Arts and Culture
Father Augustus Tolton In Line to Become First Black Saint
![](https://www.postnewsgroup.com/wp-content/uploads/2019/06/Father-Augustus-Tolton.-.jpg)
Father Augustus Tolton, the Roman Catholic Church’s first Black priest, who is slated to become the church’s first Black saint, was born into slavery in Missouri in 1854.
He was forced to attend seminary in Rome because no American school would admit him because of his race despite his intellect, special abilities (he spoke several languages) and his devotion to the church.
Tolton arrived in Rome in 1880, attended the Sacred Congregation de Propaganda Fide and was ordained in 1885 at Basilica St. Lateran Church in Rome.
He had expected to be sent to Africa because of racism but Roman Catholic authorities believed it was time America lived up to its self-image as an enlightened, “Christian nation.” He was assigned to St. Peter Church in Quincy, Ill., where he had grown up after escaping slavery.
When he first arrived in America, however, he gave his first Mass on American soil at St. Benedict the Moor Church before a majority Black congregation in New York City.
It was the first time congregants had seen a Black Catholic priest. Many parishioners traveled from other towns and other states to see and hear him.
In Quincy, Ill., it was a different story.
He attempted to organize a parish and a school there but ran into resistance and prejudice.
After three years in Quincy, the Roman Catholic Church reassigned Father Tolton to Chicago. A parade welcomed him to the city.
In Chicago, he led a mission society in the basement of St. Mary’s parish, which led to the development of the Negro ‘national parish’ at St. Monica’s church at 36th and Dearborn streets in the South side.
With a congregation of 600 Black people, Tolton began to draw national attention.
He was acclaimed for his many talents, including singing, playing the accordion and for his beautiful artwork.
He was parish priest until his death in 1897 from heatstroke. Father Tolton was only 43.
Other events honoring Father Tolton also have taken place throughout Chicago, where he founded in 1889 the parish of St. Monica at 36th and Dearborn Streets for black Catholics.
On November 4, 2011, Chicago dedicated “Honorary Father Augustus Tolton Street.” The honorary street sign is located at the corners of 41st Street between State Street and Michigan Avenue.
On June 12, Pope Francis approved a decree recognizing Tolton’s “heroic virtues,” which is a step in the process toward sainthood, following a five-year investigation by the church, which began in 2010 when Chicago’s Cardinal Francis George announced Tolton’s cause for canonization.
Pope Francis made Tolton venerable within the church, which is two steps away from canonization.
Now the church has opened the door to his sainthood.
Activism
Griot Theater Company Presents August Wilson’s Work at Annual Oratorical Featuring Black Authors
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.
![Late playwright August Wilson. Wikipedia photo.](https://www.postnewsgroup.com/wp-content/uploads/2025/02/august-wilson-featured-web.jpg)
By Godfrey Lee
Griot Theater Company will present their Fifth Annual Oratorical with August Wilson’s “Half a Century,” at the Belrose on 1415 Fifth Ave., in San Rafael near the San Rafael Public Library.
The performance explores the legacy of Pulitzer Prize-winning playwright August Wilson whose 10-play Century Cycle chronicles the African American experience across the 20th century, with each play set in a different decade. “Half a Century” journeys through the final five plays of this monumental cycle, bringing Wilson’s richly woven stories to life in a way that celebrates history, resilience, and the human spirit.
Previous performance highlighting essential Black American authors included Maya Angelou, James Baldwin, and Lorraine Hansberry with Langston Hughes.
The play will be performed at 3:00. p.m. on Feb. 20, 21, 22, 27, and 28 at 7:00 p.m., and on Feb. 23 at 3:00 p.m.
For more information, go to griottheatercompany.squarespace.com/productions-v2
Arts and Culture
Paul Robeson: A Voice for the Ages, A Champion for Justice
Robeson first gained widespread recognition on stage and screen, delivering commanding performances that captivated audiences. Yet, it was his voice in concert halls that sealed his legacy. His repertoire was vast, spanning spirituals, classical compositions, global folk traditions, and songs of struggle — music that carried the weight of the oppressed and the hopes of the marginalized.
![Paul Robeson. Public domain.](https://www.postnewsgroup.com/wp-content/uploads/2025/02/paul-robeson-featured-web.jpg)
By Tamara Shiloh
Paul Robeson was born April 9, 1898, in Princeton, New Jersey. At 6’ 3”, he was a towering man of intellect, talent, and conviction. Before he became an international icon, he earned his law degree from Columbia University in 1923, supporting himself by teaching Latin and playing professional football on the weekends. But the law would not hold him for long. His voice had other plans.
Robeson first gained widespread recognition on stage and screen, delivering commanding performances that captivated audiences. Yet, it was his voice in concert halls that sealed his legacy. His repertoire was vast, spanning spirituals, classical compositions, global folk traditions, and songs of struggle — music that carried the weight of the oppressed and the hopes of the marginalized.
In 1921, he married Eslanda Goode, a fellow Columbia student and a journalist with her own remarkable intellect and ambition. Their marriage, which lasted over four decades, was a partnership in every sense. Goode became his manager, encouraging him to leave law behind and fully embrace his calling. In 1927, they welcomed their son, Paul Robeson Jr.
