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Golden State Warriors Dominate Houston Rockets with Win Of Game One in Western Conference Finals
Published
11 years agoon
By
Oakland Post
By William G. McCray, Obnoxioustv
With a sold out crowd that was a sea of gold the Warriors continued their dominance of the Houston Rockets this season with a 110-106 win in Game 1 of the Western Conference finals Tuesday in Oakland at the Oracle Arena.
To earn the playoff victory, the NBA’s MVP, Stephen Curry and the Warriors had to survive a showdown at home after sweeping the regular-season matchups aganist the Rockets.
Curry, proved to be the Golden Kid by scoring a game-high 34 points, hitting six 3-pointers to get the better of MVP runner-up James Harden, who took the game over at times and finished with 28 points.
The Warriors had the last laugh as they proceeded to go on an 11-0 run after Harden had tied the score at 97 with 5:28 left. Harrison Barnes, the politician had back-to-back dunks off an inbound pass and a putback. Then Curry found himself open for a layup under the basket and hit a 3-pointer.
Houston responded with a 9-0 run to cut the lead to two, but Curry calmly sank two free throws with 11.8 seconds left to seal the win in the Warriors’ first conference finals game in close to 40 years.
“We expected it to be a battle,” Curry said. “It wasn’t going to be a blowout at all.”
Curry was 6 for 11 from 3-point range, fending off the Rockets’ challenges over and over again. Shaun Livingston added 18 points off the bench, speeding up the pace of the game to spark a second-quarter run that turned the tide.
Draymond Green collected 13 points, 12 rebounds and eight assists while helping stop center Dwight Howard.
Harden poured in 21 of his points in the second half and finished with 11 rebounds and nine assists.
“He’s hitting tough contested fall-away twos,” Warriors coach Steve Kerr said. “There’s not a whole lot you can do.”
Harden took control for the Rockets as Howard missed much of the second half due to a knee bruise and was held to seven points and 13 rebounds.
The Warriors trailed by as many as 16 points in the second quarter. Then came their heavy-handed response to the Rockets, who entered the series with some momentum after coming back from a 3-1 deficit to win their Western Conference semifinal series against the Los Angeles Clippers.
Closing the first half on a 25-6 run, the Warriors erased the deficit and took a 58-55 halftime lead. Curryhit a step-back jumper at the buzzer to send them into the locker room with all the momentum.
That shot was actually the only one from Curry during the run, which was keyed by a switch the Warriors made on defense and contributions from the bench.
Green drew the assignment at center and bothered Howard after Andrew Bogut had picked up three fouls in seven minutes of action and finished the game scoreless.
Livingston scored 16 points in the first half, including eight of the Warriors’ points on a 10-0 run to cut the lead.
“You can’t give a really good shooting team easy layups, confidence, and that’s what we did in the second quarter,” Harden said.
The crowd noise at Oracle Arena was deafening as Green then drew an offensive foul on Howard and scored on a tip-in at the other end. Howard would commit five first-half turnovers.
“They struggled a bit with the small lineup when they were big with Dwight, and that’s what kind of changed the game for us,” Green said.
After Klay Thompson tied the score at 53 with a layup, the tidal wave continued as Barnes put the Warriors ahead with a 3-pointer.
“I’m proud of the way we stuck with it, and we became the aggressor in the second quarter,” Curry said.
It was the Rockets who had gotten off to a hot start. They led 31-24 after the first quarter and successfully scored in transition on the Warriors. Josh Smith hit a 3-pointer and had a dunk in transition before Corey Brewer scored on a fast-break layup to cap a 9-0 run that gave the Rockets a 49-33 lead.
Howard didn’t look the same after colliding with Smith in the first quarter. He limped around and briefly went back to the locker room, but the Warriors could not take advantage of his absence while the Rockets went on an 11-2 run.
Houston had led 9-2 before Thompson scored seven straight points to tie the score and hit his only 3-pointer of the game.
WARRIORS GUARD SHAUN LIVINGSTON
- Shaun, you told me the other night this is why you joined the Warriors. How good does it feel to rise to the occasion in a moment like this?
SHAUN LIVINGSTON: Again, this is the furthest that I’ve been. The opportunity is amazing. Again, just trying to bring energy off the bench. I think our bench has been good all year. We rely on our depth, you know, and again, I just try to come in and do my part. Tonight I was able to make some plays just to help our team kind of get into a run in the second quarter.
