Arts and Culture
SF Will Invest $7 Million to Support the Arts
San Francisco, CA — Mayor Edwin M. Lee has announced that over the next two years the city will contribute and invest $7 million in programs supporting the arts.
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This represents 14 percent growth over previous budgets and includes a $2 million enhancement (a 50 percent increase) to the city’s groundbreaking Cultural Equity Endowment Fund and $1 million to Grants for the Arts to support small and mid-sized arts nonprofits, individual artists and historically underserved communities through grants and capacity building.
Mayor Lee’s Shared Prosperity for the Arts Package includes a $3.8 million capital investment over the next two years in the City’s Civic Art Collection and Cultural Centers and an additional funding for arts education.
“Artists have played an immeasurable role in shaping San Francisco into the City it is today. The arts and culture sector also helps fuel our economy, drawing $1.7 billion in tourism each year,” said Mayor Lee. “That is why we must act now to keep artists here so that they can continue to contribute to the vitality of our City. This increase in arts funding will help ensure that artists can share in the prosperity of this rapidly growing economy.”
“On behalf of the Arts Commission, we are grateful to the mayor for taking steps to protect the city’s arts and culture ecosystem through these budget enhancements,” said Director of Cultural Affairs Tom DeCaigny. “With an historic increase to the Cultural Equity Endowment Fund and this overall commitment to artists in San Francisco, we are setting an example for other municipalities on how to preserve and support artist communities.”
“This is wonderful news for the arts,” said Director of Grants for the Arts Kary Schulman. “This increase in funding comes at a critical time when artists are struggling to maintain their foothold in the City. There is no better way to help arts organizations than by increasing crucial general operating support for their work.”
In collaboration with the Mayor’s Office, the Arts Commission will also explore exciting new opportunities to build housing for the artists who contribute so much to San Francisco’s diverse neighborhoods.
The city-owned cultural centers, which include the African American Arts and Culture Complex, Bayview Opera House Ruth Williams Memorial Theatre, the Mission Cultural Center for Latino Arts and SOMArts provide accessible arts and culture programming for all San Franciscans by offering low-cost performances and space rentals, gallery exhibitions and classes. With an increased capital budget over the next two years, the centers will be able to address critical maintenance needs and make significant improvements for greater accessibility to their sites.
Arts and Culture
‘Giants Rising’ Film Screening in Marin City Library
A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.
By Godfrey Lee
The film “Giants Rising” will be screened on Saturday, Jan. 11, from 3-6 p.m. at the St. Andrew Presbyterian Church, located 100 Donahue St. in Marin City.
A journey into the heart of America’s most iconic forests, “Giants Rising” tells the epic tale of the coast redwoods — the tallest and among the oldest living beings on Earth. Living links to the past, redwoods hold powers that may play a role in our future, including their ability to withstand fire and capture carbon, to offer clues about longevity, and to enhance our own well-being.
Through the voices of scientists, artists, Native communities, and others, we discover the many connections that sustain these forests and the promise of solutions that will help us all rise up to face the challenges that lay ahead.
The film’s website is www.giantsrising.com. The “Giants Rising” trailer is at https://player.vimeo.com/video/904153467. The registration link to the event is https://marinlibrary.bibliocommons.com/events/673de7abb41279410057889e
This event is sponsored by the Friends of the Marin City Library and hosted in conjunction with the Golden Gate National Recreation Area and St. Andrew Presbyterian Church.
All library events are free. For more information, contact Etienne Douglas at (415) 332-6158 or email etienne.douglas@marincounty.gov. For event-specific information, contact Zaira Sierra at zsierra@parksconservancy.org.
Activism
‘Resist’ a Look at Black Activism in U.S. Through the Eyes of a Native Nigerian
In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”
By Terri Schlichenmeyer, The Bookworm Sez
Throughout history, when decisions were needed, the answer has often been “no.”
‘No,’ certain people don’t get the same education as others. ‘No,’ there is no such thing as equality. ‘No,’ voting can be denied and ‘no,’ the laws are different, depending on the color of one’s skin. And in the new book, “Resist!” by Rita Omokha, ‘no,’ there is not an obedient acceptance of those things.
In 1995, after she and her brothers traveled from their native Nigeria to join their mother at her new home in the South Bronx, young Omokha’s eyes were opened. She quickly understood that the color of her skin – which was “synonymous with endless striving and a pursuit of excellence” in Nigeria – was “so problematic in America.”
That became a bigger matter to Omokha later, 15 years after her brother was deported: she “saw” him in George Floyd, and it shook her. Troubled, she traveled to America on a “pilgrimage for understanding [her] Blackness…” She began to think about the “Black young people across America” who hadn’t been or wouldn’t be quiet about racism any longer.
