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Swift, Minaj Tweet Over Rapper’s MTV Video Music Awards Snub

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In this June 7, 2015 file photo, Nicki Minaj performs at the 2015 Hot 97 Summer Jam at MetLife Stadium, in East Rutherford, New Jersey. Taylor Swift and Minaj traded words on Twitter after the rapper said she was upset she didn’t earn a nomination for video of the year at the MTV Video Music Awards. Minaj tweeted multiple times that she didn’t understand why her rump-shaking video for “Anaconda” wasn’t up for the top award when MTV announced the nominees Tuesday, July 21, 2015. (Photo by Scott Roth/Invision/AP, File)

In this June 7, 2015 file photo, Nicki Minaj performs at the 2015 Hot 97 Summer Jam at MetLife Stadium, in East Rutherford, New Jersey. Taylor Swift and Minaj traded words on Twitter after the rapper said she was upset she didn’t earn a nomination for video of the year at the MTV Video Music Awards. (Photo by Scott Roth/Invision/AP, File)

MESFIN FEKADU, AP Music Writer

NEW YORK (AP) — Taylor Swift and Nicki Minaj traded words on Twitter after the rapper said she was upset she didn’t earn a nomination for video of the year at the MTV Video Music Awards.

Minaj tweeted multiple times that she didn’t understand why her rump-shaking video for “Anaconda” wasn’t up for the top award when MTV announced the nominees Tuesday.

She wrote in one tweet: “If your video celebrates women with very slim bodies, you will be nominated for vid of the year.” She also tweeted, “When the ‘other’ girls drop a video that breaks records and impacts culture they get that nomination.”

Minaj did not mention specific artists in her tweets.

Swift, who’s “Bad Blood” is nominated for video of the year, is the top VMA contender with nine nominations.

“I’ve done nothing but love & support you,” she tweeted to Minaj. “It’s unlike you to pit women against each other. Maybe one of the men took your slot.”

Nominees for video of the year include Beyonce’s “7/11,” Kendrick Lamar’s “Alright,” Ed Sheeran’s “Thinking Out Loud” and Mark Ronson’s “Uptown Funk.”

Minaj said she never mentioned Swift in her tweets.

“Huh? U must not be reading my tweets. Didn’t say a word about u,” Minaj said to Swift. “I love u just as much. But u should speak on this.”

“If I win, please come up with me!! You’re invited to any stage I’m ever on,” Swift replied.

“Anaconda,” released a year ago, has 488 million views on YouTube. It earned VMA nominations for best female video and hip-hop video. Minaj is also up for best collaboration for “Bang Bang” with Ariana Grande and Jessie J.

Swift’s nominations for “Bad Blood” include best collaboration, direction, editing, visual effects, art direction and cinematography. Her other hit, “Blank Space,” which boasts 1 billion views on YouTube, is nominated for best female video and pop video.

“Bad Blood,” the action-packed clip that starred Lena Dunham, Selena Gomez and Lamar, has 360 million views on YouTube.

Miley Cyrus will host the 2015 VMAs, which will air live Aug. 30 from the Microsoft Theater in Los Angeles.

___

Online:

https://twitter.com/taylorswift13/

https://twitter.com/NICKIMINAJ/

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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