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Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park
Photos by Darryl Howard Photography The Kinder Foundation’s free concert series “Jazzy Sundays in the Parks” celebrates the legacy of jazz in Houston. This month’s series at Emancipation Park concluded Sunday night, with singer-songwriter Lenora headlining. Backed by her four-piece band, Lenora performed a set of self-penned originals and unique covers in an intimate, indoor […]
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park first appeared on BlackPressUSA.
Photos by Darryl Howard Photography
The Kinder Foundation’s free concert series “Jazzy Sundays in the Parks” celebrates the legacy of jazz in Houston. This month’s series at Emancipation Park concluded Sunday night, with singer-songwriter Lenora headlining. Backed by her four-piece band, Lenora performed a set of self-penned originals and unique covers in an intimate, indoor experience rich with community and connectivity.
The first three “Jazzy Sundays” took place outside. But due to the forecast, Sunday’s concert got moved indoors. Rainy days can put a damper on a show, and Lenora, herself, was distraught when she learned about the venue change: “I literally cried,” she says while laughing. “But everything worked out better than I could have ever imagined. The sound and the intimacy of it was incredible. And it ended up being something different than any of the other ones. I feel like we got to connect on a one-to-one basis with everyone that was in that space.”
In the final night of Kinder’s Emancipation Park series, Lenora connected with a crowd that packed the room to capacity. And as this month’s only female headliner, she got to close out Women’s History Month in style.
The jazz theme initially posed a challenge for Lenora, who decided to just be herself. “At first I was kind of overthinking it,” she admits. “People ask me, ‘What genre of music would you fit under best?’ I describe the genre that my music subscribes to as ‘R&G’ or ‘Rhythm & Groove.’ But truthfully, my music is pretty genre-bending or even genre-defying.”
“I really just decided to not overthink it and just bring me to the show,” she says. “Jazz is improvisation; jazz is a feeling.”
That same philosophy helped her create her dynamic setlist, which was initially difficult. “I was getting really caught up on the jazz thing and wondering if I needed to sing more standards. Whenever I would think about the setlist, I would get in my head but when I actually sat down to put the show together, I just sat at my kitchen table with a cup of coffee in silence. I closed my eyes with a blank sheet of paper in front of me, and I asked myself: ‘How do you want the show to feel? What feeling do you want to impart upon the audience? What experience do you want them to have?’ And it just flowed after that.”
The final setlist contained mostly original compositions; as an independent artist, Lenora feels it’s important to perform her own songs. “I want to hear more original music from independent artists. I know Houston’s live music scene is bananas in the best way. Like we have some of the greatest talent here and I know that a lot of places, we hear cover music, which is dope. But I always want to hear more original music from localized talent. I am an advocate for that.”
“My favorite music to perform is my own,” she adds, saying that “there’s just nothing like performing your own compositions and all the music that I performed last night that was original was all written by me, if not co-written with me.”
The concert presented ten Lenora originals, along with three covers. One of them was the opener: Lenora began the performance with a stunning version of the Dramatics’ 1971 hit “Whatcha See Is Whatcha Get.”
“I love that song. That is one of my favorite songs. I always wanted to perform that song in a live setting, but I would never do it because I didn’t want to do it without horns. There’s a lot of brass in that song.” But she chose the song as her opener because of its familiarity — and its theme of authenticity.
“I wanted to start with something familiar to everyone, and I also am aware that everyone from teenagers to seniors come to my show… I wanted it to be something everyone felt good about ‘cause that’s a feel-good song. And I also felt like the words to it are very much me,” she says. “I always say that what you see is what you get with me. I’m always the same, the same me.”
Lenora gave the audience another glimpse of who she is with her next song, “Cool.” She wrote that song to challenge misconceptions about her: “I always felt like people had the wrong idea of me. Sometimes people think I’m this diva with this huge ego, and I’m like, I’m just cool,” she laughs. Y’all be thinkin’ I’m siditty when I wrap my head in a satin bonnet just like everybody else, she sings on the track.
Subsequently, Lenora featured songs from Girls — her experimental debut album that documented her journey through womanhood at the time. She wanted to take fans from “outside” to inside. “Outside being a time in my life where I was exploring, partying and dating, and then going inside to realizing that most of that stuff is just stuff that you’re using to try to distract you from facing yourself.” Songs in the “outside” vein include “After Party” by Koffee Brown and her own song “Tonite” — a bass-heavy, trippy song about a girls’ night out. On her breezy ditty “Part-Time Lover,” she took the entire audience to the bridge with some three-part harmony.
