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Nigerian Artist Nike Okundaye shares Textile Art in New Orleans

NEW ORLEANS DATA NEWS WEEKLY — Textile Artist Oyenike Monica Okundaye, better known as Nike Okundaye, displayed the unique adire designs of the Yoruba Artform during a stay in New Orleans, hosted by Xavier University of Louisiana. Okundaye is the owner and curator of Nike Art Galleries in Lagos, considered one of the largest of its kind in West Africa, as well as other art centers in Osogbo, Ogidi-Ijumu, and Abuja, Nigeria.

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Nigerian guest Owolabi Ayodele with Nigerian Artist Ayoola Omovo with Dr. Kim Vaz-Deville and featured Nigerian Artist Nike Okundaye. (Photo by: Daylan Paige)

By Daylan Paige

Textile Artist Oyenike Monica Okundaye, better known as Nike Okundaye, displayed the unique adire designs of the Yoruba Artform during a stay in New Orleans, hosted by Xavier University of Louisiana. Okundaye is the owner and curator of Nike Art Galleries in Lagos, considered one of the largest of its kind in West Africa, as well as other art centers in Osogbo, Ogidi-Ijumu, and Abuja, Nigeria.

Her work showcases the Adire Tradition of Indigo Dyeing Textile Process in Southwestern Nigeria that can be traced back to West African civilizations. Adire translates to “tied and dyed” that creates patterns that are identifiable looks for West African textiles.

Photo by: Daylan Paige 

Photo by: Daylan Paige

“I was taken by the way that she had come from poverty and used art not only to empower herself but to empower the people around her, especially rural women who didn’t have a lot of education and didn’t have the means to have an income,” said Dr. Kim Vaz-Deville, the Associate Dean of the College of Arts and Sciences at Xavier. Okundaye wrote about her work in a 2001 book “Beyond Indigo: Adire Eleko Squares, Patterns & Meanings.”

Okundaye’s story of using art to empower women is what attracted Vaz-Deville to her work and to bringing her to New Orleans. Vaz profiled Okundaye’s story in her book “The Woman with the Artistic Brush: A Life History of Yoruba Batik Artist Nike Davies.”
Okundaye started her career in 1968 in a small art shop.

“My inspiration comes directly from my dreams, being born as an artist, I get inspiration from my own direct background,” Okundaye said. She has since trained over 4,000 people to become artists since 1968. She also has more than 150 students in Europe and North America. Another Nigerian Artist Ayoola Omovo visiting New Orleans and the exhibit titled “Insight” said that Okundaye has created a pathway for generations after her.

Photo by: Daylan Paige 

Photo by: Daylan Paige

“Nike inspired me in a very unique way, she supports women and she’s a vibrant artist and no matter her age she keeps working every day. As a woman she inspires girls to do what they want for as long as you want,” Omovo said.

Okundaye said she looks forward to sharing with Xavier students the origins of her work and to inspire other female artists to create textiles.

“When I came to Xavier, I say this university especially really makes me grin. This is my first time having an opportunity to exhibit some of my female artists and people from my gallery, so this is a great achievement, so I thank the organizer, Dr. Kim,” Okundaye said.

Vaz-Deville said that Okundaye’s work has taught those who follow her how art can reflect heritage, community, and ingenuity.
“Art is life. Creativity is like the bubbling brook that’s inside all of us and if we don’t tend to that creativity, we become dried up in a way,” Vaz-Deville said.

This article originally appeared in New Orleans Data News Weekly.

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Remembering George Floyd

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OP-ED: Oregon Bill Threatens the Future of Black Owned Newspapers and Community Journalism

BLACKPRESSUSA NEWSWIRE — Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors and photographers covering school boards, investigating corruption and telling community stories, until their jobs were cut by out-of-state corporations.

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By Dr. Benjamin F. Chavis, Jr.
President and CEO, National Newspaper Publishers Association

For decades, The Skanner newspaper in Portland, the Portland Observer, and the Portland Medium have served Portland, Oregon’s Black community and others with a vital purpose: to inform, uplift and empower. But legislation now moving through the Oregon Legislature threatens these community news institutions—and others like them.

As President and CEO of the National Newspaper Publishers Association (NNPA), which represents more than 255 Black-owned media outlets across the United States—including historic publications like The Skanner, Portland Observer, and the Portland Medium—l believe that some Oregon lawmakers would do more harm than good for local journalism and community-owned publications they are hoping to protect.

