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Suge Knight Taken to Hospital After Court Appearance

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Marion "Suge" Knight, right, is joined by his attorney David Kenner, left, during his arraignment, Tuesday, Feb. 3, 2015 in Compton, Calif.  Knight, 49,  pleaded not guilty on to murder, attempted murder and other charges filed after he struck two men with his truck last week. (AP Photo/Paul Buck, Pool)

Marion “Suge” Knight, right, is joined by his attorney David Kenner, left, during his arraignment, Tuesday, Feb. 3, 2015 in Compton, Calif. Knight, 49, pleaded not guilty on to murder, attempted murder and other charges filed after he struck two men with his truck last week. (AP Photo/Paul Buck, Pool)

ANTHONY McCARTNEY, AP Entertainment Writer

COMPTON, Calif. (AP) — Former rap music mogul Suge Knight pleaded not guilty Tuesday to murder and attempted murder charges before complaining of chest pain and being rushed to a hospital.

No further information about his condition was immediately available, Los Angeles County sheriff’s Officer John Gardner said.

Knight’s attorney David Kenner said he was on the way to the hospital to see his client but had no details on his condition.

Knight wore orange jail attire at the morning court appearance where he entered not guilty pleas to four felonies, including hit-and-run charges, filed after the Death Row Records founder struck two men with his pickup truck last week.

The 49-year-old Knight could face life in prison if convicted.

Knight is accused of intentionally running down two men, including a friend, in Compton on Thursday. Knight’s attorneys have said he hit the men by accident as Knight fled a vicious attack.

Knight is charged with killing Terry Carter, 55, and attempting to kill Cle “Bone” Sloan, 51, in a burger stand parking lot after an argument occurred at a separate site where the movie “Straight Outta Compton” about the rise of the rap group N.W.A. was being filmed.

Kenner, said his client is remorseful about Carter’s death but that does not mean he’s guilty of the crimes.

“He feels bad that somebody that he knew is deceased,” Kenner said. “It’s not his fault.”

Michael R. Shapiro, an attorney who represents Sloan, said his client has a mangled left foot and some neurological issues and is recovering from his injuries under heavy security.

Knight was at the center of one of the most notorious rap conflicts of the 1990s, pitting Tupac Shakur against Biggie Smalls in an East Coast-West Coast rivalry.

Knight was sent to prison for nearly five years for badly beating a rival with Shakur at a Las Vegas hotel, just hours before Shakur was fatally shot while riding in Knight’s car in 1996.

In the current case, Knight struck two men with his pickup in a Compton parking lot. The collision killed his friend Carter, a founder and owner of Heavyweight Records who was viewed as a community father figure who tried to mentor young men, said Doug Young, a friend and hip-hop music promoter. Sloan is an actor and film consultant.

Authorities said Knight visited the set for “Straight Outta Compton” and argued with Sloan, who was working at the location. Sheriff’s deputies providing security asked Knight to leave.

A short time later, the argument resumed in a parking lot a few miles away where Knight and Sloan exchanged punches through a window of the pickup before the two men were run down, authorities said.

Knight’s former attorney James Blatt has said Knight was attacked by four people, including Sloan, as he pulled into the lot after Carter requested he come for a meeting. Blatt said Knight hit the gas as he fled in fear.

Knight is due back in court on Feb. 9 when a judge will consider whether to set bail.

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AP writer Tami Abdollah in Los Angeles contributed to this story.

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Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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