By the mid-1920s, Robeson was making waves in theater. He starred in All God’s Chillun Got Wings (1924) and The Emperor Jones (1925). That same year, he made his film debut in Body and Soul, directed by pioneering Black filmmaker Oscar Micheaux. In 1928, he mesmerized London audiences in Show Boat, where his rendition of Ol’ Man River transformed the song into a powerful anthem of resilience.
Robeson and his family moved to Europe in the late 1920s, and over the next decade, he built an impressive career in both film and music. He starred in Borderline (1930) and later again in the 1933 film adaptation of The Emperor Jones. Over the next few years, he appeared in six British films, including Jericho and Big Fella (both released in 1937). He also starred in the second screen adaptation of Show Boat (1936), alongside Hattie McDaniel and Irene Dunne. However, his final film, Tales of Manhattan (1942), left him deeply disillusioned. He openly criticized its degrading depiction of Black life, signaling his growing commitment to using his platform for activism.
In 1963, after years of political persecution and declining health, Robeson returned to the United States. Following Goode’s death in 1965, he lived quietly with his sister. On January 23, 1976, Robeson passed away from a stroke at the age of 77 in Philadelphia.
Activism
Comparing Histories: Black and Japanese American Advocates Talk Reparations and Justice
Los Angeles-based clinical psychologist Dr. Cheryl Grills and Bay Area-based attorney Don Tamaki, who were part of the nine-member reparations panel, spoke at the “Justice Through Action: Black Reparations-Reparative Justice” event hosted by local chapters of the Japanese American Citizens League (JACL) in Sacramento on Feb. 8.
![Former reparations task force member and Loyola Marymount Professor of Psychology, Dr. Cheryl Grills, participated remotely in the “Justice Through Action: Black Reparations-Reparative Justice” event at the California State Museum in Sacramento. Attorney Don Tamaki, seated left, appeared at the event presented by Japanese American Citizens League. Donna Komure-Toyama, seated right, was the moderator. Feb. 8, 2025. CBM photo by Antonio Ray Harvey.](https://www.postnewsgroup.com/wp-content/uploads/2025/02/reparations-and-justice-featured-web.jpg)
By Antonio Ray Harvey, California Black Media
Two former members of the California Task Force to Study and Develop Reparation Proposals for African Americans shared some of their experiences developing a 1,075-page report that detailed injustices suffered by African Americans during and after chattel slavery.
Los Angeles-based clinical psychologist Dr. Cheryl Grills and Bay Area-based attorney Don Tamaki, who were part of the nine-member reparations panel, spoke at the “Justice Through Action: Black Reparations-Reparative Justice” event hosted by local chapters of the Japanese American Citizens League (JACL) in Sacramento on Feb. 8.
The event was held at the California Museum.
“The first impact that the overall report had on me is that it gave me a panoramic view and it was a panoramic view of the elephant in the room,” Grills, who attended the event virtually, told the audience.
Grills said the report the task force compiled presented an undiluted version of the Black experience in America/
“You could see the totality of the elephant,” she said. “The report gives you the fullness and density of the elephant, which was, at the same time, validating, overwhelming, and painful.”
The JACL is the nation’s oldest and largest Asian American-Pacific Islander Civil Rights Organization.
The JACL presentation was hosted to observe the 83rd anniversary of Executive Order 9066, which led to the incarceration of 120,000 Japanese Americans during World War II.
That panel was part of the Northern California Time of Remembrance (NCTOR) committee’s Annual Day of Remembrance program organized in partnership with the California Museum.
Tamaki, who is Japanese American and the only non-Black member of the task force, said the Black and Japanese experiences in America have some parallels but there are significant differences as well.
“When you look at reparations, and this was the eye opener to me, it’s actually a unifying concept,” Tamaki said. “There’s no equivalence between four years in a concentration camp that our community experienced and 400 years of oppression.”
Tamaki explained, “We do have some things in common. Japanese know something about mass incarceration and profiling and the consequences. In that respect, there is a reason for all of us, whatever our background, to start looking at (reparations). We have to cure the body and not just put a band-aid on it.”
Grills is a clinical psychologist whose work focuses on community psychology. A Professor of Psychology at Loyola Marymount University, she us also a past president of the Association of Black Psychologists.
Tamaki is a senior counsel at Minami Tamaki LLP. He has spent decades working with AAPI legal services programs. In the 1980s, he participated in the Japanese American reparations movement and served on the pro bono legal team that reopened the landmark 1944 Supreme Court case of Fred Korematsu.
The case resulted in overturning Korematsu’s criminal conviction for violating the incarceration order that led to the imprisonment of 125,000 Japanese Americans after the attack on Pearl Harbor.
Earnest Uwazie, a Sacramento State University criminal justice professor and director of the Center for African Peace and Conflict Resolution, was one of more than 100 persons who listened to the two-hour discussion.
“It’s always great to hear from the people involved in the study of reparations and it is good to get a comparative with the Japanese experience,” said Uwazie. “This was extremely informative.”
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