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Jazz Musician Marsalis Cancels Venezuela Shows Amid Tensions

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In this Sept. 20, 2014, file photo, musician Wynton Marsalis performs during a memorial service for actress Ruby Dee at The Riverside Church in New York. It was announced Wednesday, March 11, 2015, that Marsalis is scratching a concert in Venezuela amid rising tensions between Venezuela and the U.S. that are making it harder for U.S. citizens to travel to the South American country. (AP Photo/Jason DeCrow, File)

In this Sept. 20, 2014, file photo, musician Wynton Marsalis performs during a memorial service for actress Ruby Dee at The Riverside Church in New York. It was announced Wednesday, March 11, 2015, that Marsalis is scratching a concert in Venezuela amid rising tensions between Venezuela and the U.S. that are making it harder for U.S. citizens to travel to the South American country. (AP Photo/Jason DeCrow, File)

JOSHUA GOODMAN, Associated Press
CHARLES J. GANS, Associated Press

BOGOTA, Colombia (AP) — American jazz legend Wynton Marsalis has canceled concerts in Venezuela at a time of rising tensions between the two nations.

The New York-based trumpeter and composer was scheduled to perform his “Swing Symphony” on Friday alongside the Simon Bolivar Orchestra conducted by Gustavo Dudamel, the first of three concerts planned in Caracas.

Marsalis and other musicians from the Jazz at Lincoln Center Orchestra also were supposed to lead a series of workshops with Venezuela’s world-famous El Sistema network of youth ensembles. Both that organization and the orchestra are supported by Venezuela’s socialist government.

Greg Scholl, executive director of the Jazz at Lincoln Center, said he regretted the last-minute scratch of Caracas from the jazz orchestra’s 12-city South American tour. He said the visit would be rescheduled at a later date to avoid becoming a distraction amid the recent political turmoil.

Jazz “is a powerful tool to bring people across cultures and geographies together,” he said in an interview from New York. “But it’s important that it’s performed in conditions when the music can be heard. Intentionally or otherwise, if our performances there and the work that we were doing with them there was to become politicized those conditions no longer exist. And that could be harmful to both of our institutions.”

Marsalis has long been an emissary for jazz and in 2010 spent a week in Havana jamming with music students in communist-ruled Cuba.

His first visit to Venezuela since 2005 couldn’t have come at a worse time for relations between the two countries.

Last week, President Nicolas Maduro ordered the U.S. to sharply reduce the size of its embassy and slapped a new visa requirement on Americans that has caught many travelers by surprise.

The embattled leader said he was taking the steps to protect the oil-rich nation from attempts by the U.S. to oust his government. The U.S. has dismissed the claims as laughable and called them an attempt to distract attention from Venezuela’s deepening economic crisis.

Scholl said all the musicians had visas and that neither the U.S. nor Venezuela’s government pressured the orchestra to either keep or cancel its appearance.

___

Associated Press writer Joshua Goodman reported this story in Bogota and Charles J. Gans reported from New York.

Copyright 2015 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Activism

OP-ED: AB 1349 Puts Corporate Power Over Community

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

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Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland
Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

By Bishop Joseph Simmons, Senior Pastor, Greater St. Paul Baptist Church, Oakland

As a pastor, I believe in the power that a sense of community can have on improving people’s lives. Live events are one of the few places where people from different backgrounds and ages can share the same space and experience – where construction workers sit next to lawyers at a concert, and teenagers enjoy a basketball game with their grandparents. Yet, over the past decade, I’ve witnessed these experiences – the concerts, games, and cultural events where we gather – become increasingly unaffordable, and it is a shame.

These moments of connection matter as they form part of the fabric that holds communities together. But that fabric is fraying because of Ticketmaster/Live Nation’s unchecked control over access to live events. Unfortunately, AB 1349 would only further entrench their corporate power over our spaces.

Since Ticketmaster and Live Nation merged in 2010, ticket prices have jumped more than 150 percent. Activities that once fit a family’s budget now take significant disposable income that most working families simply don’t have. The problem is compounded by a system that has tilted access toward the wealthy and white-collar workers. If you have a fancy credit card, you get “presale access,” and if you work in an office instead of a warehouse, you might be able to wait in an online queue to buy a ticket. Access now means privilege.

Power over live events is concentrated in a single corporate entity, and this regime operates without transparency or accountability – much like a dictator. Ticketmaster controls 80 percent of first-sale tickets and nearly a third of resale tickets, but they still want more. More power, more control for Ticketmaster means higher prices and less access for consumers. It’s the agenda they are pushing nationally, with the help of former Trump political operatives, who are quietly trying to undo the antitrust lawsuit launched against Ticketmaster/Live Nation under President Biden’s DOJ.

That’s why I’m deeply concerned about AB 1349 in its current form. Rather than reining in Ticketmaster’s power, the bill risks strengthening it, aligning with Trump. AB 1349 gives Ticketmaster the ability to control a consumer’s ticket forever by granting Ticketmaster’s regime new powers in state law to prevent consumers from reselling or giving away their tickets. It also creates new pathways for Ticketmaster to discriminate and retaliate against consumers who choose to shop around for the best service and fees on resale platforms that aren’t yet controlled by Ticketmaster. These provisions are anti-consumer and anti-democratic.

California has an opportunity to stand with consumers, to demand transparency, and to restore genuine competition in this industry. But that requires legislation developed with input from the community and faith leaders, not proposals backed by the very company causing the harm.

Will our laws reflect fairness, inclusion, and accountability? Or will we let corporate interests tighten their grip on spaces that should belong to everyone? I, for one, support the former and encourage the California Legislature to reject AB 1349 outright or amend it to remove any provisions that expand Ticketmaster’s control. I also urge community members to contact their representatives and advocate for accessible, inclusive live events for all Californians. Let’s work together to ensure these gathering spaces remain open and welcoming to everyone, regardless of income or background.

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Oakland Post: Week of December 31, 2025 – January 6, 2026

The printed Weekly Edition of the Oakland Post: Week of – December 31, 2025 – January 6, 2026

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Oakland Post: Week of December 24 – 30, 2025

The printed Weekly Edition of the Oakland Post: Week of – December 24 – 30, 2025

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