Q. Shaun, I understand you want to do your part, but tonight you did your part plus. You did a lot. What was going on tonight that you ‑‑ you really got off. What was going on that you were able to do that?
LIVINGSTON: Matchups. Matchups and my teammates. My teammates were making plays. I was able to hit a couple shots, get going early. But I think we have some of the best playmakers in the NBA. Obviously Steph gets a lot of attention, Klay gets a lot of attention, but Draymond is an underrated passer. I believe he had eight or nine assists tonight. We have multiple guys, Andre Iguodala, we have multiple guys that can hit shots and also put the ball on the floor and make plays for their teammates.
Q. This team has such a rep for being tough. To be here but another slow start, how concerned are you about the occasional slow starts we’ve seen in the Playoffs?
LIVINGSTON: You know, with the series, sometimes it can be a long series just trying to figure out the other team. I mean, they’re coming in, they just played. They have a lot of momentum, rhythm, winning a Game 7, emotional game. They have a lot of players playing well at a high level, hitting shots. Trevor Ariza, another good game for him, Corey Brewer has been good off the bench. They have a lot of confidence, but we ‑‑ I think the thing us for us is matching the intensity that they bring as soon as the ball is up. That’s kind of what we did with Memphis, not trying to look back, but that was kind of the turning point of that series, and I think this series, as well. We’re going to have to match their intensity from the jump because they’re capable of going on big runs.
Q. Coach Kerr was talking a little bit about the matchups when you guys went to the small team and what was going on strategically, but what about just in terms of emotion and intensity? What do you think that that small lineup brought tonight?
LIVINGSTON: Energy. We came with it. When we go small, it’s not necessarily small. You know, we have guys out there that can guard multiple positions. A lot of times Draymond is the center, and he’s 6-7, 6-8, but we’re all covering each other. We’re able to cover a lot of ground defensively, switch, and help each other out. And from there it’s just feeding off the crowd. Oracle, you guys heard it tonight, it was rocking. We went on that run, that was a big run for us, it gave us a lot of momentum, and it can also be intimidating for the other team.
Q. In 10 seasons you’ve only been in the Playoffs three times and this is the farthest you’ve gotten. How much fun is this and are you going to have any time tomorrow to enjoy it and what it was like a couple years ago, five years ago and your run in the Playoffs at this point?
LIVINGSTON: Not yet. Not yet. It’s been a great journey for me and I’m definitely grateful and I’m enjoying the moment, but at the same time we’re focused on the next game. That’s really what this is about. They’re a good team. They’re going to come back and throw their punch at us the next game, as well. We have to be ready.
Q. Shaun, you guys did a really good job early of turning Harden into more of a distributor. Does it always feel against that guy that he’s going to catch fire at some point?
LIVINGSTON: He can. The type of shots that he was hitting, that’s a top‑five player in this league. There’s only a few players in this league that can hit those shots consistently, and he was doing it consistently. We kept telling Klay good defense, because the way that he was guarding him, those are the shots that we wanted him to take. It was also keeping some of the other players out of the game, and so we know he can get hot. We know he’s going to get some numbers and make some shots, but the key is making it hard for him, making it tough, trying to wear him down, and over a seven‑game series it gets harder and harder.
ROCKETS GUARD JAMES HARDEN
- James, how did you handle tonight in terms of initially maybe the first two quarters, kind of a point guard situation kind of getting everybody involved and then turning it on in the third and fourth. Was that because Dwight was out?
JAMES HARDEN: That’s just kind of my game, kind of getting a feel for the game. It’s Game 1 so just kind of getting a feel for it and just making the right passes, easy passes, taking my shot and taking lanes when I had opportunities.
Q. James, how did it change so greatly in that second quarter after you guys were up 16, and also, how difficult was it to sort of regroup knowing Dwight wouldn’t be right or wouldn’t be back?
HARDEN: Yeah, that was on us in that second quarter. I think the first quarter we did a really good job defensively. Offensively we made it easy, we shared the basketball. Second quarter they went on a run. You can’t give a really good shooting team easy lay‑ups, confidence, and that’s what we did in that second quarter. We turned the basketball over. That was definitely on us.
I mean, I didn’t even remember that Dwight had got injured. I was just so focused on the game and trying to rally the guys together. But hopefully he’s alright.
Q. You always want to be a playmaker, but in that fourth quarter did you just try to say, you know what, I’ve just got to take this game over in some fashion?
