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‘Let’s Go’ Beyond the Mound Joe Black’s Legacy of Brotherhood and Resistance

BLACKPRESSUSA NEWSWIRE — As the Trump administration and its disciples try to strip the nation of its memory, legendary comedian Bill Cosby said Black media cannot bend, cannot be silent, but must remind Black America that every inch of the nation’s 249 years was built with our sweat, our brilliance, our survival.

Published

9 months ago

September 14, 2025

Stacy M. Brown

By Stacy M. Brown
Black Press USA Senior National Correspondent

As the Trump administration and its disciples try to strip the nation of its memory, legendary comedian Bill Cosby said Black media cannot bend, cannot be silent, but must remind Black America that every inch of the nation’s 249 years was built with our sweat, our brilliance, our survival. Joe Black’s story is only one, yet if we allow it to vanish, we risk losing the truth of who we are.

There are men whose names ring louder than the game they played, men who carried history on their backs as if it were stitched into the uniform. Joe Black was one such man. He was a boy from Plainfield who became the first Black pitcher to win a World Series game, who walked onto the mound in Dodger blue with the eyes of the country fixed upon him, and who later carried himself into classrooms, corporate suites, and pulpits with the same quiet force.

Bill Cosby remembers him not as a figure in the record books, but as the brother he never had. “Joe Black pitched for the Brooklyn Dodgers during the time Jackie Robinson was on the team, and so was Roy Campanella,” Cosby recalled. “His daughter asked me to write a preface about him; I wrote it, and then all these accusers came up and, I was told, they no longer wanted to use my preface in the story.” That daughter is Martha Jo Black, who wrote “Joe Black: More Than a Dodger.”

Cosby told how their bond began. “He came on the Dodgers and became known as a relief pitcher, but my entertaining the Black baseball players in Las Vegas during a convention, and he made himself known to me,” Cosby stated. “I found him to be a strong guy with a great sense of humor. I took him on as a big brother. When Rachel Robinson asked me to be the emcee for the Jackie Robinson Foundation, Joe was then working for Greyhound, and he made sure that he had a table.” Cosby spoke of their brotherhood in the language of fraternity and blood. “Joe also is a Q. In terms of fraternity, he’s my brother, but in my soul also; nobody else but nobody else had the humor and my feeling is that if I ever had a big brother, Joe Black was.”

The bond deepened near the end of Joe’s life, when his daughter called Cosby. “We talked on the phone. He had a house, and his daughter was taking care of him because he had problems with his prostate,” the comedian recalled. “She called me one day and she said, ‘Daddy was on the ladder, and he fell. He’s in the hospital. He’s on, I believe, morphine, a drug they give you that can cause the patient to hallucinate, and sometimes drug addicts get hooked on it. She said, ‘I’m in the hospital with Daddy, and it doesn’t look good for him. You want to talk to him?’ My heart dropped. I knew he was going, but when you get the notification, certain things happen.”

Cosby remembered that even then, Joe carried humor like a shield. “Joe had a great sense of humor and had control of it. Meaning he didn’t throw things out just to see if he was funny,” Cosby reminisced. “So she says, ‘Daddy, it’s Bill on the phone, he wants to say something to you.’ He said (in a very faint voice), ‘Hey,’ I said, ‘how you doing. I know it’s a stupid question, but how you doing?’ he said, ‘they’re trying to make it easier for me to go wherever I’m going.’ I said, ok, I said, your daughter told me you wanted to talk to me. He said, ‘Yeah. How are you doing?’ I said, this is getting stupid. He said, ‘really?’ I said, yeah, because she said you fell down on the ladder and you’ve been ripping the IVs out of your arm and misbehaving. He said it’s just the sign that I’m going. I said nothing, just let the silence sit. And he said, ‘I want you to do me a favor.’”

Cosby tried to answer the call with laughter. “I said before I do you a favor I’m out at your house and I got the map you gave me – something I was making up to humor him – I said I got the map you gave me and I walked it in the backyard and I found the tree you’re talking about and I started to dig, and I dig and I dig and I dig and my back hurts. The money is not there! And he said, ‘wrong house!’” The faint laughter in that hospital room turned into a covenant between two men.

“He said, ‘I want you to do me a favor.’ I said OK,” Cosby recalled. “He said, ‘I’m on the mound, I want you on the hot corner.’ And I said now before you put me on the hot corner, I’m going to go, but I want you to know I played sandlot baseball and I played second base and I want you to know that I was always afraid of a hot ground ball coming to me and as I bend over to catch it, it hits something and jumped up and hit me in the face. I never wanted that, I always turned my head; I understand from coaches you are supposed to look it into the glove, but I’m not about to put my face down there and look it in. I said but Joe, for you I’m on the hot base, and if anything comes to me, I don’t care who hits it, I’m going to look it in. he said, ‘Let’s go!’ that was the last words from him.” Cosby carried those words into his own storm. “Sitting through the trial, the hatred, sitting through all of that, and when that judge read all of Dante’s Inferno, and I’m listening, and he says you have any regrets? I shook my head because Joe’s voice said, ‘Let’s go!’ Joe passed that same day,” Cosby sadly recounted.

