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Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park
Photos by Darryl Howard Photography The Kinder Foundation’s free concert series “Jazzy Sundays in the Parks” celebrates the legacy of jazz in Houston. This month’s series at Emancipation Park concluded Sunday night, with singer-songwriter Lenora headlining. Backed by her four-piece band, Lenora performed a set of self-penned originals and unique covers in an intimate, indoor […]
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park first appeared on BlackPressUSA.

Photos by Darryl Howard Photography
The Kinder Foundation’s free concert series “Jazzy Sundays in the Parks” celebrates the legacy of jazz in Houston. This month’s series at Emancipation Park concluded Sunday night, with singer-songwriter Lenora headlining. Backed by her four-piece band, Lenora performed a set of self-penned originals and unique covers in an intimate, indoor experience rich with community and connectivity.
Lenora performs in the Jazzy Sundays concert series at Emancipation Park
The first three “Jazzy Sundays” took place outside. But due to the forecast, Sunday’s concert got moved indoors. Rainy days can put a damper on a show, and Lenora, herself, was distraught when she learned about the venue change: “I literally cried,” she says while laughing. “But everything worked out better than I could have ever imagined. The sound and the intimacy of it was incredible. And it ended up being something different than any of the other ones. I feel like we got to connect on a one-to-one basis with everyone that was in that space.”
In the final night of Kinder’s Emancipation Park series, Lenora connected with a crowd that packed the room to capacity. And as this month’s only female headliner, she got to close out Women’s History Month in style.
Lenora encourages crowd participation
The jazz theme initially posed a challenge for Lenora, who decided to just be herself. “At first I was kind of overthinking it,” she admits. “People ask me, ‘What genre of music would you fit under best?’ I describe the genre that my music subscribes to as ‘R&G’ or ‘Rhythm & Groove.’ But truthfully, my music is pretty genre-bending or even genre-defying.”
“I really just decided to not overthink it and just bring me to the show,” she says. “Jazz is improvisation; jazz is a feeling.”
That same philosophy helped her create her dynamic setlist, which was initially difficult. “I was getting really caught up on the jazz thing and wondering if I needed to sing more standards. Whenever I would think about the setlist, I would get in my head but when I actually sat down to put the show together, I just sat at my kitchen table with a cup of coffee in silence. I closed my eyes with a blank sheet of paper in front of me, and I asked myself: ‘How do you want the show to feel? What feeling do you want to impart upon the audience? What experience do you want them to have?’ And it just flowed after that.”
The final setlist contained mostly original compositions; as an independent artist, Lenora feels it’s important to perform her own songs. “I want to hear more original music from independent artists. I know Houston’s live music scene is bananas in the best way. Like we have some of the greatest talent here and I know that a lot of places, we hear cover music, which is dope. But I always want to hear more original music from localized talent. I am an advocate for that.”
Jazzy Sundays audience members look on in admiration during Lenora’s performance
“My favorite music to perform is my own,” she adds, saying that “there’s just nothing like performing your own compositions and all the music that I performed last night that was original was all written by me, if not co-written with me.”
The concert presented ten Lenora originals, along with three covers. One of them was the opener: Lenora began the performance with a stunning version of the Dramatics’ 1971 hit “Whatcha See Is Whatcha Get.”
“I love that song. That is one of my favorite songs. I always wanted to perform that song in a live setting, but I would never do it because I didn’t want to do it without horns. There’s a lot of brass in that song.” But she chose the song as her opener because of its familiarity — and its theme of authenticity.
Lenora pictured with her band (L-R: David Hutson, Jesse Gomez, Lenora, Halston Luna and MBK)
“I wanted to start with something familiar to everyone, and I also am aware that everyone from teenagers to seniors come to my show… I wanted it to be something everyone felt good about ‘cause that’s a feel-good song. And I also felt like the words to it are very much me,” she says. “I always say that what you see is what you get with me. I’m always the same, the same me.”
