper

Published

10 years ago

January 12, 2015

Oakland Post

Luke Grimes and Cory Hardrict as play young G.I. s in the war drama American Sniper.

By Dwight Brown
NNPA Film Critic

This well-produced but flawed bio/war/drama follows the armed forces career and subsequent malaise of ex- Navy Seal Chris Kyle. He was a legendary sniper who did four tours of duty in Iraq. His steely, icy demeanor gave him a steady aim, but didn’t protect him from the fragile aftermath of war, particularly Post Traumatic Stress Disorder (PTSD). The film fluctuates between his achievements in battle and is ordeal back home.

Telling Kyle’s story is the purview of filmmaker Clint Eastwood, who directed Flags of Our Fathers and Letters From Iwo Jima and is well acquainted with the war film genre. As was the case with those aforementioned films, Eastwood’s style is never climactic. He prefers a moderate pace and a straightforward style that doesn’t add anything new to the game. Helicopters buzz over Iraq. Soldiers on both sides of the battle are killed. But nothing stands out and everything appears routine, considering it’s war. The proceedings lack the verve and staccato pacing that made Katherine Bigelow’s Zero Dark Thirty a jaw-dropping experience. His languishing, overly choreographed, and pat approach makes the footage feel flat and undistinguished.

After a grueling training, Chris Kyle (Bradley Cooper) becomes a Navy Seal sniper. A sharp shooter as a kid, his skill peaks in Iraq where, he can protect platoons by accurately shooting a hostile target from as far away as a football field. Deadeye? The man kills 160 insurgents. When fellow soldiers praise him, Kyle is never less then humble. His subdued demeanor is the exact opposite of the anger and rage he incites from enemy forces who put a price on his head. No wonder they call him “Legend.”

Kyle’s Navy Seals, who’ve teamed up with brave Marines, find something to focus on in the helter skelter war. It’s the demonic Al Qaeda terrorist Abu Musab al-Zarqawi and his maniacal partner The Butcher (Mido Hamada); the latter tortures victims and snitches with power drills. As Kyle and his crew hone in on the new enemies, a sharpshooter, whose talents rival Kyle’s, scopes them out. Mustafa (Sammy Sheik), a Syrian sniper, has Kyle and his men in his crosshairs. First one to pull the trigger wins.

The script by Jason Hall, based on the bestselling autobiography by the real Chris Kyle with Scott McEwen and Jim DeFelice, has plenty of slow, forward motion. When things get too tense, the plotline throws in a flashback for relief. Kyle meeting his soon-to-be-wife Taya (Sienna Miller) in a bar, trips back home on leave, the birth of two sons, phone calls from the front lines; these mini scenes flesh out the imperfect human man behind the perfect aim – to varied affect.

You get a vague sense of the soul of this heroic soldier who tries to balance a dangerous existence with an infrequent family life. But it’s hard to feel compassion for him. He’s too strong a man. If the story followed a weaker person, perhaps a less successful marksman trying to prove himself with a save-the-day shot, he’d be a more compelling protagonist. As is, there’s an emotional shield around Kyle that is impenetrable, even as he descends into a living hell: “It’s not the people you saved that you remember. It’s the ones you couldn’t save. Those are the faces and situations that stay with you forever.”

Bradley Cooper’s performances are not known for their range. He lacks the emotional wallop and elasticity of a Christian Bale. He’s O.K. as the goof in the Hangover series. He stumbled across a golden opportunity with Silver Linings Playbook and turned that part, as an ex-mental patient with a bipolar disorder, into the role of a lifetime. However, he does nothing to get you under the skin of Chris Kyle. Nothing. He packed on weight for the role, but that girth isn’t a substitute for an intuitive or gifted character interpretation.

Sienna Miller, in only glimpses as the reluctant girlfriend turned into the concerned wife/mother, shows more depth and proves far more capable of cementing her dutiful and increasingly alarmed spouse persona. She is Kyle’s only beacon out of his darkness. She is believable. Ben Reed as Wayne Kyle, the weaker younger brother, acts the part; never as strong, smart or good as his sibling. Sammy Sheik (Lone Survivor and TV’s 24) as the stealth shooter Mustafa rarely speaks but powerfully commands the screen. Luke Grimes (Taken 2) and Cory Hardrict (Gran Torino) as play young buck soldiers with a very credible G.I. swagger

Tom Stern’s (Changeling) cinematography, Joel Cox (Unforgiven) and Gary Roach’s editing and the production design by Charisse Cardenas and James J. Murakami (Changeling) make the visuals impressionable. If the film has any air of realism, it’s because of their contributions. Clint Eastwood composed “Taya’s Theme,” the main theme music, which enhances the film in the right places. His taste in music is impeccable.

There will be better films that explore PSTD. They’ll be better if they focus on a sympathetic soldier and not a cold-blooded killer. They’ll be better if a filmmaker with more vigor and innovation directs them. Also, if you see this film and walk out the theater feeling like you just watched 134 minutes of pro-war propaganda, it means the film failed as a character study because it spent too much time on the battlefield.

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Oakland Post: Week of January 8 – 14, 2025

The printed Weekly Edition of the Oakland Post: Week of January 8 – 14, 2025

Published

4 days ago

January 11, 2025

Oakland Post

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2024 in Review: 7 Questions for California Black Chamber of Commerce CEO Jay King

Jay King is also a member of the popular 1980s R&B group Club Nouveau. In his role as an artist and activist, he has stood up for issues affecting underrepresented Californians for over three decades. As the President of the CBCC, King says he is determined to put his mark on developing and expanding the capacity of African American businessmen and women.

