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Actor Big Spence’s Directorial Debut “Set Me Free”

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For actor Marcus “Big Spence” Spencer, his biggest inspiration came on set of the movie “Four Christmases” filming with Vince Vaughn, the 6’5” leading actor and producer, who told him, “Once people see you as a lead, they’ll hire you as a lead.”

Big Spence took that and ran with it. Fast forward several movie roles later and the actor-turned-producer-turned-director premieres his first film “Set Me Free” at the Oakland International Film Festival.

Starring Big Spence, Alan Walker, Alphonso Thompson, and Skipper Elekwachi, the movie is about finding self-worth and learning to love oneself. It follows four boys as they grow up to become young men and struggle to deal with different issues such as fatherlessness, self-worth, self-confidence, and trust. Each character tries to find freedom from their poverty-stricken neighborhood.

Director Marcus "Big Spence" Spencer at the "Set Me Free" film premiere in Berkeley.

Director Marcus “Big Spence” Spencer at the “Set Me Free” film premiere in Berkeley.

Based on experiences from his own life, Big Spence says he wanted the movie to give insight to the issues that Black men go through, issues that usually stem from childhood.

“I’ve worked with kids that go through all these issues,” said Big Spence. “They don’t realize they’re in a certain kind of bondage to identify these issues. But once you identify them, then you have the power to fix them.”

The movie is produced by Big Spence’s company Touch the Heart Productions, which he started in 2010. The writer, director says he wanted to put a message in the film to “educate and entertain you at the same time.”

“I want people to be able to feel and get emotion from the film. With a lot of films, there’s no story, there’s no message. If I put messages in my films, I can use it as a teaching tool,” said Big Spence.

He has also written and produced two other movies under Touch the Heart Productions, “The American Dream” and “Milk Money.”

“I want to control the content that is put out because I have a certain message that I want to be out there,” he said.

For more information about the film, visit www.facebook.com/setmefreethemovie.

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Black History

Martial Artist Victor Moore: An American Karate and Kickboxing Pioneer

Throughout his career, Moore defeated many national champions, including Joe Lewis, Mike Stone, and Bill “Superfoot” Wallace. Moore placed in every tournament he competed in from 1965 until his retirement in 1975, defeating renowned national champions such as Mike Foster, Chuck Norris, Fred Wren, Glenn Keeney, James Hawkes, and Jim Kelly. Moore emphasizes that winning or losing does not diminish a champion’s credibility — they are all champions in his eyes.

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Photo Courtesy of BlackPast.Org
Photo Courtesy of BlackPast.Org

By Tamara Shiloh

Victor Moore, born on Aug. 23, 1943, holds a 10th-degree Black Belt in Karate and is a four-time world karate champion.

As one of the chief instructors under Robert Trias in the Shuri-ryu Karate system, Moore was also among the first ten members of the Trias International Society. Over his 50-year martial arts career, he trained in various styles, including Chito-ryu with William J. Dometrich, Judo, Kempo, and Bondo karate.

Moore began his martial arts journey at the age of 7 in Cincinnati, lifting weights and reading Charles Atlas books to guide his training. By age 9, he had learned the basics of jujitsu and judo, and at 12, he began training in Kempo karate under Ronald Williams, who awarded him his first black belt after five years of instruction.

In 1961, Moore expanded his training by joining a judo school led by Ray Hughes and later trained in Gyu Ryu-karate under Harvey Eubanks. He studied Kempo with Bill Dometrich and continued exploring different karate styles. Instructors at the time, required students to start as white belts in each new style, even if they held black belts elsewhere, which shaped Moore’s adaptability.

Chung Ling, an exchange student from China, introduced Moore and others to Chuan Fa, enhancing Moore’s understanding of martial arts. He also took up judo at a school in Cincinnati, where he earned his brown belt, and trained in karate with Jim Wax, who had studied under the Shimabuku brothers. Moore’s toughness was further honed by his boxing experience at the 9th Street YMCA, where he became a sparring partner for Tiger Joe Harris.