There were also some sweet moments during the show – like when Lenora sang “Crush on You,” which she wrote about her now-fiancé. “I love doing ‘Crush on You’ when Jarren’s in the audience,” she says. “I’ve done it like that before, but this time was really special just because he was sitting in a space where all my family and loved ones were.”
Lenora brought the blues to Jazzy Sundays with her song “Good to Me.” Her grandmother was a major blues fan, so it felt natural for Lenora to include it. A raw freestyle about being undervalued in relationships, the song was angrier and more confrontational than anything else on the setlist. Lenora performed the song with a gritty, raw delivery, so gut-wrenching that she dropped to her knees on stage. She says the song forced her to go to a dark, emotional place.
“‘Good to Me’ was about a collection of unfortunate relationships. So it’s like two or three relationships comprised into one song. So when I’m performing that song, there’s certain parts where I can recall confronting someone I was in a relationship or ‘situationship’ with,” she says. “When I sing that song, I go back to those exact moments of conflict. I’m in such a better space now, being loved properly and healing – such a better space. So, to go back there…it’s just tough. But it’s necessary.”
Also tough but necessary: grief. Lenora dedicated her cover of the Jackson 5’s “Never Can Say Goodbye” to her late grandmother. “I dedicated it to my grandmother, who I called my mama: Lenora ‘Doll’ Carter. I’m named after her; Lenora was her name. She raised me since I was two days old. And she was the publisher & CEO of the Forward Times before. She passed away in 2010 but her birthday was March 12th. And so I’ve been having a tough time – even though there’s been so much time that’s passed since then – just understanding that life goes on and that time is passing. And also, just missing her so much.
I had never done anything in a live performance that was in her honor, ever. So I just wanted to do it, especially being in Third Ward and Emancipation Park, which is right around the corner from our office [Forward Times]. Being in the office every day is bittersweet, because it makes me happy to help contribute to the legacy that she and my grandfather established. But it also makes me incredibly sad because everything reminds me of her here.”
Lenora brought members of the audience to tears with her tribute to her late Mama. She honored her mother’s advice (and lightened the mood) with “Red Flags,” a bouncy number about warning signs in a relationship. “That may have been my favorite one to perform on Sunday night,” she says, “because I had a lot of fun with that.” She got the audience clapping and singing along, joining her in a chant: “If you see a red flag, point it out in the sky/If you see a red flag, there is no compromise.”
She closed with a trilogy of songs: “Homebody,” “Relax,” and “Power.” “I just feel like all of those songs flow into each other and they all have a common theme of prioritizing self-care,” she says. “I feel like all of them carry that thread, so I love performing them sort of as a little trio because I think they all are saying something similar. I love when we get to that part at the end of the show and we’re able to impart that feeling on everybody. I love when people leave feeling different in a good way.”
During “Relax,” she had audience members close their eyes, breathe in, and breathe out, joining her in a calming meditation. “It’s important for us to catch our breaths,” she says. “I love doing that meditation piece and allowing everybody to just be present.”
Ending with her latest single, “Power” was important to Lenora. “I think it’s one of the most important songs that I’ve released,” she says, “because realizing and recognizing your own power and then doing something about it literally changes your whole trajectory in life. It’s important to end with that message.”
Lenora has another message for her listeners after the concert. What at first seemed like a disappointment (moving indoors) turned into an intimate experience that allowed her to connect with her audience. That yielded an important lesson: “Don’t defeat yourself because things don’t go according to plan. It’s quite possible that things could turn out far better than you could ever imagine.”
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park appeared first on Houston Forward Times.
The post Lenora Closes Out Women’s History Month Headlining “Jazzy Sundays” at Emancipation Park first appeared on BlackPressUSA.
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FILM REVIEW: The Six Triple Eight: Tyler Perry Salutes WWII Black Women Soldiers
NNPA NEWSWIRE — The film features an all-star cast including Susan Sarandon as Eleanor Roosevelt, Sam Waterston as President Franklin Delano Roosevelt, Oprah Winfrey as Mary McLeod Bethune and Ebony Obsidian (Sistas, If Beale Street Could Talk)) who shows her acting chops by holding her own playing Lena, a bereaved private, opposite Washington.
