Entertainment
If You Can Make It There: Acts Try Out for NY Subway Spots
VERENA DOBNIK, Associated Press
NEW YORK (AP) — It’s a rite of spring: performers auditioning for the privilege of doing their thing in grubby, noisy subway stations.
Seventy showed up Tuesday at Grand Central Terminal, vying for permission to set up their underground acts for tips. They appeared before a jury of musicians and transit employees in the elegant Vanderbilt Hall above the train tracks.
This year’s motley musical crew, from countries around the world, will soon find out who won the right to be part of the Music Under New York program run by the Metropolitan Transportation Authority, which operates the nation’s biggest mass transit system.
“I always dreamed of arriving in New York City,” said Oliver Dagum, a Philippine-born U.S. Air Force sergeant stationed in New Jersey who left the military last week. “I always believed that there’s something between me and the city. It’s amazing. It’s grandiose. I feel uplifted.”
He said playing in the subway system is a gauge of how good he is.
“If you’re able to convince one or two rushing people to take the time to listen to you, that’s the biggest acknowledgment,” he said.
Dagum switched his military uniform for a woolen cap and guitar at Grand Central, a long way from the battlefields of Iraq and Afghanistan where he once served. He sang a mellow “Sunday Morning” by Maroon 5.
Drummer Louis Conselatore, an Ivy League law school graduate who worked as an ordained Unitarian minister, played his five-minute stint with two other musicians who call themselves the Viva Vallenato Badass Accordion Band.
“Two of us are Italians, one of us is Puerto Rican, and we’re all from New Jersey and we fell in love with Colombian music,” said Phil “Felipe” Passantino, the accordionist. “It has a rhythm that’s very infectious and makes people dance and laugh. It’s a peasant’s music, poor people’s music that springs from the soul.”
Three hundred performers entered the Music Under New York contest months ago to even be selected for Tuesday’s live, six-hour contest. The jury picks about two dozen winners, who’ll rake in up to hundreds of dollars a day when they’re dispersed at subway spots around the city. It’s illegal for unapproved artists to perform in the subway system.
Jacinta Clusellas, a Brooklyn resident from Buenos Aires with a guitar, wore giant blue wings on Tuesday to reflect a short story by the Nicaraguan poet Ruben Dario.
“It’s about a man with a brilliant mind who had a hard time expressing himself, and he said, ‘I have a bluebird trapped inside my head,'” she explained.
The man kills himself, she said, leaving a note that reads, “I leave the door open to let my bluebird fly away.”
Clusellas attended Boston’s elite Berklee College of Music.
After all, some of New York’s finest musicians don’t appear at Carnegie Hall. They also practice and practice to get to a subway station.
Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
Black History
Martial Artist Victor Moore: An American Karate and Kickboxing Pioneer
Throughout his career, Moore defeated many national champions, including Joe Lewis, Mike Stone, and Bill “Superfoot” Wallace. Moore placed in every tournament he competed in from 1965 until his retirement in 1975, defeating renowned national champions such as Mike Foster, Chuck Norris, Fred Wren, Glenn Keeney, James Hawkes, and Jim Kelly. Moore emphasizes that winning or losing does not diminish a champion’s credibility — they are all champions in his eyes.
By Tamara Shiloh
Victor Moore, born on Aug. 23, 1943, holds a 10th-degree Black Belt in Karate and is a four-time world karate champion.
As one of the chief instructors under Robert Trias in the Shuri-ryu Karate system, Moore was also among the first ten members of the Trias International Society. Over his 50-year martial arts career, he trained in various styles, including Chito-ryu with William J. Dometrich, Judo, Kempo, and Bondo karate.
Moore began his martial arts journey at the age of 7 in Cincinnati, lifting weights and reading Charles Atlas books to guide his training. By age 9, he had learned the basics of jujitsu and judo, and at 12, he began training in Kempo karate under Ronald Williams, who awarded him his first black belt after five years of instruction.
In 1961, Moore expanded his training by joining a judo school led by Ray Hughes and later trained in Gyu Ryu-karate under Harvey Eubanks. He studied Kempo with Bill Dometrich and continued exploring different karate styles. Instructors at the time, required students to start as white belts in each new style, even if they held black belts elsewhere, which shaped Moore’s adaptability.
