Entertainment

Dueling Narratives Surround ‘Suge’ Knight in Deadly Run-In

Published

11 years ago

January 31, 2015

This image from video shows Death Row Records founder Marion “Suge” Knight, right, walking into the Los Angeles County Sheriffs department early Friday morning Jan. 30, 2015 in connection with a hit-and-run incident that left one man dead and another injured. Man at left is an unidentified police officer. (AP Photo/OnSceneVideo via AP Television)

Tami Abdollah and Brian Melley, ASSOCIATED PRESS

LOS ANGELES (AP) — As Marion “Suge” Knight sat jailed on suspicion of murder, dueling narratives cast him as attacker and victim in the hip-hop music mogul’s latest and most serious run-in with the law.

Sheriff’s deputies said he hit and killed a man with his pickup truck, injured another and then fled. His lawyer said he was an innocent victim who accidentally ran over his friend and the other man as he tried to escape an attack.

He turned himself in and was booked on Friday.

The incident was the latest in a long line of brushes with death and the law for the 49-year-old founder of Death Row Records, one of the genre’s leading labels.

Knight started the label that helped solidify West Coast rap with Dr. Dre, who had been a member of the legendary group N.W.A. The label also launched the career of Snoop Dogg and had Tupac Shakur in the last months of his life.

The fatal incident occurred a short while after Knight was told by deputies to leave a film location where he had argued with someone, authorities said.

The cast and crew were taking a break from filming a promotional video for the biopic “Straight Outta Compton,” about the rise of N.W.A., according to a person familiar with the project who was not authorized to speak about it publicly and spoke on the condition of anonymity.

The argument resumed and escalated a short while later at a fast-food restaurant about two miles away, with Knight and the man exchanging punches through his open window. Knight then struck the man and a friend with his vehicle and fled, said sheriff’s Lt. John Corina.

Terry Carter, 55, Knight’s friend who authorities do not believe was involved in the altercation, died at a hospital, Corina said. The other man was identified by his manager as Cle “Bone” Sloan, 51, an actor and film consultant. He was hospitalized in stable condition, said manager Jermaine Shelton.

Corina said Knight backed up his pickup truck and knocked Sloan down.

“Then he puts the truck in drive, drives forward, running over him, and then keeps going forward and keeps on driving, and runs over Carter, who is standing in the parking lot, and keeps on going after that,” Corina said.

He said witnesses told investigators it looked like an intentional act.

Defense attorney James Blatt said Knight was called to Tam’s Burgers in Compton for a meeting and was attacked by four people, including Sloan, as he slowed his truck. The men beat him through his window and threatened to kill him.

Corina said evidence thus far disputed Blatt’s account, saying only one man exchanged blows with Knight through the window before he got run over.

The incident comes less than six months after Knight was shot six times at a West Hollywood nightclub in August — the second shooting he’s survived. No arrests have been made.

Knight punched the gas and fled in fear, Blatt said. He had no idea he hit two men. Corina said that claim is hard to believe.

Knight surrendered early Friday and was booked on suspicion of murder. He was being held on $2 million bail.

At 6-foot-4 and weighing 325 pounds, Knight’s reputation as an imposing figure is credited, in part, with helping create Death Row Records when he strong-armed another label to release Dr. Dre from his contract, said Chuck Creekmur, CEO of allhiphop.com.

“You can’t separate Suge from the music that came out of Death Row Records,” Creekmur said. “He’s linked forever to a really, really great musical period of time. And that would be linked to a really horrific period when we lost several of our brightest stars.”

Knight was at the center of one of the most notorious rap conflicts of the 1990s, pitting rappers Tupac Shakur against Biggie Smalls in an East Coast versus West Coast rivalry.

Knight was sent to prison for nearly five years for badly beating a rival with Shakur at a Las Vegas hotel, just hours before Shakur was fatally shot while riding in Knight’s car just east of the Strip.

Smalls, whose real name was Chris Wallace, was shot to death in a similar attack six months later.

Knight and Dre later had a falling out and Dre left. The record company eventually declared bankruptcy and was auctioned off.

Dr. Dre and Ice Cube, another former N.W.A. member, were at the film location Thursday, but they didn’t see Knight, according to the person who spoke on condition of anonymity. Filming was shut down for the day and not resumed Friday.

The history of Knight’s run-ins with the law goes back more than 20 years.

In November, Knight pleaded not guilty to a robbery charge filed over an incident in which a celebrity photographer accused him of stealing her camera in Beverly Hills. Because of prior convictions, he could face up to 30 years in prison.

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Associated Press writer Christopher Weber contributed to this report.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Oakland Post

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

6 hours ago

January 9, 2026

Oakland Post

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.