Entertainment
B.B. King to be Laid to Rest Next Week in Mississippi Delta

In this Aug. 27, 2008 file photo, blues legend B.B. King poses during an interview in Los Angeles. King, whose scorching guitar licks and heartfelt vocals made him the idol of generations of musicians and fans while earning him the nickname King of the Blues, died Thursday, May 14, at home in Las Vegas. He was 89. (AP Photo/Reed Saxon, File)
EMILY WAGSTER PETTUS, Associated Press
JACKSON, Miss. (AP) — The body of blues legend B.B. King will return next week to the Mississippi Delta where his life and career began.
His body will be flown on May 27 to Memphis, Tennessee, the place where a young King was nicknamed the Beale Street Blues Boy. Organizers in Memphis said a musical tribute is scheduled for 11 a.m. that day in W.C. Handy Park on Beale Street, near a blues club that bears King’s name. After that, the body will be driven to Indianola, Mississippi, which King considered his hometown.
A public viewing will be from 10 a.m.-5 p.m. May 29 at the B.B. King Museum and Delta Interpretive Center in Indianola, and the funeral will be at 11 a.m. May 30 at the nearby Bell Grove Missionary Baptist Church, the museum announced Wednesday. The 15-time Grammy winner will be buried later that day in a private ceremony at the museum, which King helped develop.
“From a practical standpoint, we feel comfortable knowing his final resting place will receive perpetual care at the museum,” the facility’s director, Dion Brown, said in a written statement Wednesday.
In Las Vegas, where King died May 14 at age 89, visitors will be able pass King’s open casket this week during a public viewing from 3-7 p.m. Friday at Palm Mortuary West. But there won’t be seating or a memorial service and mortuary manager Matthew Phillips said photos will be prohibited.
A private service for relatives and invited friends will be at 11 a.m. Saturday at the larger downtown Palm Mortuary chapel.
However, some immediate family members will have a chance to visit his body ahead of the Friday public viewing and Saturday memorial.
Attorneys representing one of King’s daughters against King’s longtime business agent and power-of-attorney, LaVerne Toney, said the family-only viewing on Thursday was a compromise reached during a meeting with a court probate commissioner.
Attorneys Russel Geist and Brent Bryson said Commissioner Wesley Yamashita set the date while rejecting a bid by daughter Karen Williams to take control of King’s estate. Williams previously lost a May 7 effort in Family Court to take her father’s guardianship from Toney.
The famed guitarist and singer was married twice and had 15 natural and adopted children, 11 of whom are still living.
He was born Riley B. King on Sept. 16, 1925, to sharecropper parents in Berclair, Mississippi, near the tiny town of Itta Bena. His parents divorced when he was young. His mother died a few years later, and then his grandmother died, leaving him living alone in a cabin and sharecropping an acre of cotton when he was 14.
After living in several small communities in Mississippi, he moved to Indianola, where he first gained attention for his musical talents.
He moved to Memphis, Tennessee, when he was in his 20s, and that’s where a radio station manager dubbed him the Beale Street Blues Boy. That was shortened to B.B., and the nickname stuck. King went on to international fame playing electric blues guitar that influenced generations of blues and rock musicians.
In the statement announcing King’s funeral plans, Mississippi Gov. Phil Bryant called the bluesman “one of our state’s most beloved native sons.”
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Associated Press writers Ken Ritter in Las Vegas and Adrian Sainz in Memphis, Tennessee, contributed to this report.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
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