HARDEN: Yeah, just get to the rim, be aggressive. They went really small, really small, and so the rim was basically wide open, so I just tried to attack and see opportunities and just be aggressive.
Q. What are the challenges in terms of letting this one go? You guys had a great opportunity and couldn’t finish it off. How do you let that go?
HARDEN: I mean, we’ve done a great job of letting games go. It’s all about Game 2 now. Game 1 slipped away from us. We had several opportunities to win the game, didn’t happen, and so I think we’ll look at some film, we’ll go out there and correct some things basically that were on us, and just be better in Game 2.
WARRIORS GUARD STEPHEN CURRY
- For all the talk coming in about you and Harden, it lived up to it where you were hot from the start and Harden started to get hot in the third quarter. What’s that like when it’s back and forth between you two?
STEPH CURRY: It’s entertaining basketball, but we’re both supposed to help our team win and do what we can to impact the game. There’s going to be stretches where he plays well and obviously he did that for his team in the third quarter, to really keep him close and keep him in it, and he made some crazy plays that we defended well, and we’ll live with those shots. Hopefully we both have a big impact, and that’s what we’re supposed to do.
Q. Did you feel like you had to do a little bit more offensively, kind of pick the team up, kind of get them through this game to victory?
CURRY: No, I just wanted to come out and be aggressive. You never know what that’s going to mean, whether it’s going to be a playmaker or taking and making shots. You’ve just got to come out and be aggressive, and there’s a point during the first quarter where we obviously got down, and you kind of just want to pick the intensity up. I did my part, but the way other guys stepped up, specifically Shaun Livingston, the way he came in and impacted the game in the first half that provided a huge spark and was a huge reason we came back in that second quarter, he definitely did his thing tonight and it was a huge part of our win. That’s the beauty of the Playoffs. Every night main guys are going to show up and hopefully play well, but you need pieces around you to do what they do and carry some of that load.
Q. Your coach did say it was a feeling‑out process. Do you feel like you guys may have had first‑game jitters?
CURRY: Not first‑game jitters, just you play six games against a team that has a certain style, that first 24 minutes in this series is going to be a little bit different, and it took us a while to kind of figure out the pace. Obviously it’s different personnel out there, and so you kind of just ‑‑ it is a feeling‑out process for sure, and once we got our rhythm and figured out how to get some stops, we turned the game in our favor. We expected it to be a battle. It wasn’t going to be a blowout at all. We came in and were really fighting. Just proud of the way we stuck with it and became the aggressor in the second quarter.
Q. Sometimes you guys have a bit of a pattern of falling behind early and then mounting these heroic comebacks. Why is it that sometimes you fall behind early and have to come back like that?
CURRY: It’s basketball. You’re not always going to be on your A game to start games. You come out and be aggressive, but it always doesn’t click, and you’ve got to be able to find different ways to win games. We’ve done that all season, through the regular season. We don’t want to be in the hole, especially in the first half. That’s not how we envision the game going. But we fight, and that’s the one thing you can count on with this team, we’re going to fight and get back in the games.
Q. It seems like we’ve seen a lot more of you playing with both Shaun Livingston and Klay Thompson in the Playoffs. What do you think that trio, the three of you playing together, brings to this team?
CURRY: We want to be versatile. That’s huge, for us to be able to have different line-ups to throw out there and have a guy that can come in and distribute the ball and we can play off of him. He’s a very unique player with the way that he can play the point guard position and the way that he does it. It’s a huge bonus for us when he comes in and becomes aggressive and pushes the tempo and the pace and shots start to appear when he’s out on the floor.
We’ve gotten a good chemistry with that lineup in different parts of the game that we’re out there.
Q. Klay had the tough job of guarding James Harden for most of the night Harden hit a lot of shots, but talk about the job Klay did defensively and talk about his personality of being calm, cool and collected can lead him to have a better shooting night later in the series?
CURRY: It’s the same way it was in the regular season against them. He loves that one‑on‑one challenge. Like I said, the possessions where James was getting some tough shots to go in, we were fine with the way he defended him. James had hit a couple step‑back shots over him over an extended and contested hand, and you bet on the fact the more tough shots he has to take and the harder it is to get into those spots that you hopefully wear him down over the course of a game. That’s one thing we were encouraging. He’s a great player that’s going to make great players. You’re defending him well and you’re making him work. You don’t want to give him easy baskets. That’s the one thing you can count on the whole series is Klay is going to step up to that challenge, and he’ll find his rhythm. You never worry about Klay having a shooting game like he did tonight because he’ll bounce back quick and he never loses confidence. That’s what you can expect from him.