By Nsenga K. Burton
NNPA Newswire Culture and Entertainment Editor
The Six Triple Eight tells the important yet often overlooked story of the 6888th Central Postal Directory Battalion, an all-Black, all-woman unit in World War II. The film chronicles the battalion’s efforts to clear a massive backlog of undelivered mail meant for U.S. troops, a task that was both vital and challenging. In a show-stopping speech atop a mountain of mail, Major Charity Adams, played fiercely by Kerry Washington, explains the importance of mail during wartime and its relationship to soldier morale. Adams, who is continuously denied promotions despite her impeccable professional performance, leads 855 Black women through 17 million pieces of mail in an abandoned, cold and drafty school rife with “vermin” to raise the morale of soldiers and bring closure to families who haven’t heard from loved ones in nearly a year.
The film features an all-star cast, including Susan Sarandon as Eleanor Roosevelt, Sam Waterston as President Franklin Delano Roosevelt, Oprah Winfrey as Mary McLeod Bethune, and Ebony Obsidian (Sistas, If Beale Street Could Talk), who shows her acting chops by holding her own playing Lena, a bereaved private, opposite Washington.
Lena is a highly sensitive and intelligent young woman who is distraught over the death of her Jewish “boyfriend,” Abram David (Gregg Sulkin), who is killed in the war. Instead of attending college, Lena enlists in the army to “fight Hitler.” En route to basic training in Georgia, Lena is joined with a group of women in the segregated battalion, all of whom are running away from a traumatic past and running towards a brighter future. What emerges is a strong sisterhood that bonds the women, whether in their barracks or crossing the big pond, which is one of the highlights of the film.
The Six Triple Eight has all of the tropes of a film set during the 1940s, including de facto segregation here and abroad, the mistreatment of Black women in and out of the service by any and everybody, aggressive white men using the N-word with the hard “R,” and older Black women whose hearts are free, but minds are shackled to fear that living in segregation and being subjected to impromptu violence, ridicule, jail or scorn brings to bear.
While the film elevates the untold story of the dynamic, pioneering, and committed Black servicewomen of the Six Triple Eight, the narrative falls prey to Perry’s signature style — heavy-handed dialogue, uneven performances and a redundant script that keeps beating viewers over the head with what many already know as opposed to what we need to know. For example, a short montage of the women working with the mail is usurped by abusive treatment from white, male leaders. A film like this would benefit more from seeing and understanding the dynamism, intelligence and dedication it took for these women to develop and implement a strategy to get this volume of mail to the soldiers and their families.
In another scene, the 6888 soldiers yell out their prior professions, which would prove helpful to keeping their assignment when they come under attack again from the white military men. Visually seeing the Black women demonstrate their talents would be far more satisfying than hearing them ticked off like a grocery list, which undermines the significance of their work and preparation for war as Black women during this harrowing time in history. The lack of emphasis on their skills and capabilities diminishes the overall impact of their story, leaving viewers wanting more depth and insight into their achievements.
While the film highlights the struggles these women faced against institutional racism and sexism, it ultimately falls short in delivering a nuanced portrayal of their significant contributions to the war effort. This is a must-see film because of the subject matter and strong performances by Washington and Obsidian, but the story’s execution makes it difficult to get through.
Tyler Perry is beloved as a filmmaker because he sometimes makes films that people need to see at a particular moment in time (For Colored Girls), resuscitates or helps to keep the careers of super accomplished actors alive (Debi Morgan, Alfre Woodward, Cicely Tyson) and gives young, talented actors like Obsidian, Taylor Polidore Williams (Beauty in Black, Snowfall, All-American HBCU) and Crystal Renee Hayslett (Zatima) a chance to play a lead role when mainstream Hollywood is taking too long. One thing Perry hasn’t done is extend that generosity of spirit to the same extent to the writing and directing categories. Debbie Allen choreographed the march scene for Six Triple Eight. What might this film have been had she directed the film?
This much-anticipated film is a love letter to Black servicewomen and a movie that audiences need to see now that would benefit immensely from stronger writing and direction. Six Triple Eight is a commendable effort to elevate an untold story, but it ultimately leaves viewers craving a more nuanced exploration of the remarkable women at its center.
Six Triple Eight is now playing on Netflix.
This review was written by media critic Nsenga K. Burton, Ph.D., editor-at-large for NNPA/Black Press USA and editor-in-chief of The Burton Wire. Follow her on IG @TheBurtonWire.
