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Stiller Happy Nobody Tripped During Recent ‘Zoolander’ Stunt

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Ben Stiller attends the premiere of "While We're Young" at the Paris Theatre on Monday, March 23, 2015, in New York. (Photo by Charles Sykes/Invision/AP)

Ben Stiller attends the premiere of “While We’re Young” at the Paris Theatre on Monday, March 23, 2015, in New York. (Photo by Charles Sykes/Invision/AP)

ALICIA RANCILIO, Associated Press

NEW YORK (AP) — Ben Stiller and Owen Wilson made many “Zoolander” fans giddy when they closed the Valentino runway show during Paris Fashion Week earlier this month as their model characters from the 2001 comedy.

It was a maneuver to announce a sequel, “Zoolander 2,” due out next year, which Stiller will also direct. The actors were met with cheers and whistles in person as guests hurried to catch the moment on their cellphones.

“I was a little surprised,” Stiller said about the reaction while attending Monday’s premiere of his movie “While We’re Young.” ”I mean it’s been 15 years since the movie came out so we really didn’t know if people remembered or cared, and it was nice to know that there was a little bit of a connection there that people had.”

Their commitment was admirable, as Stiller and Wilson chose to not only take some of the spotlight from a couture fashion house (with its permission, of course) but also to do it during a fashion show. In Paris.

Stiller said he was “just happy we were able to keep it a surprise and nobody tripped.”

“We thought it would be a fun idea as a way to announce the movie,” said Stiller when asked why they chose Paris Fashion Week to make the announcement. “We sort of had top three designers or brands that we went to and TJ Maxx and Burlington Coat Factory bowed out at the last minute so we went Valentino.”

Besides “Zoolander,” Stiller has had a number of roles that have been memorable and quote-worthy, including his roles in “Meet the Parents,” ”Dodgeball” and “Night at the Museum.”

So which movie is he most recognized for?

“Usually it’s ‘Waterboy,'” joked Stiller, who’s not in it. The star of that film is Adam Sandler.

“While We’re Young” opens Friday.

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Follow Alicia Rancilio online at http://www.twitter.com/aliciar

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Online:

http://while-were-young.com/

___

Associated Press writer John Carucci contributed to this report.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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