There was more to Joe Black than statistics and more than the World Series victory that newspapers still cite. He had been an officer in the Army, a teacher in Plainfield, a Greyhound executive who opened doors for Black workers and students, a columnist who urged young people to value education, and a man who carried his daughter Martha Jo through childhood with devotion when courts seldom granted fathers custody. He was also the man who told Jackie Robinson’s story in ways the white press did not record. He spoke of teammates holding Jackie back from fights, of players forming a wall to keep him from stepping into violence, of the toll carried by those chosen to be symbols.

“Because it’s always about them,” Cosby said. “What does that do to us?”

What it did to Joe Black was give him the conviction that history must be guarded. Cosby spoke passionately of Josh Gibson, of the Negro Leagues, and of Dunbar High School in Washington. The Cosby Show icon insisted that these stories must be kept with a clenched fist, placed in the hands of the next generation, stored in HBCUs where young people could know the truth of who they were.

At 88, Cosby holds fast to Black’s last words. Not a farewell, not resignation, but a command.

“Let’s go.”

Stacy M. Brown

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2026 Lucid Air Grand Touring Review — Is This $136K EV Sedan Worth It?

AUTONETWORK ON BLACKPRESSUSA — Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, but it still feels elegant instead of trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Published

1 month ago

May 3, 2026

Oakland Post

The 2026 Lucid Air Grand Touring is the kind of luxury EV that makes people stop and ask a simple question: Is this really better than a Tesla Model S, Mercedes EQS, or BMW i7? At $136,150, it has to do more than look futuristic. It has to feel special every time you get in it.

Finished in Stellar White Metallic with the Tahoe Grand Touring interior, this Lucid makes a strong first impression. The shape is sleek and low, yet it still feels elegant rather than trying too hard. Features like soft-close doors, powered illuminated door handles, 20-inch Aero Lite wheels, and the Glass Canopy Roof help the car feel expensive before you even start it.

Inside is where the Air Grand Touring really makes its case. The 34-inch Glass Cockpit Display and retractable Pilot Panel screen give the cabin a clean, modern look that still feels different from other EVs. The Tahoe Extended Leather and Lucid Black Alcantara headliner lifts the sense of occasion, and the front seats are a highlight. They are 20-way power-adjustable, heated, ventilated, and include massage. That matters because luxury buyers at this price expect comfort first.

Rear passengers are not ignored either. You get 5-zone heated rear seating, a rear center console display, and power rear and rear side window sunshades. Add in the Surreal Sound Pro system with 21 speakers, and the Air feels like a true long-distance luxury sedan.

Lucid also gives this car serious EV hardware. The dual-motor all-wheel-drive system, 900V+ charging architecture, and Wunderbox onboard charger are big talking points. Buyers in this segment care about range, charging speed, and everyday ease, not just raw performance. That is where the Lucid continues to stand out.

On the technology side, the Air Grand Touring includes DreamDrive Premium, with 3D Surround View Monitoring, Blind Spot Warning, Automatic Park In and Out, Automatic Emergency Braking, and a Driver Monitoring System with distracted and drowsy driver alerts. This one also has DreamDrive Pro, which adds future-capable ADAS hardware.

There are still some real-world annoyances. Based on your notes, the windshield wiper control is hard to find and use, and that matters more than people think in a high-tech car. When controls become less intuitive, even a beautiful interior can feel frustrating.

Still, the 2026 Lucid Air Grand Touring succeeds where it matters most. It feels luxurious, advanced, comfortable, and thoughtfully engineered. For buyers who want an EV sedan that feels truly premium and less common than the usual choices, this Lucid makes a very strong case.

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Snoop Dogg Celebrates 10 Til’ Midnight at the Compound

LOS ANGELES SENTINEL — The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles.

Published

1 month ago

May 3, 2026

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Snoop Dogg celebrated the premiere of 10 Til’ Midnight at his Inglewood recording studio & multipurpose facility, The Compound, but the night felt like much more than an album release. It felt like Los Angeles. It felt like legacy. And it felt like another major move from one of the city’s greatest cultural architects as he continues to prove that he is not just dropping music — he is building moments, shaping narratives, and pushing the culture forward in real time.

What made the event so powerful was the clarity behind the vision. During a panel conversation with DJ Hed, Snoop opened up about the heart behind 10 Til’ Midnight, explaining that the project was created to help bridge older and younger generations while also speaking to the long-standing divisions between Bloods and Crips in a unique way through film. That alone gave the project a different kind of weight. This was not just about songs. This was about using creativity as a tool for connection. This was about taking a story rooted in Los Angeles and telling it in a way that could bring people together.

Snoop Congratulated By Rapper & Fellow 10 Til Midnight Cast Member G Perico (CreativeLB/KreativeKapturez)

The album is paired with a film that stars Snoop Dogg, Hitta J3, G Perico, and Ray Vaughn, and one of the strongest elements of the whole project is that the production stayed rooted right here in Los Angeles. The film was shot in the city, including at WePlay Studios in Inglewood, which gave the entire project an even deeper hometown feel. It was not just a West Coast story in content — it was a Los Angeles-made production from the ground up.

