Entertainment

PBS: ‘Finding Your Roots’ Affleck Episode Violated Standards

Published

11 years ago

June 25, 2015

In this Nov. 14, 2014 file photo, Ben Affleck poses in the press room with the Hollywood film award for “Gone Girl” at the Hollywood Film Awards in Los Angeles. PBS says it’s postponing the third season of “Finding Your Roots” after an internal investigation of an episode about Ben Affleck’s ancestors. (Photo by Jordan Strauss/Invision/AP, File)

LYNN ELBER, AP Television Writer

LOS ANGELES (AP) — PBS put its “Finding Your Roots” series on hold Wednesday after determining an episode that omitted references to Ben Affleck’s ancestor as a slave owner violated its standards.

The public television service said it is postponing the show’s third season and delaying a commitment to a fourth year until it is satisfied with improvement in the show’s editorial guidelines.

PBS launched its investigation after it was reported that Affleck requested the program not reveal his ancestor’s slave-holding history in the 2014 episode. The Associated Press examined historical documents and found that Affleck’s great-great-great-grandfather owned 24 slaves.

The review found that co-producers violated PBS standards by allowing improper influence on the show’s editorial process and failed to inform PBS or producing station WNET of Affleck’s efforts to affect the program’s content.

In a statement, series host and executive producer Henry Louis Gates Jr. apologized for forcing PBS to defend the integrity of its programming. He said he’s working with public TV on new guidelines to ensure increased transparency.

Affleck’s request came to light last spring in hacked Sony emails published online by whistleblower site WikiLeaks.

“These reports marked the first time that either PBS or WNET learned of this request,” PBS said Wednesday.

PBS said it will withdraw the episode from all forms of distribution including on-air, digital platforms and home video. The show was also ordered to hire an additional researcher and an independent genealogist to review programs for factual accuracy.

Asked for comment from Affleck, a representative referred to remarks he had posted when the issue first was reported.

“We deserve neither credit nor blame for our ancestors and the degree of interest in this story suggests that we are, as a nation, still grappling with the terrible legacy of slavery,” Affleck said on his Facebook page in April.

The award-winning “Good Will Hunting” and “Argo” actor said he was “embarrassed” for a TV show about his family to include a slave owner. He added, among other comments, that “Finding Your Roots” isn’t a news program.

Gates and PBS said in April they didn’t censor the slave-owner details. Instead, more interesting ancestors of Affleck emerged and Gates chose to highlight them instead in the show that traces the ancestry of well-known guests.

But in an email exchange between Gates and Sony Pictures chief executive Michael Lynton, Gates asks Lynton for advice on how to handle Affleck’s request.

“Here’s my dilemma,” says Gates in one email, dated July 22, 2014, “confidentially, for the first time, one of our guests has asked us to edit out something about one of his ancestors — the fact that he owned slaves. Now, four or five of our guests this season descend from slave owners, including (documentary filmmaker) Ken Burns. We’ve never had anyone ever try to censor or edit what we found. He’s a megastar. What do we do?”

Lynton replied that it all depends on who knows that the information was in the documentary already.

Last January, PBS station WETA in Washington, D.C., succeeded WNET as the show’s producing station.

___

AP Television Writer David Bauder in New York contributed to this report.

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Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Published

3 days ago

January 9, 2026

Oakland Post

Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.