Oregon Senate Bill 686 would require large digital platforms such as Google and Meta to pay for linking to news content. The goal is to bring desperately needed support to local newsrooms. However, the approach, while well-intentioned, puts smaller, community-based publications at a future severe financial risk.

We need to ask – will these payments paid by tech companies benefit the journalists and outlets that need them most? Nearly half of Oregon’s media outlets are now owned by national conglomerates with no lasting investment in local communities. According to an OPB analysis, Oregon has lost more than 90 news jobs (and counting) in the past five years. These were reporters, editors, and photographers covering school boards, investigating corruption, and telling community stories, until their jobs were cut by out-of-state corporations.

Legislation that sends money to these national conglomerate owners—without the right safeguards to protect independent and community-based outlets—rewards the forces that caused this inequitable crisis in the first place. A just and inclusive policy must guarantee that support flows to the front lines of local journalism and not to the boardrooms of large national media corporations.

The Black Press exists to fill in the gaps left by larger newsrooms. Our reporters are trusted messengers. Our outlets serve as forums for civic engagement, accountability and cultural pride. We also increasingly rely on our digital platforms to reach our audiences, especially younger generations—where they are.

We are fervently asking Oregon lawmakers to take a step back and engage in meaningful dialogue with those most affected: community publishers, small and independent outlets and the readers we serve. The Skanner, The Portland Observer, and The Portland Medium do not have national corporate parents or large investors. And they, like many smaller, community-trusted outlets, rely on traffic from search engines and social media to boost advertising revenue, drive subscriptions, and raise awareness.

Let’s work together to build a better future for Black-owned newspapers and community journalism that is fair, local,l and representative of all Oregonians.

Dr. Benjamin F. Chavis Jr., President & CEO, National Newspaper Publishers Association

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Hate and Chaos Rise in Trump’s America

BLACKPRESSUSA NEWSWIRE — Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains.

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By Stacy M. Brown
Black Press USA Senior National Correspondent

The Southern Poverty Law Center has identified 1,371 hate and antigovernment extremist groups operating across the United States in 2024. In its latest Year in Hate & Extremism report, the SPLC reveals how these groups are embedding themselves in politics and policymaking while targeting marginalized communities through intimidation, disinformation, and violence. “Extremists at all levels of government are using cruelty, chaos, and constant attacks on communities and our democracy to make us feel powerless,” said SPLC President Margaret Huang. The report outlines how hard-right groups aggressively targeted diversity, equity, and inclusion (DEI) initiatives throughout 2024. Figures on the far right falsely framed DEI as a threat to white Americans, with some branding it a form of “white genocide.” After the collapse of Baltimore’s Francis Scott Key Bridge, a former Utah legislator blamed the incident on DEI, posting “DEI = DIE.”

Tactics ranged from local policy manipulation to threats of violence. The SPLC documented bomb threats at 60 polling places in Georgia, traced to Russian email domains. Similar threats hit Jewish institutions and Planet Fitness locations after far-right social media accounts attacked them for trans-inclusive policies. Telegram, which SPLC describes as a hub for hate groups, helped extremists cross-recruit between neo-Nazi, QAnon, and white nationalist spaces. The platform’s lax moderation allowed groups like the Terrorgram Collective—designated terrorists by the U.S. State Department—to thrive. Militia movements were also reorganized, with 50 groups documented in 2024. Many, calling themselves “minutemen,” trained in paramilitary tactics while lobbying local governments for official recognition. These groups shared personnel and ideology with white nationalist organizations.

The manosphere continued to radicalize boys and young men. The Fresh & Fit podcast, now listed as a hate group, promoted misogyny while mocking and attacking Black women. Manosphere influencers used social media algorithms to drive youth toward male-supremacy content. Turning Point USA played a key role in pushing white nationalist rhetoric into mainstream politics. Its leader Charlie Kirk claimed native-born Americans are being replaced by immigrants, while the group advised on Project 2025 and organized Trump campaign events. “We know that these groups build their power by threatening violence, capturing political parties and government, and infesting the mainstream discourse with conspiracy theories,” said Rachel Carroll Rivas, interim director of the SPLC’s Intelligence Project. “By exposing the players, tactics, and code words of the hard right, we hope to dismantle their mythology and inspire people to fight back.”

Click here for the full report or visit http://www.splcenter.org/resources/guides/year-hate-extremism-2024.

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