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Whitney Houston’s Daughter ‘Fighting for Her Life’ 

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In this Feb. 12, 2011, file photo, singer Whitney Houston, left, and daughter Bobbi Kristina Brown arrive at an event in Beverly Hills, Calif. Messages of support were being offered Monday, Feb. 2, 2015, as people awaited word on Brown, who authorities say was found face down and unresponsive in a bathtub over the weekend in a suburban Atlanta home. (AP Photo/Dan Steinberg, File)

In this Feb. 12, 2011, file photo, singer Whitney Houston, left, and daughter Bobbi Kristina Brown arrive at an event in Beverly Hills, Calif. Messages of support were being offered Monday, Feb. 2, 2015, as people awaited word on Brown, who authorities say was found face down and unresponsive in a bathtub over the weekend in a suburban Atlanta home. (AP Photo/Dan Steinberg, File)

KATE BRUMBACK, Associated Press
TAMARA LUSH, Associated Press

ROSWELL, Ga. (AP) — Bobbi Kristina Houston wanted to sing, act and dance like her megastar parents, Whitney Houston and R&B artist Bobby Brown. Instead, she has mostly made tabloid headlines for drug use and family disputes — the same perils that derailed their careers.

Just like her mother three years ago, Bobbi Kristina was found face-down and unresponsive in a bathtub as the music industry prepared for the Grammy Awards.

As the pop star’s 21-year-old daughter lay hospitalized Monday, police in Roswell, Georgia, issued a very brief incident report, saying officers were called Saturday in response to her “drowning” at her home in suburban Atlanta. Her husband, Nick Gordon, was at the scene and tried to revive her while a friend called 911.

“Bobbi Kristina is fighting for her life and is surrounded by immediate family,” a Houston family statement said Monday. “We are asking you to honor our request for privacy during this difficult time. Thank you for your prayers, well wishes, and we greatly appreciate your continued support.”

With no details forthcoming from police or family about her condition or what may have caused the tragedy, many people looked to see what she’s been posting online. Her last tweet, from Thursday, reflected obvious frustration over her failure to break out as an entertainer: “Let’s start this career up&&moving OUT to TO YOU ALLLL quick shall we !?!???!”

The circumstances were eerily similar to those of Feb. 11, 2012, when Houston’s assistant found the singer’s lifeless body face-down in a foot of water in her bathtub at the Beverly Hills Hotel. Authorities found prescription drugs and listed heart disease and cocaine use as contributors, but concluded that she accidentally drowned.

Bobbi Kristina, then 18, became so distraught that she needed to be hospitalized.

“She wasn’t only a mother, she was a best friend,” she told Oprah shortly thereafter.

Bobbi Kristina identified herself on Twitter as “Daughter of Queen WH,” ”Entertainer/Actress” with William Morris & Co., and “LAST of a dying breed.”

But her mother was an impossible act to follow.

Houston had her first No. 1 hit at 22, and then a flurry of No. 1 songs, selling more than 50 million records in the United States alone. Her voice, an ideal blend of power, grace and beauty, made classics out of “Saving All My Love For You,” ”I Will Always Love You,” ”The Greatest Love of All” and “I’m Every Woman.” Her six Grammys joined many other awards.

Bobbi Kristina inherited her mother’s entire estate, but not her voice. Aside from her family’s short-lived reality TV show “The Houstons: On Our Own,” she has mostly appeared in online “selfies” and paparazzi images.

Houston met R&B star Bobby Brown at the Soul Train Music Awards in 1989. The gifted singer and her bad boy partner married in 1992, much to the dismay of Houston’s family. It was a toxic relationship, characterized by domestic violence and drugs.

Bobbi Kristina was born a year later, and was just a toddler when Houston described herself as a “functioning junkie” to S2SMagazine. Her husband also struggled with addiction, so by 2002, the family moved to suburban Atlanta to attend the healing services of a singer-turned evangelical preacher.

The girl made a few appearances on “Being Bobby Brown,” the reality show that infamously captured her parents fighting, swearing and appearing in court. The Hollywood Reporter said “not only does it reveal Brown to be even more vulgar than the tabloids suggest, but it manages at the same time to rob Houston of any last shreds of dignity.”

Soon, Gordon joined the family. Houston never formally adopted him, but he became like a brother to Bobbi Kristina. And when Houston sought rehab in California in 2004 and divorced Brown in 2007, she kept the kids with her.

The pair called each other big brother and little sister back then. A month after Houston’s death, however, they went public with their relationship. Houston’s mother, Cissy, and sister-in-law Patricia, expressing concern that others would prey on the young woman’s fortune, petitioned a judge to delay part of her inheritance, and Bobbi Kristina agreed.

The young couple’s announcement of their marriage in January 2014 troubled Patricia Houston, who soon obtained a restraining order against Gordon, effective through April 2015.

“Damn, lol, it’s incredible how the world will judge you 4ANY&EVERYthing,” Bobbi Kristina tweeted last March.

But by September, Patricia Houston was praising her niece.

“I’m very proud of Krissy. You know, young people today are up against so much with social media and everything else that presents itself to them, and they have to use everything within their power to stay abreast and to keep a foundation, and that’s what the family does,” Patricia Houston told The Associated Press. “We try to be there for her, just to try to guide and direct her.”

Throughout, Bobbi Kristina expressed love for her husband. Just last week, she tweeted again: “Littlelady&yourgrowing young man @nickdgordon miss you mommy ..:’) SOmuch.. loving you more every sec. #Anniversary!”

___

Lush reported from St. Petersburg, Florida. Kathleen Foody and Mesfin Fekdu contributed to this report.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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