She starts this collection of stories with Ella Josephine Baker, whose parents and grandparents modeled activism and who, because of her own student activism, would be “crowned the mother of the Civil Rights Movement.” Baker, in fact, was the woman who formed the Student Nonviolent Coordinating Committee, or SNCC, in 1960.
Nine teenagers, known as the Scottsboro Nine were wrongly arrested for raping two white women in 1931 and were all released, thanks to the determination of white lawyer-allies who were affiliated with the International Labor Defense and the outrage of students on campuses around America.
Students refused to let a “Gentleman’s Agreement” pass when it came to sports and equality in 1940. Barbara Johns demanded equal education under the law in Virginia in 1951. Huey Newton and Bobby Seale formed the Black Panther Party for Self-Defense in 1966. And after Trayvon Martin (2012) and George Floyd (2020) were killed, students used the internet as a new form of fighting for justice.
No doubt, by now, you’ve read a lot of books about activism. There are many of them out there, and they’re pretty hard to miss. With that in mind, there are reasons not to miss “Resist!”
You’ll find the main one by looking between the lines and in each chapter’s opening.
There, Omokha weaves her personal story in with that of activists at different times through the decades, matching her experiences with history and making the whole timeline even more relevant.
In doing so, the point of view she offers – that of a woman who wasn’t totally raised in an atmosphere filled with racism, who wasn’t immersed in it her whole life – lets these historical accounts land with more impact.
This book is for people who love history or a good, short biography, but it’s also excellent reading for anyone who sees a need for protest or action and questions the status quo. If that’s the case, then “Resist!” may be the answer.
“Resist! How a Century of Young Black Activists Shaped America” by Rita Omokha, c.2024, St. Martin’s Press. $29.00
Activism
Oakland Community Art Center is Helping Immigrants Heal from Trauma
The programs are catered to youth and adults with programs called “Arts in Schools” and “Arts and Wellness.” Students are encouraged to participate in music, crafts, and dancing. In contrast, adults can join support groups to connect with others and receive mental health resources to alleviate trauma they may have previously experienced.
By Magaly Muñoz
A local community art center ARTogether is creating a safe place for immigrants and refugees one craft at a time.
After Donald Trump’s first presidential term started in 2017, Leva Zand saw firsthand the impact of discrimination towards immigrants. She wanted to give this community a space to heal through a creative outlet, which prompted her to start ARTogether.
“Folks can come together and do art activities, celebrate their culture, and basically be in a judgmental free environment, no matter what is their immigration status or how well they speak English, when they came to this country, what generation they are,” Zand explained. “The idea was how to use arts and culture for community building and connection between refugees, immigrants themselves and with the broader community.”
Located in downtown Oakland, the space is dedicated partly for galleries and art shows featuring local immigrant artists. The remaining area is a communal studio where ARTogether hosts its regular activities.
Art is used as a therapeutic medium that allows participants to process and express their emotions and experiences and build community with others in the studio, Zand said.
The programs are catered to youth and adults with programs called “Arts in Schools” and “Arts and Wellness.” Students are encouraged to participate in music, crafts, and dancing. In contrast, adults can join support groups to connect with others and receive mental health resources to alleviate trauma they may have previously experienced.
Zand told the Post that a lot of the issues participants come into the program with are related to feeling a lack of support or community after newly arriving to the area from their home countries. While many come from areas where traditional therapy is considered taboo, art lets people of all backgrounds express themselves in a creative form that makes sense to them.
The center can also provide referrals and direct contacts to traditional mental and physical health professionals and legal and social programs for those who need more extensive assistance.
Because of how the organization started, ARTogether has a strong ‘Stop the Hate’ messaging built into its mission. They began promoting the advocacy for anti-immigrant and anti-refugee hate before it was officially established across several demographics during the pandemic, Zand said.
“We really want to activate this space for the community to get together, to share, to strategize, to see how they can advocate at the local, state and even national level for their rights,” Zand shared.
Anticipating an influx in stress and trauma for residents after the presidential inauguration in January, ARTogether is hosting a community gathering at the end of the month in order to give people the space to express their feelings through crafts.
These gatherings, or “Gather In’s”, will be held monthly, or for as long as funding can sustain them, which Zand said might not be for long.
The organization recently lost one of its grants from the city of Oakland during the major budget cuts earlier this month that slashed funding for arts and culture programs. They were meant to receive a $20,000 grant through the city’s initial contingency budget plan but the money is now gone until Oakland can get their revenue up again.
Zand shared she worries about the state of the country come the new year and where her organization may end up as well if budget restraints continue at the local and state level.
“We are really facing uncertainty. We don’t know what is happening…We don’t know how bad it’s going to be,” she said.
This resource was supported in whole or in part by funding provided by the State of California, administered by the California State Library via California Black Media as part of the Stop theHate program. The program is supported by partnership with the California Department of Social Services and the California Commission on Asian and Pacific Islander American Affairs. To report a hate incident or hate crime and get support, go to https://www.cavshate.org/
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