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California, Districts Try to Recruit and Retain Black Teachers; Advocates Say More Should Be Done
SACRAMENTO OBSERVER — Many Black college students have not considered a teaching career because they have never had a Black teacher, said Preston Jackson, who teaches physical education at California Middle School in Sacramento. Those who consider a teaching career are often deterred by the cost of teacher preparation, taking required tests and unpaid student teaching.
A Series by EdSource | The Sacramento Observer
Recruiting and retaining Black teachers has taken on new urgency in recent years as California lawmakers try to ease the state’s teacher shortage. The state and individual school districts have launched initiatives to recruit teachers of color, but educators and advocates say more needs to be done.
Hiring a diverse group of teachers helps all students, but the impact is particularly significant for students of color, who then score higher on tests and are more likely to graduate from college, according to the Learning Policy Institute. A recently released report also found that Black boys are less likely to be identified for special education when they have a Black teacher.
In the last five years, state lawmakers have made earning a credential easier and more affordable and have offered incentives for school staff to become teachers — all moves meant to ease the teacher shortage and help to diversify the educator workforce.
Despite efforts by the state and school districts, the number of Black teachers doesn’t seem to be increasing. Black teachers say that to keep them in the classroom, teacher preparation must be more affordable, pay and benefits increased, and more done to ensure they are treated with respect, supported and given opportunities to lead.
“Black educators specifically said that they felt like they were being pushed out of the state of California,” said Jalisa Evans, chief executive director of the Black Educator Advocates Network of a recent survey of Black teachers. “When we look at the future of Black educators for the state, it can go either way, because what Black educators are feeling right now is that they’re not welcome.”
Task force offers recommendations
State Superintendent of Public Instruction Tony Thurmond called diversifying the teacher workforce a priority and established the California Department of Education Educator Diversity Advisory Group in 2021.
The advisory group has made several recommendations, including beginning a public relations campaign and offering sustained funding to recruit and retain teachers of color, and providing guidance and accountability to school districts on the matter. The group also wants universities, community groups and school districts to enter into partnerships to build pathways for teachers of color.
Since then, California has created a set of public service announcements and a video to help recruit teachers and has invested $10 million to help people of color to become school administrators, said Travis Bristol, chairman of the advisory group and an associate professor of education at UC Berkeley. Staff from county offices of education also have been meeting to share ideas on how they can support districts’ efforts to recruit and retain teachers of color, he said.
The state also has invested more than $350 million over the past six years to fund teacher residency programs, and recently passed legislation to ensure residents are paid a minimum salary. Residents work alongside an experienced teacher-mentor for a year of clinical training while completing coursework in a university preparation program — a time commitment that often precludes them from taking a job.
Legislators have also proposed a bill that would require that student teachers be paid. Completing the 600 hours of unpaid student teaching required by the state, while paying for tuition, books, supplies and living expenses, is a challenge for many Black teacher candidates.
Black teacher candidates typically take on much more student debt than their white counterparts, in part, because of the large racial wealth gap in the United States. A 2019 study by the Economic Policy Institute showed that the median white family had $184,000 in family wealth (property and cash), while the median Latino family had $38,000 and the median Black family had $23,000.
Lack of data makes it difficult to know what is working
It’s difficult to know if state efforts are working. California hasn’t released any data on teacher demographics since the 2018-19 school year, although the data is submitted annually by school districts. The California Department of Education (CDE) did not provide updated data or interviews requested by EdSource for this story.
The most recent data from CDE shows the number of Black teachers in California declined from 4.2% in 2009 to 3.9% during the 2018-19 school year. The National Center for Education Statistics data from the 2020-21 show that Black teachers made up 3.8% of the state educator workforce.
Having current data is a critical first step to understanding the problem and addressing it, said Mayra Lara, director of Southern California partnerships and engagement at The Education Trust-West, an education research and advocacy organization.
“Let’s be clear: The California Department of Education needs to annually publish educator demographic and experience data,” Lara said. “It has failed to do so for the past four years. … Without this data, families, communities and decision-makers really are in the dark when it comes to the diversity of the educator workforce.”
LA Unified losing Black teachers despite efforts
While most state programs focus on recruiting and retaining all teachers of color, some California school districts have initiatives focused solely on recruiting Black teachers.
The state’s largest school district, Los Angeles Unified, passed the Black Student Excellence through Educator Diversity, Preparation and Retention resolution two years ago. It required district staff to develop a strategic plan to ensure schools have Black teachers, administrators and mental health workers, and to advocate for programs that offer pathways for Black people to become teachers.