Q. You versus James has been a fun part of the whole season, regular season, Playoffs, and then having this series here, you guys know each other, you’ve got a relationship. Have you ever acknowledged that elephant in the room with him? Do you guys ever joke about it, talk about it, or do you just compete and leave all the noise to everybody else?
STEPH CURRY: No, it hasn’t happened yet and probably won’t. When you get into a situation, obviously a playoff series but even during the regular season, those kind of matchups, there’s no real time to kind of chat about the extracurriculars that are going on. Like I said, we’re both trying to help our team win and do it our individual ways. It’s a great competitive environment, and obviously we don’t guard each other very much, but when you’re out there you kind of get riled up with the back and forth that might happen, like tonight, or just the will to want to win the game even more because you know how great of a player he is and what it takes to beat a team like Houston with a guy like James.
Q. Towards the end of the season when it was inevitable it was either you or James for MVP, did you find yourself kind of paying attention to what James was doing on some nights and when the voting came out were you kind of surprised because of how he was regarded that it wasn’t closer?
CURRY: I watch everybody in the league, and you know who’s playing well and the stories that are going on during the course of the season. So I definitely was impressed with everything that he was doing, the numbers that he was putting up, the way he was helping his team win games, and obviously there are other guys in that kind of pool that were so consistent over the course of the season. I was just appreciative to be in that group and keep showing up every night and trying to do what I can to help my team win and hopefully playing well every night.
I didn’t know what to expect with the whole voting thing. I mean, you hear talk back and forth and I try to stay focused on what I can control, but obviously it was a huge honor to win the award and to know that there were so many people that voted for me. But it takes nothing away from James’s season and LeBron’s season, all those guys that had great seasons. We pushed each other every night and it was a fun ride, and obviously we’re all focused on hopefully getting a ring.
For exclusive post-game interviews and more, visit Obnoxioustv.
Oakland Post
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Black Artists in America, Installation Three Wraps at the Dixon Gallery and Gardens
TRI-STATE DEFENDER — With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.
Published
2 weeks agoon
March 24, 2026By
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By Candace A. Gray | Tri-State Defender
The tulips gleefully greet those who enter the gates at the Dixon Gallery & Gardens on an almost spring day. More than 650,000 bulbs of various hues are currently on display. And they are truly breathtaking.
Inside the gallery, and equally as breathtaking, is the “Black Artists in America, From the Bicentennial to September 11” exhibit, which runs through Sunday, March 29. This is the third installment of a three-part series that started years ago and illustrates part of the Black experience through visual arts in the 20th century.
“This story picks up where part two left off,’’ said Kevin Sharp, the Linda W. and S. Herbert Rhea director for the Dixon. “This era is when we really start to see the emergence of these important Black artists’ agency and freedom shine through. They start to say and express what they want to, and it was a really beautiful time.”
With 50+ paintings, sculptures and assemblages, the exhibit features artists like Varnette Honeywood from Los Angeles, whose pieces appeared in Bill Coby’s private collection (before they were auctioned off) and on “The Cosby Show.” Also included are works by Alonzo Davis, another Los Angeles artist who opened one of the first galleries there where Black Artists could exhibit.
“Though [Davis] was from LA, he actually lived in Memphis for a decade,” said Sharp. “He was a dean at Memphis College of Art, and later opened the first gallery in New York owned and operated by black curators.”
Another featured artist is former NFL player, Ernie Barnes. His work is distinctive. Where have you seen one of his most popular paintings, Sugar Shack? On the end scene and credits of the hit show “Good Times.” His piece Saturday Night, Durham, North Carolina, 1974 is in this collection.
Memphis native James Little’s “The War Baby: The Triptych” is among more than 50 works featured in “Black Artists in America, From the Bicentennial to September 11” at the Dixon Gallery & Gardens, the final installment of a three-part series highlighting the impact and evolution of Black artists through 2011.
The exhibit features other artists with Memphis ties, including abstract painter James Little, who was raised in a segregated Memphis and attended Memphis Academy of Art (before it was Memphis College of Art). He later moved to New York, became a teacher and an internationally acclaimed fixture in the art world in 2022 when he was named a Whitney Biennial selected artist at the Whitney Museum of American Art in New York.
Other artists like Romare Bearden, who had a Southern experience but lived up North, were featured in all three installments.