Lenora gave the audience another glimpse of who she is with her next song, “Cool.” She wrote that song to challenge misconceptions about her: “I always felt like people had the wrong idea of me. Sometimes people think I’m this diva with this huge ego, and I’m like, I’m just cool,” she laughs. Y’all be thinkin’ I’m siditty when I wrap my head in a satin bonnet just like everybody else, she sings on the track.
Subsequently, Lenora featured songs from Girls — her experimental debut album that documented her journey through womanhood at the time. She wanted to take fans from “outside” to inside. “Outside being a time in my life where I was exploring, partying and dating, and then going inside to realizing that most of that stuff is just stuff that you’re using to try to distract you from facing yourself.” Songs in the “outside” vein include “After Party” by Koffee Brown and her own song “Tonite” — a bass-heavy, trippy song about a girls’ night out. On her breezy ditty “Part-Time Lover,” she took the entire audience to the bridge with some three-part harmony.
Lenora gives an emotional performance of “Good To Me”
There were also some sweet moments during the show – like when Lenora sang “Crush on You,” which she wrote about her now-fiancé. “I love doing ‘Crush on You’ when Jarren’s in the audience,” she says. “I’ve done it like that before, but this time was really special just because he was sitting in a space where all my family and loved ones were.”
Lenora brought the blues to Jazzy Sundays with her song “Good to Me.” Her grandmother was a major blues fan, so it felt natural for Lenora to include it. A raw freestyle about being undervalued in relationships, the song was angrier and more confrontational than anything else on the setlist. Lenora performed the song with a gritty, raw delivery, so gut-wrenching that she dropped to her knees on stage. She says the song forced her to go to a dark, emotional place.
“‘Good to Me’ was about a collection of unfortunate relationships. So it’s like two or three relationships comprised into one song. So when I’m performing that song, there’s certain parts where I can recall confronting someone I was in a relationship or ‘situationship’ with,” she says. “When I sing that song, I go back to those exact moments of conflict. I’m in such a better space now, being loved properly and healing – such a better space. So, to go back there…it’s just tough. But it’s necessary.”
Caroline Harris (center) celebrates her birthday at Jazzy Sundays and is serenaded by Lenora
Also tough but necessary: grief. Lenora dedicated her cover of the Jackson 5’s “Never Can Say Goodbye” to her late grandmother. “I dedicated it to my grandmother, who I called my mama: Lenora ‘Doll’ Carter. I’m named after her; Lenora was her name. She raised me since I was two days old. And she was the publisher & CEO of the Forward Times before. She passed away in 2010 but her birthday was March 12th. And so I’ve been having a tough time – even though there’s been so much time that’s passed since then – just understanding that life goes on and that time is passing. And also, just missing her so much.
I had never done anything in a live performance that was in her honor, ever. So I just wanted to do it, especially being in Third Ward and Emancipation Park, which is right around the corner from our office [Forward Times]. Being in the office every day is bittersweet, because it makes me happy to help contribute to the legacy that she and my grandfather established. But it also makes me incredibly sad because everything reminds me of her here.”
Lenora brought members of the audience to tears with her tribute to her late Mama. She honored her mother’s advice (and lightened the mood) with “Red Flags,” a bouncy number about warning signs in a relationship. “That may have been my favorite one to perform on Sunday night,” she says, “because I had a lot of fun with that.” She got the audience clapping and singing along, joining her in a chant: “If you see a red flag, point it out in the sky/If you see a red flag, there is no compromise.”
She closed with a trilogy of songs: “Homebody,” “Relax,” and “Power.” “I just feel like all of those songs flow into each other and they all have a common theme of prioritizing self-care,” she says. “I feel like all of them carry that thread, so I love performing them sort of as a little trio because I think they all are saying something similar. I love when we get to that part at the end of the show and we’re able to impart that feeling on everybody. I love when people leave feeling different in a good way.”