When the resolution was passed, in February 2022, Los Angeles Unified had 1,889 Black teachers — 9% of its teacher workforce. The following school year, that number declined to 1,823 or 7.9% of district teachers. The number of Black teachers in the district has gone down each year since 2016. The district did not provide data for the current school year.
Robert Whitman, director of the Educational Transformation Office at LA Unified, attributed the decrease, in part, to the difficulty attracting teachers to the district, primarily because of the area’s high cost of living.
“Those who are coming out of colleges now, in some cases, we find that they can make more money doing other things,” Whitman said. “And so, they may not necessarily see education as the most viable option.”
The underrepresentation of people of color prompted the district to create its own in-house credentialing program, approved by the California Commission on Teacher Credentialing, Whitman said. The program allows classified staff, such as substitute teachers, paraprofessionals, administrative assistants and bus drivers, to become credentialed teachers while earning a salary and benefits at their original jobs.
Grow-your-own programs such as this, and the state’s Classified School Employee Credentialing program, and a soon-to-be launched apprenticeship program, are meant to diversify the educator workforce because school staff recruited from the community more closely match the demographics of the student body than traditionally trained and recruited teachers, according to research.
Los Angeles Unified has other initiatives to increase the number of Black educators in the district, Whitman said, including working with universities and colleges to bring Black teachers, counselors and psychiatric social workers to their campuses. The district also has programs that help school workers earn a credential for free, and channels employees completing a bachelor’s degree toward the district’s teacher preparation program where they can begin teaching while earning their credential.
All new teachers at Los Angeles Unified are supported by mentors and affinity groups, which have been well received by Black teachers, who credit them with inspiring and helping them to see themselves as leaders in the district, Whitman said.
Oakland has more Black teachers than students
Recruiting and retaining Black teachers is an important part of the Oakland Unified three-year strategic plan, said Sarah Glasband, director of recruitment and retention for the district. To achieve its goals, the district has launched several partnerships that make an apprenticeship program, and a residency program that includes a housing subsidy, possible. A partnership with the Black Teacher Project, a nonprofit advocacy organization, offers affinity groups, workshops and seminars to support the district’s Black teachers.
The district also has a Classified School Employee Program funded by the state and a new high school program to train future teachers. District pathway programs have an average attrition rate of less than 10%, Glasband said.
This year, 21.3% of the district’s K-12 teachers are Black, compared with 20.3% of their student population, according to district data. Oakland Unified had a retention rate of about 85% for Black teachers between 2019 and 2023.
Better pay, a path to leadership will help teachers stay
Black teachers interviewed by EdSource and researchers say that to keep them in the classroom, more needs to be done to make teacher preparation affordable, improve pay and benefits, and ensure they are treated with respect, supported and given opportunities to lead.
The Black Educator Advocates Network came up with five recommendations after surveying 128 former and current Black teachers in California about what it would take to keep them in the classroom:
- Hire more Black educators and staff
- Build an anti-racist, culturally responsive and inclusive school environment
- Create safe spaces for Black educators and students to come together
- Provide and require culturally responsive training for all staff
- Recognize, provide leadership opportunities and include Black educators in decision making
Teachers interviewed by EdSource said paying teachers more also would make it easier for them to stay.
“I don’t want to say that it’s the pay that’s going to get more Black teachers,” Brooke Sims, a Stockton teacher, told EdSource. “But you get better pay, you get better health care.”
The average teacher salary in the state is $88,508, with the average starting pay at $51,600, according to the 2023 National Education Association report, “State of Educator Pay in America.” California’s minimum living wage was $54,070 last year, according to the report.
State efforts, such as an initiative that pays teachers $5,000 annually for five years after they earn National Board Certification, will help with pay parity across school districts, Bristol said. Teachers prove through assessments and a portfolio that they meet the National Board for Professional Teaching Standards. To be eligible for the grant, teachers must work at least half of their time in a high-needs school. Teachers who qualify are also given $2,500 to cover the cost of certification.
This incentive will help teachers continue their education and improve their practice, said Los Angeles teacher Petrina Miller. “It’s awesome,” she said.
Teacher candidates must be actively recruited
Many Black college students have not considered a teaching career because they have never had a Black teacher, said Preston Jackson, who teaches physical education at California Middle School in Sacramento. Those who consider a teaching career are often deterred by the cost of teacher preparation, taking required tests and unpaid student teaching.
“In order to increase the number of Black teachers in schools, it has to become deliberate,” Jackson said. “You have to actively recruit and actively seek them out to bring them into the profession.”
