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NAACP Celebrates 110th Anniversary of Freedom Fighting

NNPA NEWSWIRE — “Had there been no May 17, 1954 (the day the Supreme Court ruled in Brown V. Board of Education), I’m not sure there would have been a Little Rock. I’m not sure there would have been a Martin Luther King Jr., or Rosa Parks, had it not been for May 17, 1954. It created an environment for us to push, for us to pull,” Lewis said.

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By Stacy M. Brown, NNPA Newswire Correspondent
@StacyBrownMedia

The National Association for the Advancement of Colored People – NAACP – was founded 110 years ago after a deadly race riot rocked the city of Springfield, Illinois. “Because of the riots in Springfield, that brought about serious conversations and meetings about starting an organization, a national organization, that would try to address racial issues,” said Nell Clay, Springfield and central Illinois African American History Museum president.

The Springfield race riots took place in August of 1908.

Today, the NAACP remains the foremost civil rights organization in the world with an overriding mission: equality for all.

“There were two African Americans in jail, one accused of rape and one accused of murder,” Clay said. “A mob came to the jail to do their own justice by lynching the individuals.”

Several lives were lost and property was destroyed during the race riot. But at the time, there had been race riots throughout the nation, according to the local Fox affiliate near Chicago.

So why did the Springfield race riots lead to the formation of the NAACP? “Because Springfield was the land of Lincoln – the individual that freed the slaves,” Clay said. “Maybe there was a thought that this was a great place for African Americans to live.”

Once the riots were over, discussions began for a necessary organization.

“People got together around the country, especially throughout Illinois, and said again enough is enough. You need to meet and form an organization that will deal with race in America because race riots were unacceptable,” said Teresa Haley, president of the Illinois NAACP chapter.

Several scholars officially founded the NAACP in New York on February 12, 1909.

Throughout its history, the NAACP has fought to meet the objectives of people of color and have kept to their main goals and principles including:

  • To ensure the political, educational, social, and economic equality of all citizens
  • To achieve equality of rights and eliminate race prejudice among the citizens of the United States
  • To remove all barriers of racial discrimination through democratic processes
  • To seek enactment and enforcement of federal, state, and local laws securing civil rights
  • To inform the public of the adverse effects of racial discrimination and to seek its elimination
  • To educate persons as to their constitutional rights and to take all lawful action to secure the exercise thereof, and to take any other lawful action in furtherance of these objectives, consistent with the NAACP’s Articles of Incorporation and this Constitution.
  • During its 110th anniversary observance, the NAACP has recognized its founders.
  • Founding member William Walling authored, “The Race War in the North,” an article detailing the Springfield race riot.
  • Founding member W.E.B. Du Bois served as the NAACP director of publicity and research from 1910-1934, and was a member of the board of directors, and founder and editor of “The Crisis Magazine,” which continues to serve as a source of news and information from an African American perspective.
  • In her years at the NAACP Rosa Parks worked specifically as a criminal justice and sexual assault investigator. In 1944 she lead the investigation into the rape of Recy Taylor.
  • Founding member Ida B. Wells was an investigative journalist and educator. A pioneer in the anti-lynching movement, Wells dedicated much of her life’s work to the cause and published extensive research on the psychological implications of lynching.

Throughout the 1920s and 1930s, the NAACP led the Black civil rights struggle in fighting injustices such as the denial of voting rights, racial violence, discrimination in employment, and segregated public facilities.

From 1920 to 1950, the NAACP focused on five major areas: anti-lynching legislation, voter participation, employment, due process under the law, and education, according to the National Museum of African American History and Culture in Washington, D.C.

At yearly conventions in different cities around the country, it drew attention to regional needs and interests and encouraged nationwide participation.

Thurgood Marshall grew up in a nurturing African American community in segregated Baltimore.

After graduating from all-black Lincoln University in Pennsylvania, he enrolled in Howard University’s law school. In 1934, he began practicing law in his hometown and immediately was drawn into the local civil rights movement.

In 1938, Marshall took over the leadership of the NAACP legal team from his mentor Charles Hamilton Houston.

A year later, he established the NAACP Legal Defense and Education Fund to carry out the organization’s legal campaign. Marshall’s legal skills, his earthy wit, and easy manner made him an effective leader.

Soon after graduating from law school, Thurgood Marshall took the case of Donald Gaines Murray, an African American student seeking admission to the University of Maryland School of Law.

This case went to the state Supreme Court and successfully challenged segregated education in Maryland.