During “Relax,” she had audience members close their eyes, breathe in, and breathe out, joining her in a calming meditation. “It’s important for us to catch our breaths,” she says. “I love doing that meditation piece and allowing everybody to just be present.”
Ending with her latest single, “Power” was important to Lenora. “I think it’s one of the most important songs that I’ve released,” she says, “because realizing and recognizing your own power and then doing something about it literally changes your whole trajectory in life. It’s important to end with that message.”
Lenora has another message for her listeners after the concert. What at first seemed like a disappointment (moving indoors) turned into an intimate experience that allowed her to connect with her audience. That yielded an important lesson: “Don’t defeat yourself because things don’t go according to plan. It’s quite possible that things could turn out far better than you could ever imagine.”
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park appeared first on Houston Forward Times.
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park first appeared on BlackPressUSA.
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A Nation in Freefall While the Powerful Feast: Trump Calls Affordability a ‘Con Job’
BLACKPRESSUSA NEWSWIRE — There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything.
By Stacy M. Brown
Black Press USA Senior National Correspondent
There are seasons in this country when the struggle of ordinary Americans is not merely a condition but a kind of weather that settles over everything. It enters the grocery aisle, the overdue bill, the rent notice, and the long nights spent calculating how to get through the next week. The latest numbers show that this season has not passed. It has deepened.
Private employers cut 32,000 jobs in November, according to ADP. Because the nation has been hemorrhaging jobs since President Trump took office, the administration has halted publishing the traditional monthly report. The ADP report revealed that small businesses suffered the heaviest losses. Establishments with fewer than 50 workers shed 120,000 positions, including 74,000 from companies with 20 to 49 workers. Larger firms added 90,000 jobs, widening the split between those rising and those falling.
Meanwhile, wealth continues to climb for the few who already possess most of it. Federal Reserve data shows the top 1 percent now holds $52 trillion. The top 10 percent added $5 trillion in the second quarter alone. The bottom half gained only 6 percent over the past year, a number so small it fades beside the towering fortunes above it.
“Less educated and poorer people tend to make worse mistakes,” John Campbell said to CBS News, while noting that the complexity of the system leaves many families lost before they even begin. Campbell, a Harvard University economist and coauthor of a book examining the country’s broken personal finance structure, pointed to a system built to confuse and punish those who lack time, training, or access.
“Creditors are just breathing down their necks,” Carol Fox told Bloomberg News, while noting that rising borrowing costs, shrinking consumer spending, and trade battles under the current administration have left owners desperate. Fox serves as a court-appointed Subchapter V trustee in Southern Florida and has watched the crisis unfold case by case.
During a cabinet meeting on Tuesday, Trump told those present that affordability “doesn’t mean anything to anybody.” He added that Democrats created a “con job” to mislead the public.
However, more than $30 million in taxpayer funds reportedly have supported his golf travel. Reports show Kristi Noem and FBI Director Kash Patel have also made extensive use of private jets through government and political networks. The administration approved a $40 billion bailout of Argentina. The president’s wealthy donors recently gathered for a dinner celebrating his planned $300 million White House ballroom.
During an appearance on CNBC, Mark Zandi, an economist, warned that the country could face serious economic threats. “We have learned that people make many mistakes,” Campbell added. “And particularly, sadly, less educated and poorer people tend to make worse mistakes.”
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The Numbers Behind the Myth of the Hundred Million Dollar Contract
BLACKPRESSUSA NEWSWIRE — Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut.
By Stacy M. Brown
Black Press USA Senior National Correspondent
Odell Beckham Jr. did not spark controversy on purpose. He sat on The Pivot Podcast and tried to explain the math behind a deal that looks limitless from the outside but shrinks fast once the system takes its cut. He looked into the camera and tried to offer a truth most fans never hear. “You give somebody a five-year $100 million contract, right? What is it really? It is five years for sixty. You are getting taxed. Do the math. That is twelve million a year that you have to spend, use, save, invest, flaunt,” said Beckham. He added that buying a car, buying his mother a house, and covering the costs of life all chip away at what people assume lasts forever.