At Central State University, Professor Barry Yasuto trained Moore in Shotokan karate, but Moore was denied entry to the Japanese Karate Association, possibly due to his race. After returning to Cincinnati, Moore opened his first karate school and began competing in national tournaments. He traveled across the U.S., eventually meeting Robert Trias, who became his mentor and helped him rise to the second-degree black belt level. Under Trias, Moore continued training in Kempo and Goju-Ryu styles.

Moore also trained under Dr. Maung Gyi, learning Bondo karate, stick fighting, and kickboxing. In 1973, Moore and Joe Lewis introduced kickboxing to America on the Merv Griffin TV show. Moore competed in the first kickboxing tournament in the U.S., facing Jim Harrison in a historic fight.

Throughout his career, Moore defeated many national champions, including Joe Lewis, Mike Stone, and Bill “Superfoot” Wallace. Moore placed in every tournament he competed in from 1965 until his retirement in 1975, defeating renowned national champions such as Mike Foster, Chuck Norris, Fred Wren, Glenn Keeney, James Hawkes, and Jim Kelly. Moore emphasizes that winning or losing does not diminish a champion’s credibility — they are all champions in his eyes.

Moore continues to teach martial arts, working with instructors and students nationwide. His daughters, Vickie and Vonnie, and his son, Vanceston, also train under his guidance.

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Activism

South African Solidarity Committee Hosts 31st Annual Celebration

“We’re all together for each other celebrating 31 years of building international solidarity between the people of the United States and South Africa toward the implementation of the 1955 Freedom Charter and 2030 Sustainable Development Goals,” said COSAS Operations Manager Nicole Richards.Located in Berkeley, COSAS is dedicated to the continuing struggle by the people of South Africa’s need for independence.

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Zimbabwean dance and music group performs at COSAS' 31 Year Celebration at the East Bay Church of Religious Science. Photo By Carla Thomas.
Zimbabwean dance and music group performs at COSAS' 31 Year Celebration at the East Bay Church of Religious Science. Photo By Carla Thomas.

By Carla Thomas

The Committee of South African Solidarity (COSAS) celebrated its 31st anniversary on Saturday, Oct. 26 at the East Bay Church of Religious Science in Oakland.

Themed “Ubuntu,” a word in Zulu and Xhosa, which means “I am because we are,” the event brought together supporters and community members.

“We’re all together for each other celebrating 31 years of building international solidarity between the people of the United States and South Africa toward the implementation of the 1955 Freedom Charter and 2030 Sustainable Development Goals,” said COSAS Operations Manager Nicole Richards.

Located in Berkeley, COSAS is dedicated to the continuing struggle by the people of South Africa’s need for independence.

A soulful meal was prepared by Chef Rene Johnson and Blackberry Soul Catering along with live entertainment and speakers.

COSAS is an all-volunteer, private membership organization, made up of South Africans, Africans, students, professionals, clergy and others committed to building solidarity between the working people of the U.S. and the South African people still struggling for economic and political freedom.

Formed in 1993, the organization promotes the “real nature” of the changes and struggles taking place in South Africa and the African continent, according to Richards.

“COSAS counters ‘disinformation’ and ‘misinformation’ in the U.S. and Western mainstream media that creates division and distrust,” Richards said. “We produce the South African Beacon and organize and transport solidarity shipments of school supplies to South African grade schools requesting assistance,” Richards said.

According to organizers, COSAS is completely run by volunteers, free from the corporate and government agendas that continue to keep South Africa dependent on the West.

“We rely on the support of concerned individuals. Call us today about how you can get involved by sorting and packing supplies, donating office equipment, and supporting special events,” said Richards.

Earlier in the year, COSAS hosted its World Affairs film showing at Downs Memorial United Methodist Church. The screening featured a short film, “Feeding a Crisis: Africa’s Manufactured Hunger Pandemic,” exploring the hunger challenges African countries face and approaches to resolving the issues.

Contact the Committee for South African Solidarity, 1837 Alcatraz Ave., Berkeley, CA, 510-251-0998 for volunteer opportunities and event information.

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Activism

Oakland Post: Week of October 30 – November 5, 2024

The printed Weekly Edition of the Oakland Post: Week of October 30 – November 5, 2024

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