Since starting in 2005, Jackson has been one of only a handful of Black teachers at his school.
“And for almost every single one of my kids, I’m the first Black teacher they’ve ever had,” said Jackson. “… And for some of them, I’m the first one they’ve ever seen.”
Mentors are needed to help retain new teachers
Mentor teachers are the key ingredient to helping new Black educators transition successfully into teaching, according to teachers interviewed by EdSource. Alicia Simba says she could have taken a job for $25,000 more annually in a Bay Area district with few Black teachers or students but opted to take a lower salary to work in Oakland Unified.
But like many young teachers, Simba knew she wanted mentors to help her navigate her first years in the classroom. She works alongside Black teachers in Oakland Unified who have more than 20 years of teaching experience. One of her mentor teachers shared her experience of teaching on the day that Martin Luther King Jr. was shot. Other teachers told her about teaching in the 1980s during the crack cocaine epidemic.
“It really helps dispel some of the sort of narratives that I hear, which is that being a teacher is completely unsustainable,” Simba said. “Like, there’s no way that anyone could ever be a teacher long term, which are things that, you know, I’ve heard my friends say, and I’ve thought it myself.”
The most obvious way to retain Black teachers would be to make sure they are treated the same as non-Black teachers, said Brenda Walker, a Black teacher and president of the Associated Chino Teachers.
“If you are a district administrator, site administrator, site or colleague, parent or student, my bachelor’s degree, master’s degree, and my special education credential are just as valuable and carry as much weight, and are as respected as any other educator,” she said.
“However, it’s just as critical for all those groups to acknowledge and respect the unique cultural experience I bring to the table and acknowledge and respect that I’m a proud product of my ancestral history.”
Black teachers: how to recruit THEM and make them stay
This is the first part of a special series by EdSource on the recruitment and retention of Black teachers in California. The recruitment and hiring of Black educators has lagged, even as a teacher shortage has given the task new urgency.
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Christmas Travel: When is the Best Time to Take Your Trip
BIRMINGHAM TIMES — When planning for your trip, the thoughts of hitting the road or boarding a flight can be stressful. You envision not “sugar plums dancing in your head”, but crowded airports, long lines and very heavy traffic because Christmas travel can be notoriously difficult. It’s a time of high demand and volume with millions traveling during the winter weather, which is often synonymous with snowstorms, icy roads and delayed flights.
By Samuetta Drew | Birmingham Times
Christmas is one of the busiest travel seasons of the year. It’s a time when people schedule trips to visit family and friends, take that winter wonderland vacation or simply enjoy a festive getaway.
When planning for your trip, the thoughts of hitting the road or boarding a flight can be stressful. You envision not “sugar plums dancing in your head”, but crowded airports, long lines and very heavy traffic because Christmas travel can be notoriously difficult. It’s a time of high demand and volume with millions traveling during the winter weather, which is often synonymous with snowstorms, icy roads and delayed flights.
This safety article is meant to help you dodge the busiest crowds and make your trip as stress-free as possible, but also not to lose focus on practicing good safety measures. It will identify the best travel dates and times.
Most travelers wait until closer to Christmas, so plan your trips this year earlier in the week – specifically Monday, December 16, through Thursday, December 19. This is ideal for several reasons:
- Lower Crowds – airports and highways are less congested.
- Cheaper Flights – airlines often offer lower fares earlier in the week before the rush begins.
- Less Stress – with fewer people on the road and shorter lines at the airports, your travel experience will be much smoother.
The least busy days with fewer travelers during Christmas are:
- December 24 (Christmas Eve)
- December 25 (Christmas Day)
While not as bad as the days immediately before, Christmas Eve still poses some challenges, such as:
- Last Minute Travelers – many people wait until the last minute to travel.
- Shortened Hours – some businesses and transportation services close early.
- Higher Stress Levels – the pressure to arrive on time can add a little additional stress.
Avoid peak times at the airport. Opt for the late or early morning flights. The red-eye flights and early morning flights are generally less popular but offer significant advantages such as:
- Fewer Delays – airports are generally less busy during these times, reducing the risk of delays.
- Faster Security Checks – shorter lines at TSA means you will get through the airport faster, especially if it’s a large airport.
- Affordable Options – airlines sometimes offer discounts on less desirable flight times.
Hopefully this article will help you Keep an Eye on Safety when traveling over the 2024 Christmas season by decreasing your holiday chaos, which could result in your lack of focus while traveling.
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