Black History
Cross-Dressing Blues Artist Gladys Bentley Was ‘Out’ Ahead of Her Time
In 1934, New York City’s King’s Terrace nightclub faced closure after complaints about its “dirty songs.” The venue had been hosting a troupe led by Gladys Bentley, an audacious piano-playing blues artist who thrilled and scandalized audiences with her provocative music.
By Tamara Shiloh
In 1934, New York City’s King’s Terrace nightclub faced closure after complaints about its “dirty songs.” The venue had been hosting a troupe led by Gladys Bentley, an audacious piano-playing blues artist who thrilled and scandalized audiences with her provocative music.
Born in Phila., Pa., Bentley arrived in Harlem around 1925 at the age of 16 and became part of the vibrant artistic community during the influential Harlem Renaissance. Proudly embracing her identity as an African American woman who loved other women, donned men’s clothing, and sang risqué songs, Bentley challenged societal norms.
Although Bentley’s performances prevented her from gaining mainstream recognition and limited her inclusion in history books, her portraits now grace the African American History Museum’s music collections.
Starting her career in Harlem’s rent party circuit, Bentley wowed audiences with her deep, growling voice and scatting skills. She fearlessly added explicit lyrics to popular tunes, leaving a lasting impact on her listeners.
While her popularity soared in the rent party scene, Bentley also pursued opportunities in established Harlem nightclubs. At the Mad House on 133rd Street, she convinced the skeptical boss to give her a chance.
Bentley’s energetic piano-playing and unique style of fashion, featuring immaculate dress shirts, bow ties, oxfords, and short Eton jackets, set her apart as a “male impersonator.” Her flirtatious interactions with women in the audience captivated all who witnessed her performances.
As Bentley’s career flourished, she graced prominent Harlem venues such as the Cotton Club and the Clam House, a renowned gay speakeasy. Her act attracted diverse audiences, including both African Americans and white patrons. Writers like Carl van Vechten were drawn to Bentley’s talent, featuring her as a character in their works.
In the 1930s, she headlined at Harlem’s Ubangi house, where she was backed by a chorus line of drag queens.
With the repeal of Prohibition, the club scene in Harlem declined. She relocated to Southern California, where she was billed as “America’s Greatest Sepia Piano Player” and the “Brown Bomber of Sophisticated Songs” according to Wikipedia. She continued performing in upscale venues but in a more subdued manner than her earlier days in Harlem. Harassed for wearing men’s clothing, she began facing scrutiny during the repressive McCarthy era in the 1950s.
In a 1952 article for Ebony magazine titled “I Am a Woman Again,” Bentley shared her life story. She recounted her glamorous life as a performer and her personal struggles existing in a realm between traditional gender boundaries. Bentley claimed to have undergone medical treatment that awakened her “womanliness” and mentioned her marriages. However, the veracity of these claims remains uncertain.
Bentley continued her career for a few more years but succumbed to pneumonia in 1960. Today, her story is being rediscovered and celebrated as that of a gender outlaw and a pioneer of self-expression.
Bentley’s defiance of societal norms serves as a reminder of the power of self-expression, resilience, and the courage to challenge expectations. Her legacy inspires individuals to embrace their true selves fearlessly.
Bentley’s contributions to the Harlem Renaissance and her unyielding embrace of her identity remain impactful. Her audacity and refusal to conform continue to inspire generations. Gladys Bentley, an extraordinary performer, trailblazer, and symbol of empowerment, leaves a lasting impression on those who follow her path.
Activism
Oakland Post: Week of December 18 – 24, 2024
The printed Weekly Edition of the Oakland Post: Week of December 18 – 24, 2024
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Activism
‘Donald Trump Is Not a God:’ Rep. Bennie Thompson Blasts Trump’s Call to Jail Him
“Donald Trump is not a god,” U.S. Rep. Bennie Thompson, D-Miss., told The Grio during a recent interview, reacting to Trump’s unsupported claims that the congressman, along with other committee members like vice chair and former Republican Rep. Liz Cheney, destroyed evidence throughout the investigation.
By Post Staff
U.S. Rep. Bennie Thompson, D-Miss., said he not intimidated by President-elect Donald Trump, who, during an interview on “Meet the Press,” called for the congressman to be jailed for his role as chairman of the special congressional committee investigating Trump’s role in the Jan. 6, 2021, mob attack on the U.S. Capitol.
“Donald Trump is not a god,” Thompson told The Grio during a recent interview, reacting to Trump’s unsupported claims that the congressman, along with other committee members like vice chair and former Republican Rep. Liz Cheney, destroyed evidence throughout the investigation.
“He can’t prove it, nor has there been any other proof offered, which tells me that he really doesn’t know what he’s talking about,” said the 76-year-old lawmaker, who maintained that he and the bipartisan Jan. 6 Select Committee – which referred Trump for criminal prosecution – were exercising their constitutional and legislative duties.
“When someone disagrees with you, that doesn’t make it illegal; that doesn’t even make it wrong,” Thompson said, “The greatness of this country is that everyone can have their own opinion about any subject, and so for an incoming president who disagrees with the work of Congress to say ‘because I disagree, I want them jailed,’ is absolutely unbelievable.”
When asked by The Grio if he is concerned about his physical safety amid continued public ridicule from Trump, whose supporters have already proven to be violent, Thompson said, “I think every member of Congress here has to have some degree of concern, because you just never know.”
This story is based on a report from The Grio.
Activism
Biden’s Legacy Secured with Record-Setting Black Judicial Appointments
His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations. The White House said Biden’s efforts show a broader commitment to racial equity and justice.
By Stacy M. Brown
WI Senior Writer
President Joe Biden’s commitment to diversifying the federal judiciary has culminated in a historic achievement: appointing 40 Black women to lifetime judgeships, the most of any president in U.S. history.
Biden has appointed 62 Black judges, cementing his presidency as one focused on promoting equity and representation on the federal bench.
His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations.
The White House said Biden’s efforts show a broader commitment to racial equity and justice.
Meanwhile, Trump has vowed to dismantle key civil rights protections, including the Justice Department’s Civil Rights Division.
“Having the Black woman’s experience on the federal bench is extremely important because there is a different kind of voice that can come from the Black female from the bench,” Delores Jones-Brown, professor emeritus at John Jay College of Criminal Justice, told reporters.
Lena Zwarensteyn of the Leadership Conference on Civil and Human Rights told reporters that these district court judges are often the first and sometimes the final arbiters in cases affecting healthcare access, education equity, fair hiring practices, and voting rights.
“Those decisions are often the very final decisions because very few cases actually get heard by the U.S. Supreme Court,” Zwarensteyn explained.
Biden’s nomination of Justice Ketanji Brown Jackson to the Supreme Court further reflects his commitment to judicial diversity. Jackson became the first Black woman to serve on the nation’s highest court.
Patrick McNeil, spokesperson for the Leadership Conference, pointed out that over half of Biden’s Black female judicial appointees have backgrounds as civil rights attorneys and public defenders, experience advocates consider essential for a balanced judiciary.
Meanwhile, Congress remains divided over the expansion of federal judgeships. Legislation to add 66 new judgeships—approved unanimously by the Senate in August—stalled in the GOP-controlled House until after the election. House Republicans proposed distributing the new judgeships over the next decade, giving three administrations a say in appointments. President Biden, however, signaled he would veto the bill if it reached his desk.
Rep. Jerry Nadler, D-N.Y., argued the delay was a strategic move to benefit Trump’s potential return to office. “Donald Trump has made clear that he intends to expand the power of the presidency and giving him 25 new judges to appoint gives him one more tool at his disposal,” Nadler said.
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