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Univision Drops Miss USA, Miss Universe Over Trump Comments

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In this June 16, 2013 file photo, Donald Trump, left, and Miss Connecticut USA Erin Brady pose onstage after Brady won the 2013 Miss USA pageant in Las Vegas, Nev. Univision says it is dropping the Miss USA Pageant and says it will cut all business ties with Donald Trump over comments he made about Mexican immigrants. The network said Thursday, June 25, 2015, it will not air the pageant on July 12, as previously scheduled, and has ended its business relationship with the Miss Universe Organization due to what it called "insulting remarks about Mexican immigrants" by Trump, a part owner. (AP Photo/Jeff Bottari, File)

In this June 16, 2013 file photo, Donald Trump, left, and Miss Connecticut USA Erin Brady pose onstage after Brady won the 2013 Miss USA pageant in Las Vegas, Nev. Univision says it is dropping the Miss USA Pageant and says it will cut all business ties with Donald Trump over comments he made about Mexican immigrants. (AP Photo/Jeff Bottari, File)

FRAZIER MOORE, AP Television Writer

NEW YORK (AP) — Donald Trump’s fledgling GOP presidential bid quickly led to business fallout for him, with Univision saying it will drop the Miss USA and Miss Universe pageants and cut all ties with Trump over comments on Mexican immigrants.

The company said Thursday it was canceling its Spanish-language coverage of the Miss USA pageant July 12. It will also ax its planned coverage of the Miss Universe pageant next January and is severing its business relationship with the Miss Universe Organization, which produces both pageants, because of what it called “insulting remarks about Mexican immigrants” by Trump, a part owner of Miss Universe.

NBC remained silent about its scheduled coverage of the Miss USA pageant, which has aired on the network since 2003. But it sought to distance itself from Trump’s remarks.

“Donald Trump’s opinions do not represent those of NBC, and we do not agree with his positions on a number of issues, including his recent comments on immigration,” NBC said in a statement.

Trump has long been featured on another NBC program, “Celebrity Apprentice,” which is currently on hiatus. The show has been renewed, but the network hasn’t commented on its future since Trump declared his candidacy.

During his presidential campaign kickoff speech last week, Trump portrayed immigrants from Mexico as “bringing drugs, they’re bringing crime, they’re rapists, and some, I assume, are good people.” He also called for building a wall along the southern border of the U.S. The remarks drew condemnation from the Mexican government as “biased and absurd.”

In an interview Thursday, Trump said his criticism was directed against U.S. policymakers, not the Mexican people or government, adding that Univision would be defaulting on its contract if it doesn’t air the pageant.

This year’s telecast would have been the first in a five-year deal also including Miss Universe that Trump said “has no termination rights.” He pledged to take legal action against the company.

“At Univision, we see firsthand the work ethic, love for family, strong religious values and the important role Mexican immigrants and Mexican-Americans have had and will continue to have in building the future of our country,” said the New York-based Univision Communications Inc.

Trump accused Univision of having ties to Mexico that led the network to submit to pressure from Mexican leaders to punish him for positions he voices as a candidate on the campaign trail.

“They don’t want me saying that Mexico is killing the United States in trade and killing the United States at the border,” Trump said. “Univision is totally laying down for the Mexican government. … They want to silence Donald Trump. And Donald Trump can’t be silenced. … I have great respect for Mexico and I love the Mexican people, but my loyalty is to the United States.”

Univision declined to comment on Trump’s remarks.

In an interview scheduled to air Sunday on Telemundo’s “Enfoque con José Díaz-Balart,” Trump said that “many bad people are coming in” from Mexico and elsewhere.

“You’re going to have terrorists coming through the southern border. There’s no question about it,” he said.

The host challenged Trump, contending there has been no act of terrorism committed by someone crossing the U.S.-Mexico border.

“You don’t know that,” Trump replied, adding later: “See what happens tomorrow. See what happens in two weeks from now. … I’m not even talking about terrorists from this region. I’m talking about from the Middle East they can come in. The border is totally open.”

In severing her ties with the show, Puerto Rican actress Roselyn Sanchez, one of the two co-hosts, cited Trump’s comments about immigrants.

“Since I heard Trump’s speech, as a Latina I felt a lump in my stomach. ‘It’s got to be a joke,’ I thought,” the star of the Lifetime series “Devious Maids” told The Associated Press.

Also on Thursday, Chilean actor-producer Cristian de la Fuente, the show’s other co-host, had strong words for Trump: “It’s a shame that such an important institution as Miss USA is now in the hands of a clown.”

Singer-songwriter Ricky Martin also took to Twitter to blast Trump.

“A lot of hatred and ignorance in his heart,” he tweeted.

Miss California USA Natasha Martinez was asked about Trump’s comments during an interview Thursday on Los Angeles TV station KCAL and said they were “a little bit tough to hear.”

“But I know that this opportunity for me as Miss California-USA, and now competing for Miss USA, is a great bridge to kind of represent my community and let the world know that I am a proud Latino-American,” she said.

___

Associated Press writers Sigal Ratner-Arias and Claudia Torrens in New York, and John Antczak and Lynn Elber in Los Angeles contributed to this report.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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