Arts and Culture
Block Party Celebrates New Art Museum and Film Archive
By Barry Bergman, UC Berkeley News
Every art museum needs a frame, and the Berkeley Art Museum and Pacific Film Archive celebrated a milestone Thursday in the construction of its future home — the placement of the last steel beam in the new building’s structural frame — with a New Orleans-flavored block party and “topping out” ceremony on Addison Street.
The tradition, explained John Wilson, president of the company that’s erecting the museum’s new home, Plant Construction, started with iron workers, whose job was done once the final beam was set in place. “So they’d grab an apprentice, send him out for a case of beer, and then they’d all gather together, sitting on the tailgate of a pickup truck, and say, ‘Look what a great job we did, we’ll let the rest of these guys finish this.’”
In the last light of an overcast last Thursday, that tradition was extended to include Berkeley residents, members of the campus community and art and film lovers — often the same people — who got an opportunity to sign the final beam with felt-tipped markers, aided by the New Orleans-style accompaniment of the 14-piece brass band Mission Delirium and vendors of wine, beer and artisanal snow cones.
The crowd had dwindled a bit by 7 p.m., but was still in a party mood when an overhead crane carried the colorfully tagged beam from the street to the top of the new structure.
In addition to Wilson, UC Berkeley Vice Chancellor John Wilton, Berkeley Vice Mayor Linda Maio and Lawrence Rinder, BAM/PFA’s director, took the microphone briefly to commemorate the midpoint in construction of the relocated museum, which integrates the campus’s long-shuttered printing plant at Center and Oxford with a new structure extending north to Addison.
The foundation for the complex, said Wilson, is “literally sitting in Strawberry Creek, so we’ve built a boat for a foundation.”
When the complex finally replaces the current, seismically unsound museum in January 2016, Rinder said, it will feature a number of advantages, including twice the space for education and collection access, so that “the material richness of UC Berkeley’s collection will be accessible to a broader public.”
It will also include two theaters, allowing simultaneous PFA programs in spaces designed specifically for films “for the first time in our history.”
“You will be able to see films here,” he promised, “better than you can see them anywhere in the world.”
Rinder said construction of the new museum complex — designed by the architectural firm Diller Scofidio + Renfro, responsible for New York City’s High Line and the Boston Institute of Contemporary Art — would be finished a year from now, but that it could take an additional six months before exhibitions were ready for public viewing. A “naked opening” of the completed structure, sans art, is planned for next fall.
Meanwhile, Rinder made clear he was looking forward to “getting the keys” to the new building in July 2015.
“My staff will have a parade down the street,” he joked to the crowd, “and you can help us carry the Rothko.”
Activism
New Oakland Moving Forward
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.

By Post Staff
Since the African American Sports and Entertainment Group purchased the City of Oakland’s share of the Alameda County Coliseum Complex, we have been documenting the positive outcomes that are starting to occur here in Oakland.
Some of the articles in the past have touched on actor Blair Underwood’s mission to breathe new energy into the social fabric of Oakland. He has joined the past efforts of Steph and Ayesha Curry, Mistah Fab, Green Day, Too Short, and the Oakland Ballers.
This week, several socially enterprising members of this group visited Oakland to explore ways to collaborate with local stakeholders at Youth Empowerment Partnership, the Port of Oakland, Private Industry Council, Oakland, Mayor-Elect Barbara Lee, the Oakland Ballers ownership group, and the oversight thought leaders in the Alameda County Probation Department.
These visits represent a healthy exchange of ideas and plans to resuscitate Oakland’s image. All parties felt that the potential to impact Oakland is right in front of us. Most recently, on the back side of these visits, the Oakland Ballers and Blair Underwood committed to a 10-year lease agreement to support community programs and a community build-out.
So, upward and onward with the movement of New Oakland.
Arts and Culture
BOOK REVIEW: Love, Rita: An American Story of Sisterhood, Joy, Loss, and Legacy
When Bridgett M. Davis was in college, her sister Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.

By Terri Schlichenmeyer
Author: Bridgett M. Davis, c.2025, Harper, $29.99, 367 Pages
Take care.
Do it because you want to stay well, upright, and away from illness. Eat right, swallow your vitamins and hydrate, keep good habits and hygiene, and cross your fingers. Take care as much as you can because, as in the new book, “Love, Rita” by Bridgett M. Davis, your well-being is sometimes out of your hands.
It was a family story told often: when Davis was born, her sister, Rita, then four years old, stormed up to her crying newborn sibling and said, ‘Shut your … mouth!’
Rita, says Davis, didn’t want a little sister then. She already had two big sisters and a neighbor who was somewhat of a “sister,” and this baby was an irritation. As Davis grew, the feeling was mutual, although she always knew that Rita loved her.
Over the years, the sisters tried many times not to fight — on their own and at the urging of their mother — and though division was ever present, it eased when Rita went to college. Davis was still in high school then, and she admired her big sister.
She eagerly devoured frequent letters sent to her in the mail, signed, “Love, Rita.”
When Davis was in college herself, Rita was diagnosed with lupus, a disease of the immune system that often left her constantly tired and sore. Davis was a bit unfazed, but sympathetic to Rita’s suffering and also annoyed that the disease sometimes came between them. By that time, they needed one another more than ever.
First, they lost their father. Drugs then invaded the family and addiction stole two siblings. A sister and a young nephew were murdered in a domestic violence incident. Their mother was devastated; Rita’s lupus was an “added weight of her sorrow.”
After their mother died of colon cancer, Rita’s lupus took a turn for the worse.
“Did she even stand a chance?” Davis wrote in her journal.
“It just didn’t seem possible that she, someone so full of life, could die.”
Let’s start here: once you get past the prologue in “Love, Rita,” you may lose interest. Maybe.
Most of the stories that author Bridgett M. Davis shares are mildly interesting, nothing rare, mostly commonplace tales of growing up in the 1960s and ’70s with a sibling. There are a lot of these kinds of stories, and they tend to generally melt together. After about fifty pages of them, you might start to think about putting the book aside.
But don’t. Not quite yet.
In between those everyday tales, Davis occasionally writes about being an ailing Black woman in America, the incorrect assumptions made by doctors, the history of medical treatment for Black people (women in particular), attitudes, and mythologies. Those passages are now and then, interspersed, but worth scanning for.
This book is perhaps best for anyone with the patience for a slow-paced memoir, or anyone who loves a Black woman who’s ill or might be ill someday. If that’s you and you can read between the lines, then “Love, Rita” is a book to take in carefully.
Activism
Faces Around the Bay: Author Karen Lewis Took the ‘Detour to Straight Street’
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.

By Barbara Fluhrer
I met Karen Lewis on a park bench in Berkeley. She wrote her story on the spot.
“My life has been a roller-coaster with an unlimited ride wristband! I was raised in Berkeley during the time of Ron Dellums, the Black Panthers, and People’s Park. I was a Hippie kid, my Auntie cut off all our hair so we could wear the natural styles like her and Angela Davis.
I got married young, then ended up getting divorced, raising two boys into men. After my divorce, I had a stroke that left me blind and paralyzed. I was homeless, lost in a fog with blurred vision.
Jesus healed me! I now have two beautiful grandkids. At 61, this age and this stage, I am finally free indeed. Our Lord Jesus Christ saved my soul. I now know how to be still. I lay at his feet. I surrender and just rest. My life and every step on my path have already been ordered. So, I have learned in this life…it’s nice to be nice. No stressing, just blessings. Pray for the best and deal with the rest.
Nobody is perfect, so forgive quickly and love easily!”
Lewis’ book “Detour to Straight Street” is available on Amazon.
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