The reaction was instant. Many heard entitlement. Many heard a millionaire complaining. What they missed was a glimpse into a professional world built on big numbers up front and a quiet erasing of those numbers behind the scenes.
The tax data in Beckham’s world is not speculation. SmartAsset’s research shows that top NFL players often lose close to half their income to federal taxes, state taxes, and local taxes. The analysis explains that athletes in California face a state rate of 13.3 percent and that players are also taxed in every state where they play road games, a structure widely known as the jock tax. For many players, that means filing up to ten separate returns and facing a combined tax burden that reaches or exceeds 50 percent.
A look across the league paints the same picture. The research lists star players in New York, Philadelphia, Chicago, Detroit, and Cleveland, all giving up between 43 and 47 percent of their football income before they ever touch a dollar. Star quarterback Phillip Rivers, at one point, was projected to lose half of his playing income to taxes alone.
A second financial breakdown from MGO CPA shows that the problem does not only affect the highest earners. A $1 million salary falls to about $529,000 after federal taxes, state and city taxes, an agent fee, and a contract deduction. According to that analysis, professional athletes typically take home around half of their contract value, and that is before rent, meals, training, travel, and support obligations are counted.
The structure of professional sports contracts adds another layer. A study of major deals across MLB, the NBA, and the NFL notes that long-term agreements lose value over time because the dollar today has more power than the dollar paid in the future. Even the largest deals shrink once adjusted for time. The study explains that contract size alone does not guarantee financial success and that structure and timing play a crucial role in a player’s long-term outcomes.
Beckham has also faced headlines claiming he is “on the brink of bankruptcy despite earning over one hundred million” in his career. Those reports repeated his statement that “after taxes, it is only sixty million” and captured the disbelief from fans who could not understand how money at that level could ever tighten.
Other reactions lacked nuance. One article wrote that no one could relate to any struggle on eight million dollars a year. Another described his approach as “the definition of a new-money move” and argued that it signaled poor financial choices and inflated spending.
But the underlying truth reaches far beyond Beckham. Professional athletes enter sudden wealth without preparation. They carry the weight of family support. They navigate teams, agents, advisors, and expectations from every direction. Their earning window is brief. Their career can end in a moment. Their income is fragmented, taxed, and carved up before the public ever sees the real number.
The math is unflinching. Twenty million dollars becomes something closer to $8 million after federal taxes, state taxes, jock taxes, agent fees, training costs, and family responsibilities. Over five years, that is about $40 million of real, spendable income. It is transformative money, but not infinite. Not guaranteed. Not protected.
Beckham offered a question at the heart of this entire debate. “Can you make that last forever?”
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FBI Report Warns of Fear, Paralysis, And Political Turmoil Under Director Kash Patel
BLACKPRESSUSA NEWSWIRE — Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership.
Six months into Kash Patel’s tenure as Director of the Federal Bureau of Investigation, a newly compiled internal report from a national alliance of retired and active-duty FBI agents and analysts delivers a stark warning about what the Bureau has become under his leadership. The 115-page document, submitted to Congress this month, is built entirely on verified reporting from inside field offices across the country and paints a picture of an agency gripped by fear, divided by ideology, and drifting without direction.
The report’s authors write that they launched their inquiry after receiving troubling accounts from inside the Bureau only four months into Patel’s tenure. They describe their goal as a pulse check on whether the ninth FBI director was reforming the Bureau or destabilizing it. Their conclusion: the preliminary findings were discouraging.
Reports Describe Widespread Internal Distrust and Open Hostility Toward President Trump
Sources across the country told investigators that a large number of FBI employees openly express hostility toward President Donald Trump. One source reported seeing an “increasing number of FBI Special Agents who dislike the President,” adding that these employees were exhibiting what they called “TDS” and had lost “their ability to think critically about an issue and distinguish fact from fiction.” Another source described employees making off-color comments about the administration during office conversations.