Published

1 week ago

January 5, 2025

Oakland Post

Jay King, president of CEO of the California Black Chamber of Commerce.

By Edward Henderson, California Black Media

Grammy Award-winning singer and record label executive, Jay King, was elected CEO/President of the California Black Chamber of Commerce (CBCC) in June of 2019.

The CBCC is the largest African American non-profit business organization, representing thousands of small and emerging businesses, affiliates, and chambers of commerce throughout California.

King is also a member of the popular 1980s R&B group Club Nouveau. In his role as an artist and activist, he has stood up for issues affecting underrepresented Californians for over three decades.

As the President of the CBCC, King says he is determined to put his mark on developing and expanding the capacity of African American businessmen and women.

California Black Media (CBM) spoke with King recently. He reflected on the Chamber’s accomplishments, disappointments, lessons learned this year, and goals moving forward.

Looking back at 2024, what stands out as your most important achievement and why? 

Making the voices of micro and mini-micro businesses loud, forcing policymakers and other decision makers across the state to pay attention to them. With legislation in place now — AB 1574 and AB 2019 – that mandates that the state and agencies affiliated with the state extend opportunities to micro and mini business owners and give them a chance to participate in government contracting in a real way.

How did your leadership and investments contribute to improving the lives of Black Californians? 

I really want to contribute to the world and the state of Black businesses because of the systemic inequities in the past.

Small business, micro businesses and mini businesses are too often overlooked.

I think it would be egotistical to believe that I make any significant impact on my own. Whether it’s the Asian Chamber, Hispanic Chamber and other organizations that are fighting the same fight. I think it’s a collective, so I’m proud to be part of the collective.

What frustrated you the most over the last year?

We say we want to give access to capital to small businesses, yet we continue to create barriers that deny them access.

What inspired you the most over the last year?

Watching some of the small business owners that we worked with — these micro businesses — and seeing the potential and the power that is in front of us.

What is one lesson you learned in 2024 that will inform your decision-making next year?

We have to fight for Black business owners, but they also have to be prepared; because if they’re not, it affects us all down the line.

In one word, what is the biggest challenge Black Californians face?

Self-belief. I think we have been conditioned on victimization and victimhood. We think that if we don’t get the help we need that we will falter.

What is the goal you want to achieve most in 2025?

I want to change the trajectory of micro and mini business owners.

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Tina Thompson: Champion, Legend, and Pioneer of Women’s Basketball

Known for her signature red lipstick, Thompson displayed confidence and style on the court, becoming an icon both for her gameplay and her individuality. Her ability to score from anywhere on the floor, combined with her defensive prowess, made her one of the league’s most formidable players.

Published

1 week ago

January 5, 2025

Oakland Post

Tina Thompson at 2013 WNBA All-Star game at Mohegan Sun. 27 July 2013. Photo: Danny Karwaski/Wikimedia Commons.

By Tamara Shiloh

The establishment of the Women’s National Basketball Association (WNBA) in 1996 was a turning point for women’s sports, creating a professional platform for female basketball players to showcase their skills at the highest level. Among the trailblazers who helped launch the league, Tina Thompson stands out as the first African American woman drafted into the WNBA.

Tina Thompson was born on February 10, 1975, in Los Angeles, California. Raised in a basketball-loving household, she quickly developed a passion for the game. Thompson improved her skills on the playgrounds of South Central Los Angeles, often playing against boys, which toughened her game and fueled her competitive edge.

She attended the University of Southern California (USC), where she became a standout player for the Trojans. Known for her versatility, scoring ability, and relentless work ethic, she earned All-Pac-10 honors multiple times and cemented her reputation as one of the top collegiate players in the nation.

When the WNBA held its first-ever draft on April 28, 1997, Tina Thompson made history as the league’s first African American player to be drafted. Selected as the first overall pick by the Houston Comets, she joined a team that would go on to dominate the early years of the WNBA.

Tina’s selection was a historic moment, symbolizing the league’s commitment to showcasing diverse talent. As a Black woman in a pioneering role, Thompson carried the hopes of aspiring African American female athletes who dreamed of playing professional basketball.

Tina wasted no time making an impact in the WNBA. As a key member of the Houston Comets alongside legends Cynthia Cooper and Sheryl Swoopes, she helped lead the team to an unprecedented four consecutive championships from 1997 to 2000. The Comets’ dynasty became the gold standard for excellence in the league’s early years.

Over a career spanning 17 seasons, Tina established herself as one of the WNBA’s all-time greats. She retired as the league’s leading scorer, a record she held until it was broken by Diana Taurasi. She was a nine-time WNBA All-Star and was named to multiple All-WNBA teams, cementing her status as one of the sport’s legends.

In 2018, Thompson’s contributions to basketball were recognized with her induction into the Naismith Memorial Basketball Hall of Fame. The honor underscored her influence not just as a player, but as a trailblazer for African American women in sports.

After retiring from professional basketball, she transitioned into coaching, using her experience and knowledge to mentor young athletes. She has served as a head coach at the collegiate level, inspiring the next generation of players to pursue excellence both on and off the court.

As a role model and advocate, Thompson has consistently emphasized the importance of education, empowerment, and self-belief. Her story resonates with countless young women who see in her the embodiment of perseverance and success.

Tina Thompson is presently in her third season as an assistant coach at the University of Texas at Austin.