Commentary
On Ishmael Reed’s Inclusion and Van Jones’ Amazon Prime
Complain about the media representation of Oakland all you want. Last week, in the national media, Oakland was portrayed as a great place to live, work, and dine, with restaurants where people come up to your table and greet you like a long-lost neighbor.
Complain about the media representation of Oakland all you want. Last week, in the national media, Oakland was portrayed as a great place to live, work, and dine, with restaurants where people come up to your table and greet you like a long-lost neighbor.
That Oakland. You know it? It’s the backdrop of a profile in the New Yorker magazine on Ishmael Reed, novelist, playwright, poet, and resident of Oakland. Hills? Oh no, the flats. Reed is a jazz guy; He B-flat.
Hopefully, the joker in Reed laughs at that pun. It’s because of Reed that I am a writer. But let me not forget Flossie Lewis, my high school English teacher, and current Oakland resident. Lewis set me up. Reed delivered the punch.
I first met Reed in St. Louis, Mo., where he was the “artist in residence” for Washington University’s first Writer’s Program. Intended to become a better Iowa Writers Workshop, it had all white writers like William Gass and Stanley Elkin. Reed was the token-in-resident. I was the token minority grad student. When one writer told me to stop writing about my Filipino family, Reed was there to tell me to put them back in.
That’s what Ishmael did for me.
The New Yorker profile published on July 19 compelled me to pull out Reed’s work again. “Mumbo Jumbo” (1972) re-read during the pandemic jumps off the page and is funnier than ever. People coming down with a virus that makes people dance the boogie? It was a finalist for the National Book Award and considered for the Pulitzer Prize.
The New Yorker also details Reed’s life with his wife, the dancer/choreographer/director Carla Blank, and their daughter, the poet Tennessee Reed. And you’ll learn how the writing all started–as a jazz columnist in the Black press for the Buffalo Empire Star.
That’s the enduring value of the ethnic media, the Black press, and newspapers like the Oakland Post. It’s still a place where diverse voices can let it all out.
Asked about his legacy, Reed was simple and humble. “I made American literature more democratic for writers from different backgrounds,” he said. “I was part of that movement to be heard.”
I heard that.
Van Jones’ $100 Millon Speech
Ishmael Reed is one of the only MacArthur Genius grant winners I know.
But Van Jones is the first winner of the Courage and Civility Award, which he received on July 20. Yes, that Van Jones of the Ella Baker Center. Way before CNN. I hope he remembers how he was a guest on my old New California Media roundtable talk TV show on the ethnic media more than 20 years ago on KCSM-TV.
Because the Courage and Civility Award is $100 million unattached–from Jeff Bezos.
I wasn’t crazy about Richard Branson’s flight, so you know I’m not out-of-this-world over Bezos’s 63-mile jaunt, which I call the Neo-Space Age’s white flight. You can go beyond the suburbs.
Bezos has been hammered over not paying his taxes, and how spending billions of dollars into space travel during a time of real humanitarian need on Earth is on its face one word–obscene.
To his credit, he did what all rich people of money do when they stretch the limits of tasteful behavior.
They use their money by giving it away. It’s how the Rockefellers, the Fords, the Sacklers, the Mellons, etc., etc., can live with themselves. Albeit, far away from everyone else. Hence, the Courage and Civility Award.
Jones was gracious about the hun mill gift.
“I haven’t always been courageous,” said Jones. “But I know people who are. They get up every day on the frontlines of grassroots communities. They don’t have much. But they’re good people and they fight hard. And they don’t have enough support.”
All true. And then he delivered the penance for Bezos sins.
“Can you imagine,” said Jones. “Grassroots folks from Appalachia, from the Native American reservation, having enough money to be able to connect with the geniuses that disrupted the space industry, disrupted taxis, hotels, and bookstores. Let’s start disrupting poverty. Let’s start disrupting pollution.
“Start disrupting the $90 billion prison industry together. You take people on the frontlines and their wisdom and their genius and creativity, and you give them a shot. They’re not gonna turn around neighborhoods, they’re gonna turnaround this nation. That’s what’s going to happen.”
Then Jones had this for Bezos. “I appreciate you lifting the ceiling off of people’s dreams,” Jones said, then turned back to us. “Don’t be mad about it when you see somebody reaching for the heavens, be glad to know there’s a lot more heaven to reach for. And we can do that together.”
Bezos’ $100 million doesn’t buy a lot in the space biz. But handing it to Jones? Let’s see the disruptive good it can do on Earth.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Big God Ministry Gives Away Toys in Marin City
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.
By Godfrey Lee
Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.
Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.
Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.
A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.
Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.
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