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Jharrel Jerome Makes History as First Afro-Latino to Win Emmy for Acting

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Jerome received the award for Outstanding Lead Actor in a Limited Series or Movie for his work playing one of the so-called Exonerated Five, a group of Black and Latino teenagers who were wrongly convicted of raping a white woman jogging in New York City’s Central Park in 1989.

With his win, the 21-year-old became the first Afro-Latino to win an acting Emmy.
In his speech, Jerome honored his “beautiful mother,” whom he brought to the ceremony, and DuVernay. He then named each of the five exonerated men, who were also in attendance and who had spent years behind bars. Their convictions were vacated in 2002.
Backstage, a reporter from Remezcla asked Jerome: “What does it mean that you’re the first Afro-Latino to win an acting Emmy award and why do you think we haven’t seen more?”

“That’s a loaded question,” said Jerome, who identifies as Afro-Latino and Dominican American. “But it’s an honor, it’s a blessing, and I hope this is a step forward for Dominicans, for Latinos, for Afro-Latinos. It’s about time we are here.”

Jerome, who grew up in the Bronx, also became the youngest ever to win in his acting category. He was reportedly the only Latinx winner on Sunday evening.
Actor Billy Porter joined Jerome in breaking barriers on Sunday, when he became the first openly gay Black man to win as Outstanding Lead Actor in a Drama, for his role in the FX series “Pose.”

Backstage, Jerome was also asked about the academy often giving awards to stories about Black people’s struggles rather than their joys.
“It is unfortunate that comedies or light pieces of work aren’t as praised and aren’t sent to the award season,” said Jerome. “The truth is our pain needs to be told. So if it has to be for the next 20 years where we are just painfully telling our stories until we can move on, then I guess it has to be.”

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Activism

Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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