Entertainment
Why The ‘Empire’ Emmy Snub Matters
(Forbes) – Considering the vast amounts of quality television airing at any given time, there are bound to be a number of would-be snubs or omissions even in a year then the Academy of Television Arts and Sciences got much right. For every “Constance Wu from Fresh Off the Boat was robbed!,” there is an “Andre Braugher got nominated for Brooklyn Nine-Nine!.” But there is one rather surprising omission yesterday in the form of the almost complete dismissal of Fox’s Empire. The show failed to make the Best Drama cut and received only two Costuming nods along with the all-but-required Best Actress nod for Taraji P. Henson for her show-stealing turn at Cookie Lyon.
It’s not just that the critically-acclaimed and ratings-rich new drama lost out to shows like House of Cards which even its fans will admit had an off-year. It’s not even the whole “diversity loses” since Orange is the New Black got in even with the new rules that unwillingly pushed the one-hour dramedy in the drama category. It’s that a showing for Empire was a chance for the Emmys to acknowledge and reward the notion that network television still matters.
As I’m sure you know, the Terrence Howard/Taraji P. Henson musical drama premiered in January to stellar ratings. But more surprising, those ratings kept going up over pretty much the entire thirteen episode run of the first season. Its premiere had around 9.9 million viewers while its season finale had around 17.6 million viewers. It was basically the most successful run for a new network series since Grey’s Anatomy back in 2005. This kind of growth is unheard of in modern Nielsen tracking times and it is frankly all-but-impossible in today’s fragmented television demographics. It became an instant pop culture item, with a scorchingly popular soundtrack (which debuted at number one on the Billboard charts against a new Madonna album back in March) and the kind of social media buzz usually reserved for HBO shows or AMC dramas.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Oakland Post: Week of December 24 – 30, 2025
The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
-
Bay Area4 weeks agoPost Salon to Discuss Proposal to Bring Costco to Oakland Community meeting to be held at City Hall, Thursday, Dec. 18
-
Activism4 weeks agoMayor Lee, City Leaders Announce $334 Million Bond Sale for Affordable Housing, Roads, Park Renovations, Libraries and Senior Centers
-
Activism4 weeks agoOakland School Board Grapples with Potential $100 Million Shortfall Next Year
-
Activism4 weeks ago2025 in Review: Seven Questions for Black Women’s Think Tank Founder Kellie Todd Griffin
-
Arts and Culture4 weeks agoFayeth Gardens Holds 3rd Annual Kwanzaa Celebration at Hayward City Hall on Dec. 28
-
Advice4 weeks agoCOMMENTARY: If You Don’t Want Your ‘Black Card’ Revoked, Watch What You Bring to Holiday Dinners
-
Activism4 weeks agoAnn Lowe: The Quiet Genius of American Couture
-
Activism3 weeks agoDesmond Gumbs — Visionary Founder, Mentor, and Builder of Opportunity
Entertainment
Why The ‘Empire’ Emmy Snub Matters
(Forbes) – Considering the vast amounts of quality television airing at any given time, there are bound to be a number of would-be snubs or omissions even in a year then the Academy of Television Arts and Sciences got much right. For every “Constance Wu from Fresh Off the Boat was robbed!,” there is an “Andre Braugher got nominated for Brooklyn Nine-Nine!.” But there is one rather surprising omission yesterday in the form of the almost complete dismissal of Fox’s Empire. The show failed to make the Best Drama cut and received only two Costuming nods along with the all-but-required Best Actress nod for Taraji P. Henson for her show-stealing turn at Cookie Lyon.
It’s not just that the critically-acclaimed and ratings-rich new drama lost out to shows like House of Cards which even its fans will admit had an off-year. It’s not even the whole “diversity loses” since Orange is the New Black got in even with the new rules that unwillingly pushed the one-hour dramedy in the drama category. It’s that a showing for Empire was a chance for the Emmys to acknowledge and reward the notion that network television still matters.
As I’m sure you know, the Terrence Howard/Taraji P. Henson musical drama premiered in January to stellar ratings. But more surprising, those ratings kept going up over pretty much the entire thirteen episode run of the first season. Its premiere had around 9.9 million viewers while its season finale had around 17.6 million viewers. It was basically the most successful run for a new network series since Grey’s Anatomy back in 2005. This kind of growth is unheard of in modern Nielsen tracking times and it is frankly all-but-impossible in today’s fragmented television demographics. It became an instant pop culture item, with a scorchingly popular soundtrack (which debuted at number one on the Billboard charts against a new Madonna album back in March) and the kind of social media buzz usually reserved for HBO shows or AMC dramas.
Activism
OP-ED: AB 1349 Puts Corporate Power Over Community
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.
These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.
Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.
Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.
That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.
California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.
Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.
Activism
Oakland Post: Week of December 31, 2025 – January 6, 2026
The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
Activism
Oakland Post: Week of December 24 – 30, 2025
The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025
To enlarge your view of this issue, use the slider, magnifying glass icon or full page icon in the lower right corner of the browser window.
-
Bay Area4 weeks agoPost Salon to Discuss Proposal to Bring Costco to Oakland Community meeting to be held at City Hall, Thursday, Dec. 18
-
Activism4 weeks agoMayor Lee, City Leaders Announce $334 Million Bond Sale for Affordable Housing, Roads, Park Renovations, Libraries and Senior Centers
-
Activism4 weeks agoOakland School Board Grapples with Potential $100 Million Shortfall Next Year
-
Activism4 weeks ago2025 in Review: Seven Questions for Black Women’s Think Tank Founder Kellie Todd Griffin
-
Arts and Culture4 weeks agoFayeth Gardens Holds 3rd Annual Kwanzaa Celebration at Hayward City Hall on Dec. 28
-
Advice4 weeks agoCOMMENTARY: If You Don’t Want Your ‘Black Card’ Revoked, Watch What You Bring to Holiday Dinners
-
Activism4 weeks agoAnn Lowe: The Quiet Genius of American Couture
-
Activism3 weeks agoDesmond Gumbs — Visionary Founder, Mentor, and Builder of Opportunity







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