Chung Ling, an exchange student from China, introduced Moore and others to Chuan Fa, enhancing Moore’s understanding of martial arts. He also took up judo at a school in Cincinnati, where he earned his brown belt, and trained in karate with Jim Wax, who had studied under the Shimabuku brothers. Moore’s toughness was further honed by his boxing experience at the 9th Street YMCA, where he became a sparring partner for Tiger Joe Harris.
At Central State University, Professor Barry Yasuto trained Moore in Shotokan karate, but Moore was denied entry to the Japanese Karate Association, possibly due to his race. After returning to Cincinnati, Moore opened his first karate school and began competing in national tournaments. He traveled across the U.S., eventually meeting Robert Trias, who became his mentor and helped him rise to the second-degree black belt level. Under Trias, Moore continued training in Kempo and Goju-Ryu styles.
Moore also trained under Dr. Maung Gyi, learning Bondo karate, stick fighting, and kickboxing. In 1973, Moore and Joe Lewis introduced kickboxing to America on the Merv Griffin TV show. Moore competed in the first kickboxing tournament in the U.S., facing Jim Harrison in a historic fight.
Throughout his career, Moore defeated many national champions, including Joe Lewis, Mike Stone, and Bill “Superfoot” Wallace. Moore placed in every tournament he competed in from 1965 until his retirement in 1975, defeating renowned national champions such as Mike Foster, Chuck Norris, Fred Wren, Glenn Keeney, James Hawkes, and Jim Kelly. Moore emphasizes that winning or losing does not diminish a champion’s credibility — they are all champions in his eyes.
Moore continues to teach martial arts, working with instructors and students nationwide. His daughters, Vickie and Vonnie, and his son, Vanceston, also train under his guidance.
Activism
South African Solidarity Committee Hosts 31st Annual Celebration
“We’re all together for each other celebrating 31 years of building international solidarity between the people of the United States and South Africa toward the implementation of the 1955 Freedom Charter and 2030 Sustainable Development Goals,” said COSAS Operations Manager Nicole Richards.Located in Berkeley, COSAS is dedicated to the continuing struggle by the people of South Africa’s need for independence.
By Carla Thomas
The Committee of South African Solidarity (COSAS) celebrated its 31st anniversary on Saturday, Oct. 26 at the East Bay Church of Religious Science in Oakland.
Themed “Ubuntu,” a word in Zulu and Xhosa, which means “I am because we are,” the event brought together supporters and community members.
“We’re all together for each other celebrating 31 years of building international solidarity between the people of the United States and South Africa toward the implementation of the 1955 Freedom Charter and 2030 Sustainable Development Goals,” said COSAS Operations Manager Nicole Richards.
Located in Berkeley, COSAS is dedicated to the continuing struggle by the people of South Africa’s need for independence.
A soulful meal was prepared by Chef Rene Johnson and Blackberry Soul Catering along with live entertainment and speakers.
COSAS is an all-volunteer, private membership organization, made up of South Africans, Africans, students, professionals, clergy and others committed to building solidarity between the working people of the U.S. and the South African people still struggling for economic and political freedom.
Formed in 1993, the organization promotes the “real nature” of the changes and struggles taking place in South Africa and the African continent, according to Richards.
“COSAS counters ‘disinformation’ and ‘misinformation’ in the U.S. and Western mainstream media that creates division and distrust,” Richards said. “We produce the South African Beacon and organize and transport solidarity shipments of school supplies to South African grade schools requesting assistance,” Richards said.
According to organizers, COSAS is completely run by volunteers, free from the corporate and government agendas that continue to keep South Africa dependent on the West.
“We rely on the support of concerned individuals. Call us today about how you can get involved by sorting and packing supplies, donating office equipment, and supporting special events,” said Richards.
Earlier in the year, COSAS hosted its World Affairs film showing at Downs Memorial United Methodist Church. The screening featured a short film, “Feeding a Crisis: Africa’s Manufactured Hunger Pandemic,” exploring the hunger challenges African countries face and approaches to resolving the issues.
Contact the Committee for South African Solidarity, 1837 Alcatraz Ave., Berkeley, CA, 510-251-0998 for volunteer opportunities and event information.
Activism
Oakland Post: Week of October 30 – November 5, 2024
The printed Weekly Edition of the Oakland Post: Week of October 30 – November 5, 2024
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