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Film Review: ‘Fast & Furious 7’

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Ludacris, Michelle Rodriguez and Tyrese GIbson co-star in 'Fast & Furious 7.'

Ludacris, Michelle Rodriguez and Tyrese GIbson co-star in ‘Fast & Furious 7.’

By Dwight Brown
NNPA Film Critic

Walking into a theater to see the latest Fast & Furious episode is like saying hello to an old, well-oiled friend. Great and familiar cast, excellent script, superb production values and the direction is tight as a drum. Can’t say this is the best film of the franchise, because so many of them have been excellent. But it’s easily the most daring. Fasten your seat belts and test the airbags. This one accelerates real fast.

Deckard Shaw (Jason Statham), a British black ops assassin, has a bug up his butt. Dominic Toretto (Vin Diesel) and his crew killed his brother and he is out for revenge. First stop is the office of CIA agent Luke Hobbs (Dwayne Johnson), where Shaw and Hobbs get into a fight that leaves the hulky agent broken. Next Shaw sends his blessings in the guise of a bomb to Dominic, his pal Brian (Paul Walker), his lady Mia (Jordana Brewster) and their kid. Kaboom!

Dom seeks answers. A government operative (Kurt Russell) has a plan. If Dom and his “family” hunt down a beta device called a Gods Eye, which is capable of tracking down anybody through aggregated surveillance cameras and audio feeds—even from cell phones, he’ll let them use it to catch Shaw. Says the operative, “It’s like a tracking device on steroids.” Says its inventor, Ramsey (Nathalie Emmanuel), “it uses every camera eye and audio device in this hemisphere.” And off they go, into battle. Dom and his crew and their vehicles. To the mountains of Eastern Europe, to Japan, the Middle East and L.A.

Director James Wan (Saw and The Conjuring) steps up to the camera along side cinematographers Marc Spicer and Stephen F. Windon (Fast & Furious 6) and displays an exceptional dexterity for car chases, fistfights and brawls. He uses a lot of close ups, and that filmmaking strategy drags you into the characters, their actions and the movie. With the aide of editors Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri and Christian Wagner, he assembles adrenalin-pumping footage that is near perfectly paced for 140 minutes.

The action sequences are spellbinding. Cars jump out of planes, roll down mountains, are pummeled by missiles and skid through buildings. The car crew jumps out of moving trucks onto cars, drive super charged classic cars and evade gunshots. Punches are thrown, tire irons swung and machine guns are wielded around like toys. There is a precision to the proceedings that is astounding, invigorating and over the top.

Screenwriter Chris Morgan, who penned four previous chapters, knows the drill. Personal drama (there are some awkward sentimental moments that linger too long), romance (Diesel and Michelle Rodriguez rekindle the love story between Dom and Letty), intrigue, revenge, evil doings, retribution and the final fight and chase scenes. He doesn’t let the characters evolve much, compared to the originally one conjured by Gary Scott Thompson in 2001. He’s more faithful to their personalities, relationships and group dynamics. There are millions of fans waiting for whiney Roman (Tyrese Gibson) to crack jokes and Tej (Ludacris) to have a tech solution for a problem, and Morgan doesn’t disappoint.

The direction, production elements and writing wouldn’t mean a thing if the cast wasn’t on their game, and they are. They’ve aged; fuller faces, softer muscles, and maybe they’ve slowed down a step or two. Diesel is laconic, strong, the alpha. Johnson has his customary bravura. Rodriguez has that perfect blend of strong Latina and vulnerable woman. Statham is a worthy villain. Kurt Russell is a welcome addition. If you didn’t know that Paul Walker had passed, you couldn’t guess from what’s on view that his work, stand-ins, his brother and movie magic filled out his entire role in the movie. It’s easy to see that this film is a homage to his spirit.

It’s hard to say this is the best action film every made, but worth that debate.

This spring when you walk into your theater to see Fast & Furious 7, you will walk out thinking you just saw the first blockbuster event movie of the summer – only it isn’t summer yet.

Wanna go for a ride?

Visit NNPA Film Critic Dwight Brown at DwightBrownInk.com.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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Alameda County

Bling It On: Holiday Lights Brighten Dark Nights All Around the Bay

On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.

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Christmas lights on a house near the writer’s residence in Oakland. Photo by Joseph Shangosola.
Christmas lights on a house near the writer’s residence in Oakland. Photo by Joseph Shangosola.