“During this period of time, he was a major figure,” said Sharp. “He wrote one of the first books on the history of African American art during a time when there were more Black academics, art teachers, more Black everything!”
Speaking of Black educators, Sharp said the head curator behind this tri-part series and Dixon’s partner in the arts is Earnestine Jenkins, Ph.D., an art history professor at the University of Memphis, who also earned a Master of Arts degree from Memphis State University (now UofM). “We began working with Dr. Jenkins in 2018,” he said.
Sharp explained that it takes a team of curators, registrars, counterparts at other museums, and more, about three years to assemble an exhibit like this. It came together quite seamlessly, he added. Each room conjured up more jaw-dropping “wows” than the one before it. Each piece worked with the others to tell the story of Black people and their collective experience during this time period.
One of the last artists about whom Sharp shared information was Bettye Saar, who will turn 100 years old this year. She’s been working in Los Angeles for 80 years and is finally getting her due. Her medium is collages or assemblages, and an incredible work of hers is on display. She’s married to an artist and has two daughters, also artists.
The exhibit catalogue bears some of these artists’ stories, among other scholarly information.
The exhibit, presented by the Joe Orgill Family Fund for Exhibitions, is culturally and colorfully rich. It is a must see and admission to the Dixon is free.
Visit https://www.dixon.org/ to learn more.
Fun Facts: An original James Little design lives in the flooring of the basketball court at Tom Lee Park, and he makes and mixes his own paint colors.
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Grief, Advocacy, and Education: A Counselor Reflects on Black Maternal Health
SAN DIEGO VOICE & VIEWPOINT — Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.
Published
2 weeks agoon
March 24, 2026By
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By Jennifer Porter Gore | Word-In-Black | San Diego Voice and Viewpoint
In 2024, the number of U.S. mothers who died as a result of pregnancy or childbirth dropped compared to 2023. But while slightly fewer Black mothers died that year, they still had three times the mortality rate of white women.
South Carolina’s rates of maternal deaths outpaced even the national rates. In fact, the state’s overall rate of maternal deaths between 2019 and 2023 was higher than all but eight states and the District of Columbia.
Last month healthcare leaders, birth workers, and community members gathered to honor the legacy of Charleston native Dr. Janell Green Smith, a nurse-midwife and doctor of nursing practice who died in January from childbirth complications. She had participated in more than 300 births and specialized in helping Black women give birth safely.
Her death shocked the community and her colleagues who are determined to address concerns about Black maternal health. The event also covered the importance of protecting mental health during grief and of men’s role in solving the maternal health crisis.
As both a therapist and a father, Lawrence Lovell, a licensed professional counselor and founder of Breakthrough Solutions, discussed ways the event’s attendees could process their grief over Green Smith’s death. He also shared ways male partners can advocate for women’s maternal health during pregnancy and childbirth.
Lovell spoke not just as a therapist but also as a father whose own family had briefly crossed paths with Green Smith. The event, he said, emerged organically from a moment of collective mourning.
Despite the grief, “it was still, like, a really beautiful event, a much-needed event, and it almost felt like we were all giving each other a collective family hug,” says Lovell.
His connection to Green Smith, Lovell says, was brief but meaningful during his wife’s pregnancy with their second child. Green Smith was practicing at the same birthing center where they had their child. She began practicing in Greenville a short time later.Even that short connection carried significance for Lovell, given the small number of Black maternal health professionals.
Lovell did not initially plan to become a mental health practitioner; he chose the career path after graduating from college, when someone suggested he consider psychology. His interest deepened when he noticed how few Black men work in mental health.
“Being Black man and playing football in college, there weren’t a lot of people that look like me talking about mental health,” says Lovell. “[I wanted] to give people that look like me an opportunity to work with someone that looks like them.”
Working with Expectant and New Parents
Lovell often counsels couples preparing for parenthood by, helping partners understand what a successful pregnancy, childbirth, and postpartum recovery look like. That often means helping women manage postpartum depression.
As a man, Lovell says, it’s “humbling” that a woman “just trusts me enough to work with me through their pregnancy or their postpartum recovery.”
In his work, Lovell has noticed how few men understand pregnancy before they experience it with their partner. Because early pregnancy symptoms are often invisible, he says, men may underestimate how much support a mom-to-be actually needs.
“Sometimes they may not realize they don’t know much about pregnancy and what to expect in those three trimesters,” Lovell says. “I tell a lot of the men that just because you can’t see [she’s pregnant] doesn’t mean that she won’t appreciate your intense support in that first trimester.”
