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Marquesa
By Marquesa LaDawn
NNPA Columnist 

 
It was wild and crazy week in Housewives Land. Let’s start with #RHOA, which had a big episode. They picked up on Apollo’s rant as he left home for the Big House. Or, should I say, Jailhouse? It’s sooo sad when I think of how defiant Phaedra was when it came to her marriage to Apollo. She was all in and not budging, in spite of the various red flags. But, as soon as he got arrested, she could not wash him out of her life fast enough. I get it, you love and then you leave. But, deep down, I don’t believe Phaedra 100 percent. Why? She’s a smart woman when it comes to business, too smart not to notice all the money that was being spent by her hubby. If I had a hubby with that background, I would be on him like white on rice. On second thought, I wouldn’t have a hubby like that. I think if Phaedra was more open with her emotions and less stoic, I would trust her more.

I have to say that I’m excited about the possibility of her seeing a Mr. Chocolate. Longtime housewives fan notice how the tide quickly shifts. You see, Phaedra was great at bad talking other housewives when they considered mysterious suitors. Now, she’s in the hot seat. I will stay tuned, as always. Perhaps the chocolate may just melt.

On to my other face in #RHOA land, Kenya Moore, who’s getting attacked from so many places, all at one time. Where should I start? Where does anyone start? First, let’s try the blogosphere, where play, movie, whatever is being exposed as a sham.

There was a claim made by “Fresh Prince of Bell-Air” actress Janet Hubert, one of the actors in this production. Supposedly, this was just a fake production that yielded fake pay. I guess we will see. I enjoy Kenya in the mix with others. The whole production thing is kind of a bore. It’s funny, because you can see Kenya wants a piece of Vivica A. Fox’s life, her nemesis on #CA, the movie star part. I bring up Vivica famous beef on #CelebrityApprentice

Bored or not, I am curious about Kenya confronting Phaedra over her mystery man. You see, Kenya is still irked about Phaedra calling her a whore and other unflattering names. She’s really hurt that after Apollo, her husband, admitted he lied on Kenya, she never got an apology or at least a sincere one from Phaedra. She has a major ax to grind, which should surprise no one. I will say that having fast talking Claudia as a buddy works to her advantage; even Cynthia is proving to be a great asset.

The Queen of RHOA, Nene, appeared on #WWHL with my girl, Tracie Ellis Ross and boy did she spill some tea. Nene’s pretty bold about reacting if she feels shamed or attacked and #bravo via #andycohen can do that in a charming way. Everybody’s talking about Nene’s poor hair choices and like any woman, she’s embarrassed. Don’t know if she’s more embarrassed about the hair or the talking. My guess is that she’ll get it right eventually. I just wish she’d figure out who she wants to be. I saw her interview with Meredith , and whoa! All of a sudden, I was introduced to Nene trying to be someone else. I will just say although she shared her back story in a big way, she at times lacked being authentic, trying to be a character of herself. You’ve gotta watch it. She’s a work in progress, like the rest of us.

In #RHOBH land, …last week built on the previous week of Kim being the center of discussion. In short, she’s in denial about her addiction and everyone around her is trying to figure out what to do. I’m getting bored. This was the storyline three years ago. If Brandi wasn’t acting up, I wouldn’t watch. I heard a rumor that Brandi is considering leaving the housewives, yeah right. That show makes her relevant. Right now, she’s feeling vulnerable from all the attacks from the other housewives and #celebrityapprentice; Just think about it, she may garner a lot of screen time, but she’s always the bad guy, and she’s playing herself. Gotta Love Brandi!

I’m in tears over #CelebrityApprentice ending… It was so good. The housewives created drama like true professionals and the second female celebrity apprentice winner emerged, Leeza Gibbons. She doesn’t know it yet, but Leeza would make a fabulous housewife although she has a bit of a Stepford Wives vibe. I loved how she told the story about being invited to Brandi’s housewarming not realizing it was being taping for the show.

She popped in and then out with her hubby in tow. When she was asked about being Brandi’s friend, she dodged that question with a silent no. It’s important from a career perspective that she’s not put into reality TV world too much. But, Leeza can I say, it was reality TV that made you hot again, so don’t kick it too much.

During the final episode, Kenya was asked one more time about #phonegate. Did you steal Vivica’s phone? Of course she said, no. Several cast members recommended a lie detector test. No matter what they say, Donald Trump, the housewives made your show relevant! Go girls!!

 

Marquesa LaDawn is a professional business woman who escapes the pressures of living in New York City by retreating into the real world of reality TV. Visit her at www.Realitytvgirl.com.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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