By Wanda Ravernell

I have always liked Christmas lights.

From my desk at my front window, I feel a quiet joy when the lights on the house across the street come on just as night falls.

On the block where I grew up in the 1960s, it was an unwritten agreement among the owners of those row homes to put up holiday lights: around the front window and door, along the porch banister, etc. Some put the Christmas tree in the window, and you could see it through the open slats of the blinds.

My father, the renegade of the block, made no effort with lights, so my mother hung a wreath with two bells in the window. Just enough to let you know someone was at home.

Two doors down was a different story. Mr. King, the overachiever of the block, went all out for Christmas: The tree in the window, the lights along the roof and a Santa on his sleigh on the porch roof.

There are a few ‘Mr. Kings’ in my neighborhood.

In particular is the gentleman down the street. For Halloween, they erected a 10-foot skeleton in the yard, placed ‘shrunken heads’ on fence poles, pumpkins on steps and swooping bat wings from the porch roof. They have not held back for Christmas.

The skeleton stayed up this year, this time swathed in lights, as is every other inch of the house front. It is a light show that rivals the one in the old Wanamaker’s department store in Philadelphia.

I would hate to see their light bill…

As the shortest day of the year approaches, make Mr. King’s spirit happy and get out and see the lights in your own neighborhood, shopping plazas and merchant areas.

Here are some places recommended by 510 Families and Johnny FunCheap.

Oakland

Oakland’s Temple Hill Holiday Lights and Gardens is the place to go for a drive-by or a leisurely stroll for a religious holiday experience. Wear a jacket, because it’s chilly outside the Church of Jesus Christ of Latter-day Saints, at 4220 Lincoln Ave., particularly after dark. The gardens are open all day from 9 a.m. to 9 p.m. with the lights on from dusk until closing.

Alameda

Just across the High Street Bridge from Oakland, you’ll find Christmas Tree Lane in Alameda.

On Thompson Avenue between High Street and Fernside drive, displays range from classic trees and blow-ups to a comedic response to the film “The Nightmare Before Christmas.” Lights turn on at dusk and can be seen through the first week in January.

Berkeley

The Fourth Street business district from University Avenue to Virginia Street in Berkeley comes alive with lights beginning at 5 p.m. through Jan. 1, 2026.

There’s also a display at one house at 928 Arlington St., and, for children, the Tilden Park Carousel Winter Wonderland runs through Jan. 4, 2026. Closed Christmas Day. For more information and tickets, call (510) 559-1004.

Richmond

The Sundar Shadi Holiday Display, featuring a recreation of the town of Bethlehem with life-size figures, is open through Dec. 26 at 7501 Moeser Lane in El Cerrito.

Marin County

In Marin, the go-to spot for ‘oohs and ahhs’ is the Holiday Light Spectacular from 4-9 p.m. through Jan. 4, 2026, at Marin Center Fairgrounds at 10 Ave of the Flags in San Rafael through Jan. 4. Displays dazzle, with lighted walkways and activities almost daily. For more info, go to: www.marincounty.gov/departments/cultural-services/department-sponsored-events/holiday-light-spectacular

The arches at Marin County Civic Center at 3501 Civic Center Dr. will also be illuminated nightly.

San Francisco

Look for light installations in Golden Gate Park, chocolate and cheer at Ghirardelli Square, and downtown, the ice rink in Union Square and the holiday tree in Civic Center Plaza are enchanting spots day and night. For neighborhoods, you can’t beat the streets in Noe Valley, Pacific Heights, and Bernal Heights. For glee and over-the-top glitz there’s the Castro, particularly at 68 Castro Street.

Livermore

The winner of the 2024 Great Light Flight award, Deacon Dave has set up his display with a group of creative volunteers at 352 Hillcrest Avenue since 1982. See it through Jan. 1, 2026. For more info, go to https://www.casadelpomba.com

Fremont

Crippsmas Place is a community of over 90 decorated homes with candy canes passed out nightly through Dec. 31. A tradition since 1967, the event features visits by Mr. and Mrs. Claus on Dec. 18 and Dec. 23 and entertainment by the Tri-M Honor Society at 6 p.m. on Dec. 22. Chrippsmas Place is located on: Cripps PlaceAsquith PlaceNicolet CourtWellington Place, Perkins Street, and the stretch of Nicolet Avenue between Gibraltar Drive and Perkins Street.

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