Speaking at a ceremony to commemorate the recent anniversary of the Brown v. Board of Education, which Marshall and the NAACP argued, legendary U.S. Rep. John Lewis said:

“Had there been no May 17, 1954 (the day the Supreme Court ruled in Brown V. Board of Education), I’m not sure there would have been a Little Rock. I’m not sure there would have been a Martin Luther King Jr., or Rosa Parks, had it not been for May 17, 1954. It created an environment for us to push, for us to pull,” Lewis said.

“We live in a different country, a better country, because of what happened here in 1954. And we must never forget it. We must tell the story again, over and over and over,” he said.

The NAACP’s role in the Civil Rights Movement was vital, said Maryland Democratic Congressman Elijah Cummings. “Today, the organization continues to fight for the freedom, justice, equality, educational, social, economic and political quality of all,” Cummings said.

“This vital work has created justice and opportunity for all of us today and for generations yet unborn.”

Activism

‘Donald Trump Is Not a God:’ Rep. Bennie Thompson Blasts Trump’s Call to Jail Him

“Donald Trump is not a god,” U.S. Rep. Bennie Thompson, D-Miss., told The Grio during a recent interview, reacting to Trump’s unsupported claims that the congressman, along with other committee members like vice chair and former Republican Rep. Liz Cheney, destroyed evidence throughout the investigation.

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Congressman Bennie Thompson, D-Miss. Courtesy photo.
Congressman Bennie Thompson, D-Miss. Courtesy photo.

By Post Staff

U.S. Rep. Bennie Thompson, D-Miss., said he not intimidated by President-elect Donald Trump, who, during an interview on “Meet the Press,” called for the congressman to be jailed for his role as chairman of the special congressional committee investigating Trump’s role in the Jan. 6, 2021, mob attack on the U.S. Capitol.

“Donald Trump is not a god,” Thompson told The Grio during a recent interview, reacting to Trump’s unsupported claims that the congressman, along with other committee members like vice chair and former Republican Rep. Liz Cheney, destroyed evidence throughout the investigation.

“He can’t prove it, nor has there been any other proof offered, which tells me that he really doesn’t know what he’s talking about,” said the 76-year-old lawmaker, who maintained that he and the bipartisan Jan. 6 Select Committee  – which referred Trump for criminal prosecution – were exercising their constitutional and legislative duties.

“When someone disagrees with you, that doesn’t make it illegal; that doesn’t even make it wrong,” Thompson said, “The greatness of this country is that everyone can have their own opinion about any subject, and so for an incoming president who disagrees with the work of Congress to say ‘because I disagree, I want them jailed,’ is absolutely unbelievable.”

When asked by The Grio if he is concerned about his physical safety amid continued public ridicule from Trump, whose supporters have already proven to be violent, Thompson said, “I think every member of Congress here has to have some degree of concern, because you just never know.”

This story is based on a report from The Grio.

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Activism

Biden’s Legacy Secured with Record-Setting Black Judicial Appointments

His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations. The White House said Biden’s efforts show a broader commitment to racial equity and justice.

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By Stacy M. Brown
WI Senior Writer

President Joe Biden’s commitment to diversifying the federal judiciary has culminated in a historic achievement: appointing 40 Black women to lifetime judgeships, the most of any president in U.S. history.

Biden has appointed 62 Black judges, cementing his presidency as one focused on promoting equity and representation on the federal bench.

His record surpasses previous efforts by his predecessors. President Jimmy Carter appointed 37 Black judges, including seven Black women. In stark contrast, Donald Trump’s first term resulted in only two Black women appointed out of 234 lifetime judicial nominations.

The White House said Biden’s efforts show a broader commitment to racial equity and justice.

Meanwhile, Trump has vowed to dismantle key civil rights protections, including the Justice Department’s Civil Rights Division.

“Having the Black woman’s experience on the federal bench is extremely important because there is a different kind of voice that can come from the Black female from the bench,” Delores Jones-Brown, professor emeritus at John Jay College of Criminal Justice, told reporters.

Lena Zwarensteyn of the Leadership Conference on Civil and Human Rights told reporters that these district court judges are often the first and sometimes the final arbiters in cases affecting healthcare access, education equity, fair hiring practices, and voting rights.

“Those decisions are often the very final decisions because very few cases actually get heard by the U.S. Supreme Court,” Zwarensteyn explained.

Biden’s nomination of Justice Ketanji Brown Jackson to the Supreme Court further reflects his commitment to judicial diversity. Jackson became the first Black woman to serve on the nation’s highest court.

Patrick McNeil, spokesperson for the Leadership Conference, pointed out that over half of Biden’s Black female judicial appointees have backgrounds as civil rights attorneys and public defenders, experience advocates consider essential for a balanced judiciary.