Education about pregnancy and postpartum recovery, he says, can change how men support their partners.
Teaching Advocacy in the Delivery Room
Another major focus of Lovell’s counseling is preparing men to advocate for mothers during labor.
“Helping men understand what pregnancy looks like: what delivery is going to look like, and what are the realistic expectations that I should have of myself in postpartum,” he says.
Lovell encourages partners to be honest about their expectations for what will happen during delivery. He helps them prepare for the big day by discussing the birth plan and knowing how to quickly recognize problems. Clear communication, he says, prevents misunderstandings.
He regularly trains men to ask their partners detailed questions about their expectations during and after pregnancy. Advocacy in medical settings can be especially important and requires attention to details the mother may not be able to address.
“It’s always important to fine-tune things and truly understand what helps your partner feel most supported,” Lovell says. “Instead of guessing, you should ask.”
Lovell recalls a moment during the birth of his first child when he had to take that role.
During the delivery, “I felt like something wasn’t as sanitary as I’d like it to be,” he says. “I asked, ‘Hey, can you switch those out? Can you change your gloves?’”
Lovell has a succinct but powerful message he regularly shares with clients’ families, and he shared it with attendees at last month’s event.
“Just to believe women,” he says. “I’ve worked with different couples, and sometimes I’m not really sure that there’s enough empathy from the men.”
That includes how women express pain.
“If a woman says, ‘my pain is at a nine,’ just because how you would express yourself at a nine is different than how she’s expressing herself at [that level] doesn’t mean you shouldn’t believe her,” he says.
Empathy, he says, can change outcomes far beyond the delivery room.
“We’ve got to believe women when they’re talking about their experiences and their feelings and their pain,” he says. “I think there’s a lot that we can prevent if we empathize better.”
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Future of Florida’s Black History Museum in Limbo
JACKSONVILLE FREE PRESS — A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.
Published
2 weeks agoon
March 24, 2026By
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Jacksonville Free Press
Plans to establish a long-awaited Black history museum in Florida are once again on hold after legislation needed to advance the project failed to clear the state House for a second consecutive year, despite repeated approval in the Senate.
A proposal sponsored by Tom Leek, a Republican from Ormond Beach, has now passed the Senate in back-to-back legislative sessions. But the House version, filed by Kiyan Michael, a Jacksonville Republican, did not receive final approval in either year, effectively stalling the effort.
Under Florida law, identical or similar bills must pass both chambers before heading to the governor’s desk. Without House approval, the legislation has been unable to move forward, leaving the project in limbo. Long journey, contested location.
The proposed museum, formally known as the Florida Museum of Black History, has been years in the making, with lawmakers and community leaders framing it as a long-overdue institution to preserve and showcase the state’s African American heritage .A central point of contention has been the museum’s location. St. Augustine — widely recognized as the nation’s oldest city and a site deeply tied to both slavery and early Black history — emerged as the leading contender. Supporters argue the city’s historical significance makes it a natural home for the museum. However, competing interests and regional considerations have fueled debate, slowing consensus among lawmakers.
While the Senate-backed measure has consistently advanced, the lack of alignment in the House has underscored ongoing divisions about how and where the project should take shape.
The holdup in the Florida House appears to be less about opposition to the museum itself and more about a combination of procedural bottlenecks, unresolved structural issues, and lingering disagreements over how the project should be formalized and governed.
Despite the legislative setbacks, Republican Gov. Ron DeSantis has publicly voiced support for the museum. Speaking last month during the unveiling of a statue of abolitionist Frederick Douglass in St. Augustine, DeSantis said the project would move forward “one way or another,” signaling an intent to see the museum built regardless of legislative hurdles.
The anticipated museum has already cleared several hurdles. St. Johns County signed an agreement last year with Florida Memorial University to use the land that once housed its campus last year’s legislative session netted $1 million in funding for St. Johns County to work on planning and design for the museum. However, its anticipated that a million $3 million is needed.
Still, without statutory approval to finalize key components — including governance, funding mechanisms and site selection — the project remains largely conceptual.
With the House bill failing again, the timeline for the museum’s development is unclear. Lawmakers could revisit the proposal in the next legislative session, but any further delays risk pushing the project back several more years. Advocates warn that continued inaction could stall momentum for a museum many see as critical to telling a fuller, more accurate story of Florida’s past. For now, the effort remains paused — caught between political support at the top and legislative gridlock within the Capitol.
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