The sentiment reportedly extends beyond domestic lines. Law enforcement and intelligence partners in allied countries have privately expressed fear that the Trump administration could damage long-term international cooperation according to a sub-source who reported those concerns directly to investigators.
Pardon Backlash and Fear of Retaliation
The President’s January 20 pardons of individuals convicted for their roles in the January 6 attack ignited what the report calls demoralization inside the Bureau. One FBI employee said they were “demoralized” that individuals “rightfully convicted” were pardoned and feared that some of those individuals or their supporters might target them or their family for carrying out their duties. Another source described widespread anger that lists of personnel who worked on January 6 investigations had been provided to the Justice Department for review, noting that agents “were just following orders” and now worry those lists could leak publicly.
Morale In Decline
Morale among FBI employees appears to be sinking fast. There were a few scattered positive notes, but the weight of the reporting describes morale as low, bad, or terrible. Agents with more than a decade of service told investigators they feel marginalized or ignored. Some are counting the days until they can retire. One even uses a countdown app on their phone.
Culture Of Fear
Layered over that unhappiness is something far more corrosive. A culture of fear. Sources say Patel, though personable, created mistrust from the start because of harsh remarks he made about the FBI before taking office. Agents took those comments personally. They now work in an atmosphere where employees keep their heads down and speak carefully. Managers wait for directions because they are afraid a wrong move could cost them their jobs. One source said agents dread coming to work because nobody knows who will be reassigned or fired next.
Leadership Concerns
The report also paints a picture of leaders unprepared for the jobs they hold. Multiple sources said Patel is in over his head and lacks the breadth of experience required to understand the Bureau’s complex programs. Some said Deputy Director Dan Bongino should never have been appointed because the role requires deep institutional knowledge of FBI operations. A sub-source recounted Bongino telling employees during a field office visit that “the truth is for chumps.” Employees who heard it were stunned and offended.
Social Media and Communication Breakdowns
Communication inside the Bureau has become another source of frustration. Sources said Patel and Bongino spend too much time posting on social media and not enough time communicating with employees in clear and official ways. Several told investigators they learn more about FBI operations from tweets than from internal channels.
ICE Assignments Raise Alarm
Nothing has sparked more frustration inside the FBI than the orders requiring agents to assist Immigration and Customs Enforcement. The reporting shows widespread resentment and fear over these assignments. Agents say they have little training in immigration law and were ordered into operations without proper planning. Some said they were put in tactically unsafe positions. They also warned that being pulled away from counterterrorism and counterintelligence investigations threatens national security. One sub-source asked, “If we’re not working CT and CI, then who is?”
DEI Program Removal
Even the future of diversity programs became a point of division. Some agents praised Patel’s removal of DEI initiatives. Others said the old system left them afraid to speak honestly because they worried about being labeled racist. The reporting shows a deep and unresolved conflict over whether DEI strengthened the organization or weakened it.
Notable Incidents
The document also details several incidents that have become part of FBI lore. Patel ordered all employees to remove pronouns and personal messages from their email signatures yet used the number nine in his own. Agents laughed at what they saw as hypocrisy. In another episode, FBI employees who discussed Patel’s request for an FBI-issued firearm were ordered to take polygraph examinations, which one respected source described as punitive. And in Utah, Patel refused to exit a plane without a medium-sized FBI raid jacket. A team scrambled to find one and finally secured a female agent’s jacket. Patel still refused to step out until patches were added. SWAT members removed patches from their own uniforms to satisfy the demand.
A Bureau at a Crossroad
The Alliance warns that the Bureau stands at a difficult crossroads. They write that the FBI faces some of the most daunting challenges in its history. But even in despair, a few voices say something different. One veteran source said “It is early, but most can see the mission is now the priority. Case work and threats are the focus again. Reform is headed in the right direction.”
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