Meanwhile, Congress remains divided over the expansion of federal judgeships. Legislation to add 66 new judgeships—approved unanimously by the Senate in August—stalled in the GOP-controlled House until after the election. House Republicans proposed distributing the new judgeships over the next decade, giving three administrations a say in appointments. President Biden, however, signaled he would veto the bill if it reached his desk.

Rep. Jerry Nadler, D-N.Y., argued the delay was a strategic move to benefit Trump’s potential return to office. “Donald Trump has made clear that he intends to expand the power of the presidency and giving him 25 new judges to appoint gives him one more tool at his disposal,” Nadler said.

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Arts and Culture

Promise Marks Performs Songs of Etta James in One-Woman Show, “A Sunday Kind of Love” at the Black Repertory Theater in Berkeley

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.” Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

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Photo Courtesy Of Promise Marks.
Photo Courtesy Of Promise Marks.

Special to the Post

It was “A Sunday Kind of Love” at the Black Repertory Group Theater in Berkeley on Saturday night, Dec. 7. The one-woman musical based on the music of Etta James featured the multi-talented singer Promise Marks

Marks, who wrote and directed the musical, also owns PM Productions.

“The (show) is a fictional story about a character named Etta, aka Lady Peaches,” said Marks. “She falls in love with Johnny Rhythm, leader of the Rhythm Players Band and headliners of Madam G’s Glitta Lounge.”

Marks channeled the essence of Etta James, singing favorites such as “Sugar on the Floor” and “At Last.”

In between her soulful songs, Marks narrated impactful moments of the love story and journey of blues and forgiveness.

Marks sultry voice carried the audience back to an era that echoed with the power of Black music and a time of great change.

Marks said James shared love for the Black community by singing at gatherings during the Civil Rights Movement uplifting the people.

“She spoke to the movement, spoke to the people, and let her music speak for itself,” Marks said.

Backing the musical’s monologues, images and videos of Etta James are projected for the audience to view. While the production is fictional, Marks infused script with the unfairness and heartbreak James experienced while performing.

Marks performed gospel artist Donnie McClurkin’s “We Fall Down” as she narrated acts of reconciliation and forgiveness among the characters at Johnny Rhythm’s deathbed.

Marks, who regularly sings for the Miss America Pageant, was asked to perform as Etta James last year. “(At the event) a lady yelled out to me: ‘You’re Etta James!’ And then the audience went crazy. I said to myself, ‘I may have something here,’” she said.

Within 12 months, Marks created the musical production, which featured a dozen songs honoring “the great legacy of Etta James,” she said.

Marks says she was saddened to see how Etta James was often judged by the struggles in her life and wanted to offer attendees a more layered view.

“Etta’s life was so big. I want people to know that she was more than her drug addiction,” said Marks. “We can’t make that her legacy. Her catalog is too amazing. You can’t just be that and have the catalog that she (created). I don’t want the addiction to be the focus: I want her music, her element, her sassiness, and what she brought to be the focus – her woman-ness, that she was strong, and I wanted to honor that.”

Set Designer Nora Burnette says she created the set segments to mirror James’ life story. A set designer for BRG since 2016, she explained that her process of researching the scenario and the character serve as her inspiration for her design.

“I try to design a set as close to real life as possible so that the actress can deliver the performance sincerely,” said Burnette. “By creating the right setting, it helps the actors release the true essence of a character.”

The set brought the story to life and absolutely floored Marks. “Once Promise (Marks) saw the actual set, she understood my vision: ‘Wow, you get me. You get it,'” Marks told the designer.

Born Jamesetta Hawkins, Etta James, began her career in 1954 and gained fame with hits such “At Last” and “I’d Rather Go Blind.” She faced a number of personal problems, before making a musical comeback in the late 1980s with the album “Seven Year Itch.”

Co-producer and BRG Development Director, Sean Vaughn Scott, works with Overseer Production. According to producer Pamela Spikes, “Marks talent truly does Etta’s life story justice.”

Pam Jacobs of Hercules, a friend of Marks’ mom, Jackie Smith, said, Marks “was fabulous and sang all of those songs flawlessly.”

“I’m so proud of my daughter,” said Smith.

Marks, who has served as an instructor for BRG, will return on Feb. 21- 23 for an encore run of the musical.

“It’s an honor to be a part of the BRG (Black Repertory Group) family and continue our executive director Dr. Mona Vaughn Scott’s vision for the Black Repertory Group theater,” said Marks.

The Black Repertory Group Theatre is located at 3201 Adeline St., Berkeley, CA 94703. For information, visit: BlackRepertoryGroup.com

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