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GM to Keep Sponsoring Kid Rock Concerts, Discuss Flag Issue

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This May 5, 2015 file photo shows musician Kid Rock performing during  National Concert Day in New York. Activists in Detroit trying to persuade Kid Rock to stop displaying the Confederate flag at concerts plan to meet this week with General Motors over the Chevrolet brand's sponsorship of the musician's summer tour. (Photo by Brad Barket/Invision/AP, File)

This May 5, 2015 file photo shows musician Kid Rock performing during National Concert Day in New York. Activists in Detroit trying to persuade Kid Rock to stop displaying the Confederate flag at concerts plan to meet this week with General Motors over the Chevrolet brand’s sponsorship of the musician’s summer tour. (Photo by Brad Barket/Invision/AP, File)

COREY WILLIAMS, Associated Press
DEE-ANN DURBIN, Associated Press

DETROIT (AP) — General Motors said Tuesday it’ll continue its sponsorship of Kid Rock’s summer concert tour, despite a request by a Detroit activist group that the automaker cut financial ties with the musician if he displays the Confederate flag onstage.

Members of the National Action Network and Detroit chapter president, the Rev. Charles Williams II, will meet Thursday with representatives from GM’s Chevrolet brand. The two sides have been in discussions recently over Kid Rock, who has been criticized in the past for displaying the rebel battle flag during performances.

“We need to let some open and constructive dialogue occur as a first step, and we’ll go from there” GM spokesman Patrick Morrissey said.

It’s not clear whether Kid Rock still displays the flag during his concerts, though Morrissey noted: “The only flag on stage during the Chevy-sponsored summer concert tour is the American flag, and to our knowledge, Kid Rock has not used the Confederate flag on stage for several years.”

The Associated Press left messages Tuesday seeking comment from Kid Rock, who was born Robert Ritchie and lives in suburban Detroit.

The Confederate flag spurred protests following last month’s massacre of nine black worshippers at Emanuel African Methodist Episcopal Church in Charleston, South Carolina. The white man charged in the slayings had posed with the flag in photos that were posted online before the attack that police say was motivated by racial hatred. Lawmakers in South Carolina voted to remove the flag from outside the Statehouse, and it was taken down last week.

National Action Network members protested last week outside a Detroit museum housing a Kid Rock exhibit.

Williams said the group still is awaiting a response from the musician.

“He has not displayed it in his concerts, so they have said,” Williams said of GM’s statement. “We’re going to take the opportunity to dialogue and hopefully their minds change. The best resolution is for GM to pull their sponsorship of Kid Rock. The entire civil rights community is ready to open up a campaign on this issue if General Motors doesn’t want to take responsibility on this bad business issue.”

But Morrissey said Thursday in an email that the automaker is “committed to our sponsorship of Kid Rock’s summer tour and are confident that he will provide his fans, many of whom are proud Chevrolet owners, with a spectacular concert experience that celebrates American freedom.”

Kid Rock grew up in Michigan’s Macomb County and is known for dabbling in a variety of musical styles, from hip-hop and hard rock to country and Southern rock. He counts among his biggest hits, “Picture,” ”All Summer Long,” ”Bawitdaba” and “Born Free.” GM has used “Born Free” to promote its Chevy brand.

His philanthropy in Detroit and surrounding areas also is well-known.

Kid Rock was honored in 2011 by the National Association for the Advancement of Colored People branch in Detroit.

“I’ve never flown that flag with any hate in my heart,” Ritchie told a crowd attending the organization’s annual fundraising dinner that year. “Not one ounce.”

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Big God Ministry Gives Away Toys in Marin City

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grow up.

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From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.
From top left: Pastor David Hall asking the children what they want to be when they grow up. Worship team Jake Monaghan, Ruby Friedman, and Keri Carpenter. Children lining up to receive their presents. Photos by Godfrey Lee.

By Godfrey Lee

Big God Ministries, pastored by David Hall, gave toys to the children in Marin City on Monday, Dec. 15, on the lawn near the corner of Drake Avenue and Donahue Street.

Pastor Hall also gave a message of encouragement to the crowd, thanking Jesus for the “best year of their lives.” He asked each of the children what they wanted to be when they grew up.

Around 75 parents and children were there to receive the presents, which consisted mainly of Gideon Bibles, Cat in the Hat pillows, Barbie dolls, Tonka trucks, and Lego building sets.

A half dozen volunteers from the Big God Ministry, including Donnie Roary, helped to set up the tables for the toy giveaway. The worship music was sung by Ruby Friedman, Keri Carpenter, and Jake Monaghan, who also played the accordion.

Big God Ministries meets on Sundays at 10 a.m. at the Mill Valley Community Center, 180 Camino Alto, Mill Valley, CA Their phone number is (415) 797-2567.

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