That matters because, in a city like this, authenticity still carries weight. Snoop understands how to make sure that what he creates does not just represent Los Angeles on the surface, but actually comes from it.

What also makes 10 Til’ Midnight significant is that it represents another major step in Snoop’s evolution as both an artist and executive. Public reporting around the project identifies it as his 22nd studio album, but the bigger story is what it represents in this season of his life. This is one of several consecutive moves he has made in his 50s that show he is still building, still expanding, and still finding new ways to reinvent what the next chapter looks like.

Snoop Dogg at the Premiere of 10 Til Midnight (CreativeLB/KreativeKapturez)

Now, as the head of Death Row Records and the newly aligned leader of Death Row Pictures, he is taking the brand into a new dimension. That is what made this moment feel bigger than music. Snoop is not just protecting the legacy of Death Row — he is stretching it. He is expanding it beyond records and into film, visual storytelling, and larger creative worlds that can continue carrying the label’s impact forward. Public reporting has noted that this project arrives as part of that broader cinematic push.

That is a major Los Angeles move because the city has always been built on the intersection of music, film, neighborhood identity, and cultural storytelling. With 10 Til’ Midnight, Snoop is leaning all the way into that intersection.

The room at The Compound reflected that. It felt like a private premiere, but it also felt like a statement — a reminder that Snoop Dogg’s staying power has never been based only on nostalgia. It comes from his ability to remain connected, remain visionary, and remain in tune with how to move the culture without losing the essence of who he is.

That is why this premiere mattered. It was not just about celebrating another album. It was about witnessing a Los Angeles legend continue to evolve, continue to unify, and continue to use art to tell stories that hit deeper than entertainment alone.

In that sense, 10 Til’ Midnight became more than a project launch. It became another example of how Snoop Dogg is still taking Los Angeles to the next level — using music, film, and legacy together to build something bigger than a moment.

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OP-ED: Small Businesses Need Minnesota to Act on Pass-Through Tax Policy

MINNESOTA SPOKESMAN RECORDER — A Twin Cities immigrant entrepreneur who built several businesses including grocery stores in underserved neighborhoods is calling on Minnesota lawmakers to extend the Pass-Through Entity tax option before it expires, warning that its loss would hit small businesses already recovering from Operation Metro Surge with higher federal tax bills.

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1 month ago

May 3, 2026

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A Twin Cities Small Business Owner Is Urging Minnesota to Extend a Tax Policy That Could Save Thousands of Businesses

By Daniel Hernandez | Minnesota Spokesman Recorder

I came to the United States as a teenager with a clear goal: to build something meaningful through hard work. I put in long days in construction, restaurants, and landscaping; doing whatever it took to learn, save, and eventually start my own business.

Over time, I built and ran several successful ventures, including an event photography company, a magazine, a tax and accounting firm, and now grocery stores serving neighborhoods across the Twin Cities where other retailers chose not to invest. I’ve created jobs, supported families, and committed to communities that deserve stability and opportunity.

That’s why I’m speaking out now.

Small business owners in Minneapolis and the communities we serve are recovering from serious disruptions, including the impacts of Operation Metro Surge. That event hit immigrant communities especially hard. In my own case, I lost nearly half of my 60 employees and saw revenue drop by about 85%. While I worked to provide competitive wages, health benefits, and paid time off, the real hardship fell on the people who lost their jobs and income.

Even as we rebuild, small businesses are facing another challenge. The Minnesota Legislature is considering letting an important tax policy expire: the Pass-Through Entity tax option.

Here’s what that means in plain terms.

Many small businesses, including mine, are pass-through businesses. That means the business itself doesn’t pay income tax. Instead, the owners report the income on their personal tax returns. But under current federal rules, there’s a limit on how much state tax we can deduct. That often leads to higher federal tax bills.

The Pass-Through Entity option fixes that. It allows the business to pay the state tax directly, which means the business can fully deduct those taxes on its federal return and lower the total amount of income taxed federally. The result is straightforward: small business owners pay less in federal taxes, without reducing what the state collects.

This policy is not new or controversial. Thirty-six states already offer it. It doesn’t cost Minnesota anything, it’s revenue neutral. And it benefits more than 66,000 businesses across the state.

In a state where the cost of doing business is already high, it’s hard to understand why we wouldn’t offer the same basic tax treatment as states like California and Illinois.

Small businesses have carried a heavy load in recent years, through a pandemic, rising costs and public safety disruptions. We’ve adapted, reinvested and stayed committed to our communities. What we need now are practical policies that support that work, not make it harder.

If the Minnesota House does not act soon, many businesses will face significantly higher federal tax bills. That’s money that could otherwise be used to hire workers, raise wages or reinvest in local neighborhoods.

I urge Gov. Tim Walz and members of the House Tax Committee to pass House File 3127 and extend the Pass-Through Entity election.

Small businesses are the backbone of our communities. We’ve proven our resilience. Now we need our state leaders to show the same commitment to us.

Daniel Hernandez is the owner of Colonial Market located at 2100 E. Lake St.

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